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Before starting please check www.allen-heath.com for the latest Avantis firmware and documentation.
Before starting, read the Important Safety Instructions printed on the sheet supplied with the equipment. For your own safety and that of the operator, technical crew and performers, follow all instructions and heed all warnings printed on the sheet and on the equipment panels.
The function of Avantis is determined by the firmware (operating software) that runs it. Firmware is updated regularly as new features are added and improvements made.
Check www.allen-heath.com for the latest version of Avantis firmware.
By using this Allen & Heath product and the software within it you agree to be bound by the terms of the relevant End User Licence Agreement (EULA), a copy of which can be found at www.allenheath.com/legal. You agree to be bound by the terms of the EULA by installing, copying, or using the software.
Please refer to the Allen & Heath website for further information, knowledgebase and technical support. For more information on Avantis setup and mixing functions please refer to the Avantis Firmware Reference Guide available for download at www.allen-heath.com.
Check for the latest version of this Getting Started Guide.
You can also join our Allen & Heath Digital Community to share knowledge and information with other Avantis users.
Register your product online at www.allen-heath.com/register.
Check you have received the following:
Avantis Solo is a 64 channel 96kHz digital mixing console providing a powerful solution for any live sound application. Pristine audio quality is delivered at ultra-low latency, and comprehensive signal routing and processing options are easily accessible via the 15.6" Full HD touchscreen.
Avantis is DEEP Processing ready, enabling the use of our world-class hardware emulations with no added latency or need for additional hardware. Visit allen-heath.com/avantis for more information.
The integrated SLink port offers Plug'n'Play operation with the GX, DX, AB and AR ranges of remote I/O expanders plus the DX Hub remote hub. Additionally, SLink can be used for digital split applications with a second Avantis mixer or a dLive/SQ system.
Compatibility with the ME Personal Monitoring System allows performers to take control of their own monitor mixes via the ME-1 and ME-500 personal mixers.
Digital audio networking cards are available to enable integration with other digital audio systems via protocols such as gigaACE, Dante, MADI and Waves SoundGrid.
Avantis features at a glance:
Refer to the Allen & Heath website to learn more about Avantis.
Ensure the rocker switch is in the off position. Plug in the IEC mains power lead supplied with the mixer. If required, secure the lead by hooking it into the plastic clip using a T20 Torx to remove the fixing screw. Power on the mixer using the rocker switch.
On first use, calibrate the fader touch sensitivity by going to Utility / Utility / Calibration and select Calibrate Fader Touch, follow the onscreen instructions ensuring you only touch the first fader in the bank when instructed.
Avantis has a fully configurable audio architecture, control layout, and socket patching. We have provided a set of Template Shows to give a choice of classic console formats to load as a quick starting point with a familiar architecture and logical layout.
To load a Template Show go to the Utility / Memory / Show Manager screen, select one of the available Template Shows, touch Recall and confirm.
Recalling a Show overwrites all the system settings including the bus configuration, control layout, current parameters, all Scenes, and Library presets. If you want to save the current settings then first Store them as a User Show.
For more information please refer to the Avantis Firmware Reference Guide available for download at www.allen-heath.com.
Plug a touring grade CAT5e (or higher specification) cable up to 100m long between the Remote Expander and SLink port.
Refer to www.allen-heath.com for cable requirements, recommendations, and a list of CAT5 cables available to order.
Switch on the Remote Expander. The SLink port Lnk/Err indicators flash at a steady rate when the link is established. The red error indicator lights if a communication error is detected. Check that the cables are the correct type, plugged in correctly, and are not faulty.
The following Remote Expanders are compatible with the Avantis SLink port:
Remote Expander | Sample Rate | Protocol |
GX4816 | 96kHz | GX |
DX32, DX168, DX164-W, DX88, DX012, DX Hub | 96kHz | DX |
AR2412, AR84 | 48kHz | dSnake |
AB168 | 48kHz | dSnake |
For more information on our range of I/O expanders please visit www.allen-heath.com/everything-io/
The system must be powered down correctly. Navigate to Utility / Status and touch the Power Down button. Confirm the action and then turn the mixer and expanders off using their power switches.
If the system is not powered down correctly there is a possibility recent changes may be lost.
If the system was not powered down as described above, then a "Not Shut Down Correctly" screen appears the next time the system is turned on.
Upgrade your console with Avantis dPack to access additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors and the Dual Stage Valve Preamp, plus more models as they're added.
