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The Xone: 43 is a DJ mixer featuring four stereo dual input channels, a Mic/Aux input channel, 45mm linear VCA channel faders, Xone VCF filter, and X:FX external effects loop for send/return functionality with wet/dry control.
To ensure that you get the maximum benefit from the unit please spare a few minutes familiarizing yourself with the controls and setup procedures outlined in this user guide. For further information please refer to the additional information available on our website, or contact our product support team.
http://www.allen-heath.com
Booth Output
RCA phono, 0dBu. Provides a line level stereo feed to the DJ local monitor amplifier system. It is not affected by the master fader or cue system.
Rear Panel
Front Panel
Nom / max output levels | Main Mix | +4dBu | +27dBu |
Booth | 0dBu | +22dBu | |
X:FX Send | 0dBu | +20dBu | |
Record Out | 0dBu | +20dBu | |
Internal headroom | Channels +20dB | ||
Frequency response | +/-0.5dB 20Hz - 20kHz | ||
Distortion | < 0.05% THD+noise @1kHz | ||
Crosstalk | < -83dB inter-channel | ||
Residual noise | Mix 1 | -89dBu | |
Booth | -93dBu | ||
X:FX | -77dBu | ||
Rec | -92dBu | ||
Mix noise | Mix 1 | -82dBu | |
Booth | -84dBu | ||
X:FX | -77dBu | ||
Rec | -87dBu | ||
Channel meters | Peak reading 9 LED -20dB to +10dB | ||
Main meters | Peak reading 9 LED -20dB to +10dB | ||
Mic EQ | 2-Band +/-12dB | ||
Channel EQ | 3-Band +6dB / total kill | ||
Channel fader | 45mm stereo VCA, < -85dB shutoff | ||
Crossfader | 45mm stereo VCA - replaceable | ||
Filters | Stereo VCF, analogue | ||
Consumption | 30W max |
Dimensions and Weights
The console is fitted with rubber feet for desktop operation.
Mixer | Width | Height | Depth | Weight |
320 mm | 110mm | 370mm | 5.1 kg |
The VCF Filters
A voltage controlled filter is an audio filter where the cut-off frequency is altered by a DC control voltage rather than a variable resistor. This produces a much wider operating range and more control over the filter response to create unlimited combinations of tonal effect.
Filter Type Select
The filters are 'state variable'. This means that they provide three simultaneous filter types: high-pass, band-pass and low-pass. Three large illuminated switches select which type is active. You can press any combination together to create different response types such as 'notch' and an interesting 'all-pass' effect. The switches are 'soft switched' for live performance, meaning that the audio signal is ramped between filter states to prevent audible clicks.
Note that the last selected type is lost when power is removed from the console. The LPF is always selected when power is applied.
The graphs below show the effect on the audio frequency response for the three filter types. The range of sweep from low to high frequency is shown together with the effect of adjusting RESONANCE (one frequency with several resonance settings shown).
The vertical scale shows the amount of cut or boost around the normal 0dB operating level. The horizontal scale shows the change in frequency from low (bass) to high (treble).
It is most important that the system level settings are correctly set. It is well known that many DJs push the level to maximum with meters peaking hard in the belief that they are getting the best from the system. THIS IS NOT THE CASE! The best can only be achieved if the system levels are set within the normal operating range and not allowed to peak. Peaking simply results in signal distortion, not more volume. It is the specification of the amplifier / speaker system that sets the maximum volume that can be achieved, not the console. The human ear too can fool the operator into believing that more volume is needed. Be careful as this is in fact a warning that hearing damage will result if high listening levels are maintained. Remember that it is the QUALITY of the sound that pleases the ear, not the VOLUME.
The diagram below illustrates the operating range of the audio signal.
NORMAL OPERATING RANGE. For normal music the signal should range between –6 and +6 on the meters with average around 0dB. This allows enough HEADROOM for unexpected peaks before the signal hits its maximum CLIPPING voltage and distorts.
It also achieves the best SIGNAL-TO-NOISE-RATIO by keeping the signal well above the residual NOISE FLOOR (system hiss).
The DYNAMIC RANGE is the maximum signal swing available between the residual noise floor and clipping.
An important note...
The human ear is a remarkable organ with the ability to compress or 'shut down' when sound levels become too high. Do not interpret this natural response as a reason to turn the system volume up further! As the session wears on ear fatigue may set in, and the speaker cones may become hot so reducing the effectiveness of the system and listeners to gain any benefit from increased volume.
The connection to earth (ground) in an audio system is important for two reasons:
SAFETY - To protect the operator from high voltage electric shock, and
AUDIO PERFORMANCE - To minimise the effect of earth (ground) loops which result in audible hum and buzz, and to shield the audio signals from interference.
For safety it is important that all equipment earths are connected to mains earth so that exposed metal parts are prevented from carrying high voltage which can injure or even kill the operator. It is recommended that a qualified system engineer check the continuity of the safety earth from all points in the system including microphone bodies, turntable chassis, equipment cases, and so on.
The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers, lighting dimmer buzz, and computer radiation. Problems arise when the signal sees more than one path to mains earth. An 'earth loop' (ground loop) results causing current to flow between the different earth paths. This condition is usually detected as a mains frequency audible hum or buzz.
To ensure safe and trouble-free operation we recommend the following:
Have your mains system checked by a qualified electrician. If the supply earthing is solid to start with you are less likely to experience problems.
Do not remove the earth connection from the console mains plug. The console chassis is connected to mains earth through the power cable to ensure your safety. Audio 0V is connected to the console chassis internally. If problems are encountered with earth loops operate the audio 'ground lift' switches on connected equipment accordingly, or disconnect the cable screens at one end, usually at the destination.
Make sure that turntables are correctly earthed. A chassis earth terminal is provided on the console rear panel to connect to turntable earth straps.
Use low impedance sources such as microphones and line level equipment rated at 200 ohms or less to reduce susceptibility to interference. The console outputs are designed to operate at very low impedance to minimise interference problems.
Use balanced connections for microphones and mix output as these provide further immunity by cancelling out interference that may be picked up on long cable runs. To connect an unbalanced source to a balanced console input, link the cold input (XLR pin 3 or jack ring) to 0V earth (XLR pin 1 or jack sleeve) at the console. To connect a balanced XLR output to unbalanced equipment, link the cold output to 0V earth at the console.
Use good quality cables and connectors and check for correct wiring and reliable solder joints. Allow sufficient cable loop to prevent damage through stretching.
If you are not sure... Contact your service agent or local Allen & Heath dealer for advice.
If the crossfader is subject to a lot of use it will, in time wear out and need replacing. Intermittent or noisy operation is an indication that it is becoming worn. Using a propriety fader cleaner such as CaigLube might temporarily restore use, but DO NOT use on a new fader as it will wash away the factory applied grease.
The standard fader can be ordered under A&H part number 004-632JIT The Innofader can be ordered under part number 004-504JIT
Dismantling your mixer could invalidate the warranty; if you are unsure of your ability to safely carry out this work then it is advised that you leave it to a qualified service technician.
Tools you will need:
Have a clean flat work surface ready before starting work.
Ensure that the power to the unit has been turned off and disconnected completely from the mains.
Registering your product
Please register your product with Allen&Heath online at:
http://www.allen-heath.com/support/register-product/
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
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