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Korg POLYSIX Owner's Manual page 8

Programmable polyphonic synthesizer
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The
VCF
is perhaps
the single most
expressive module in the Polysix. Its basic
function
is to modify
the tonal quality
(timbre)
of the waveforms
produced
by
the
VCQs
by
eliminating
certain
har-
monics
overtones)
and
emphasizing
other ones,
Understanding
how to' use it
is a key part of getting the most from
your instrument.
There are 6 VCFs in the Polysix, one
per voice.
Each
VCF
js a 4 pole, 24
dB/octave
low pass filter with voltage
controlled
cutoff frequency, variable re-
sponance,
positive
and
negative
EG
modulation
("enveloping''), and variable.
keyboard tracking.
Each of these terms
will be explained in detail below.
1) CUTOFF
The cutoff frequency is the point in
the audio spectrum where the filter starts
to affect sounds passing through it. The
Polysix
filters
are
termed
Low
Pass,
which means that they pass frequencies
Which are lower than the cutoff point
Any frequencies above the cutoff fre-
quency
of the
filter
are
progressively
rolled off, or reduced in level. The higher
a frequency is above the cutoff point, the
more
it gets rolled off. This rolloff can
oecur
at different
fates.
The
Polysix
filters have a 24 dB/octave rolloff. This
means
that a harmonic an octave above
the cutoff point would be about 16 times
softer coming out of the filter than going
in, At two octaves above the cutoff paint,
a harmonic would be about 250 times
softer! This very sharp rolloff helps to
Produce
edlistic
imitations
of
most
instruments,
a wide variety of punchy
synth voicings, and many special effects.
Since
the cutoff
point
can
be varied
throughout
the audio spectrum, you can
choose to remove
na harmonics, upper
harmonics
only,
everything
but
the
fundamental, or anything in between. It
can also remove everything, silencing the
instrument, if the cutoff point goes much
below the fundamental pitch.
j dient
Klang
glerfeld gewahlten
Grun
rbe
fir die im
wunschten
Ce réglage ajuste le timbre c
fondamentales
cho
dans
le
d'oscillateurs VCO.
ondes
bloc
VCF
KBD TRACK
2) RESONANCE
2) RESONANCE
E

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