If you purchased your Avantis with the dPack upgrade, you should have received a 12-character voucher code. To redeem your dPack voucher code and activate your upgrade:
If you did not purchase your Avantis with the dPack upgrade, but wish to purchase dPack for your mixer, please visit shop.allen-heath.com
If you experience any difficulties, please contact Allen & Heath Shop Support by emailing shopsupport@allen-heath.com
Strip Rotaries – Their function is selected using the strip rotary mode keys described earlier in this chapter. The rotaries can control preamp Gain/Trim, Pan, Sends to the active Mix, and 3 user-assignable functions. The colour of the rotary LED matches the active function e.g. red for Gain, yellow for Pan; it follows the colour of the active Mix when in Sends mode. The value is displayed in the Name Block display
Mute – Turns off the channel signal. Affects the main mix, pre-fade and post-fade sends. The switch illuminates when the signal is muted.
Muted – Illuminates when the channel is muted by a DCA or Mute Group.
Mix – Puts the send levels and assignments of the associated input or Mix channel onto the fader strips (or strip rotaries when rotaries are in Sends mode).
The currently active Mix is displayed in the top right corner of the Processing screen. Press an active Mix key to return to the main mix.
PAFL – Sends the channel signal PFL (pre-fade listen) or AFL (after-fade listen) to the headphones and monitoring system. Preferences for the PAFL system are set using the Setup / Audio / PAFL screen.
Avantis Solo has one screen, showing channel processing, bank overview, system setup & status, memory management menus and more.
The touchscreen integrates with a trio of user-configurable soft rotaries in addition to a Touch & Turn rotary control for quick and easy parameter modification.
Press a Main Mix (e.g. LR) strip Mix key.
This is the default mixing mode:
The Input channel strips present the channel faders.
The Mix channel strips present the mix bus level faders.
Press a Mix channel strip Mix key (e.g. AUX 1)
Use this to work with Aux and FX sends.
The Input strips present all the send levels to the active Mix.
The Mix channel strips present the mix bus level faders.
Press an Input Channel strip Mix key (e.g. IP 1)
Use this to work with Aux and FX sends.
The Input strips remain as Channel Faders.
The Aux and FX mix strips present all sends from the Input channel.
Press the Mix key on a Mix, Group or DCA strip (e.g. DCA 1)
Hold down the Assign key and press channel Mix keys to assign or unassign them from the active mix. Assignment status is displayed in the Name Block.
You can quickly set all assignments to a Mix to On or Off by pressing the Mix button on a Mix channel strip, and then pressing and holding the Assign button while pressing the Mix button on the Mix channel strip.
The default mixing mode is Sends on Faders.
To activate Sends on Rotaries, press the Sends button in the Strip Rotary Mode section.
In Sends on Rotaries mode, Strip Rotaries are used to control send levels to the active mix, with the channel faders remaining as level controls to the Main Mix.
Hold down the Pre key and touch channel Name Blocks to toggle each source pre or post fader. Current Pre/Post status is displayed on the lower part of the Name Block.
You can quickly set all assignments pre or post fader by touching the Mix channel Name Block while holding Pre.
All dimensions shown in mm.
Do not remove the 4 rubber feet from the mixer.
Leave adequate space for ventilation () and connections at the front, rear, and sides of the mixer.
Leave adequate space for ventilation () at the sides of the mixer in the area indicated.
Leave adequate space for (1) ventilation () and (2) USB / headphone connections at front of mixer.
Leave adequate space for (1) ventilation () and (2) audio / power connections at rear of mixer.
Avantis is compatible with a wide range of expanders, I/O cards, personal monitor mixers and remote controllers. Please visit the Allen & Heath website, or contact your local distributor, for more information.
Sample Rate | Inputs | Outputs | Connection | ||
GX4816 | 96kHz | 48 | 16 | SLink port, gigaACE card | |
DX32 | 96kHz | Up to 32 | SLink port, DX Link, DX Hub | ||
DX168 | 96kHz | 16 | 8 | SLink port, DX Link, DX Hub | |
DX164-W | 96kHz | 16 | 4 | SLink port, DX Link, DX Hub | |
DX88 | 96kHz | 8 | 8 | SLink port, DX Link, DX Hub | |
DX012 | 96kHz | 0 | 12 | SLink port, DX Link, DX Hub | |
DT168 | 96kHz/48kHz | 16 | 8 | Dante card | |
DT164-W | 96kHz/48kHz | 16 | 4 | Dante Card | |
DT02 | 96kHz/48kHz | 0 | 2 | Dante Card | |
DT20 | 96kHz/48kHz | 2 | 0 | Dante Card | |
DT22 | 96kHz/48kHz | 2 | 2 | Dante Card | |
DX Hub | 96kHz | 128 | 128 | SLink port, gigaACE card | |
AR2412 | 48kHz | 24 | 12 | SLink port | |
AR84 | 48kHz | 8 | 4 | Slink port | |
AB168 | 48kHz | 16 | 8 | Slink port |
Visit allen-heath.com/everything-io/ for more information on our range of expansion options.
Dante 64x64 | 64x64 | 96kHz/48kHz | Dante audio networking card | |
Dante 128x128 | 128x128 | 96kHz/48kHz | Dante audio networking card | |
gigaACE | 128x128 | 96kHz | dLive/Avantis point-to-point connections | |
fibreACE | 128x128 | 96kHz | gigaACE via multimode fibre optic | |
DX Link | 128x128 | 96kHz | DX expander interface | |
Waves3 | 128x128 | 96kHz/48kHz | Waves SoundGrid audio networking card | |
superMADI | 128x128 | 96kHz/48kHz | Optical and coaxial MADI interfacing | |
AES 4i6o | 4x6 | 96/88/48/44.1kHz | 4 in, 6 out, AES3 audio interface | |
AES 10o | 0x10 | 96/88/48/44.1kHz | 0 in, 10 out, AES3 audio interface | |
AES 6i4o | 6x4 | 96/88/48/44.1kHz | 6 in, 4 out, AES3 audio interface | |
AES 2i8o | 2x8 | 96/88/48/44.1kHz | 2 in, 8 out, AES3 audio interface |
IP1 | Wallmount remote controller with 1 dual-function rotary encoder |
IP6 | Remote controller with 6 push-and-turn rotary encoders |
IP8 | Remote controller with 8 motorised faders |
GPIO | General purpose I/O interface for remote control |
ME-500 | 16 Channel Personal Mixer |
ME-1 | 40 Source Personal Mixer |
ME-U | Personal Monitor Mixer Hub |
Visit allen-heath.com/me/ for more information.
Inputs | System | ||||
Mic/Line XLR Inputs | Balanced XLR, +48V phantom power | Measured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out | |||
Mic/Line Preamp | Fully recallable | Dynamic Range | 109dB | ||
Input Sensitivity | -60 to +15dBu | System Signal to Noise | -92dB | ||
Analogue Gain | +5 to +60dB, 1dB steps | Frequency Response | 20Hz - 30kHz (+0/-0.8dB) | ||
Pad | -20dB Active PAD | THD+N (analogue in to out) | 0.0015% @ +16dBu output, 1kHz 0dB gain | ||
Maximum Input Level | +30dBu (PAD in) | Headroom | +18dB | ||
Input Impedance | >4kΩ (Pad out), >10kΩ (Pad in) | Internal operating Level | 0dBu | ||
Mic EIN | -127dB with 150Ω source | dBFS Alignment | +18dBu = 0dBFS (+22dBu at XLR output) | ||
Phantom Power indication | Per socket, internal or external phantom power sensing, triggered at +24V | Meter Calibration | 0dB meter = -18dBFS (+4dBu at XLR out) | ||
Meter Peak indication | -3dBFS (+19dBu at XLR out) | ||||
Digital Inputs | AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω SRC range 24 bit, 32k - 192kHz, with bypass option | Sampling Rate | 96kHz | ||
Outputs | |||||
Analogue XLR Outputs | Balanced, Relay protected | ||||
Output Impedance | <75Ω | ||||
Nominal Output | +4dBu = 0dB meter reading | ||||
Maximum Output Level | +22dBu | ||||
Residual Output Noise | -95dBu (muted, 22-22kHz) -90dBu (muted, 0-80kHz) | Operating Temperature Range | 0 deg C to 40 deg C 32 deg F to 104 deg F | ||
Mains Power | 100-240V AC, 50-60Hz, 150W max | ||||
Digital Outputs | AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω 96kHz sampling rate, globally switchable to 48kHz, 44.1kHz | USB Audio playback | Mono/stereo. WAV files, (16/24bit, 44.1/48/96kHz) MP3 files FLAC files | ||
USB Audio recording | Stereo. WAV files, (24bit 96kHz) | ||||
Dimensions and Weights | |||||
Unboxed | Boxed | ||||
Width x Depth x Height | 546 x 627 x 269 mm 21.5" x 24.7" x 10.6" | Width x Depth x Height | 830 x 730 x 425 mm 32.6" x 28.7" x 16.7" | ||
Weight | 17.5kg 38.6lbs | Weight | 24.3kg 53.6lbs |
Details of the EULA, warranty policy and other useful information can be found on the Allen & Heath website: www.allen-heath.com/legal.
ALLEN& HEATH
Allen & Heath Limited, Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK www.allen-heath.com
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
Download ALLEN & HEATH Avantis Solo - Channel Digital Mixer Manual
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