Yamaha PortaTone PSR-275 Owner's Manual page 60

Function
G Function parameters
CATEGORY SELECT
Overall Transpose
Tuning
Split Point
Touch Sensitivity
Volume Style Volume
Song Volume
Metronome
Volume
Metronome Time
Signature
Main Voice Volume
Octave
Reverb Send
Level
Chorus Send
Level
Dual Voice Voice
Volume
Octave
Reverb Send
Level
Chorus Send
Level
Split Voice Voice
Volume
Octave
Reverb Send
Level
Chorus Send
Level
Effect/ Reverb Type
Harmony
Chorus Type
Harmony Type
Harmony Volume
Utility Local On/Off
External Clock
Initial
Setup Send
* The "*" mark indicates that the setting can be restored to default value by pressing both [+]/[–] buttons simultaneously.
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Display Range/ Description
Settings
-12–12 This determines the transposition of the entire PSR-275/273 sound.
-100–100 This determines the pitch of the entire PSR-275/273 sound .
000–127 This determines the highest key for the Split voice and sets the Split "point"
— in other words, the key that separates the Split (lower) and Main (upper)
voices. (The Split voice sounds up to and including the Split Point key.) The
default Split Point is 054 (F#2). The Split Point setting and Accompaniment
Split Point setting are automatically set to the same value.
1–3 A setting of "1" results in limited touch response; this setting produces a rel-
atively narrow dynamic range, no matter how lightly or strongly you play
the keys. "2" lets you play over a normal dynamic range (soft to loud), while
"3" is designed for playing very soft passages, giving you slightly more de-
tailed control in the soft volume range. When Touch is turned off (page 27),
a constant velocity value of 80 is produced (total velocity range = 0–127).
0–127 This determines the volume of the style, letting you create an optimum mix
with your performance.
0–127 This determines the volume of the Song.
0–127 This determines the volume of the Metronome.
0–15 This determines the time signature of the Metronome.
0–127 This determines the volume of the Main voice, letting you create an opti-
mum mix with the Dual or Split voice.
-2–2 This determines the octave range for the Main voice. Use this to set the
(octave) most suitable range for the Main voice.
0–127 This determines how much of the Main voice's signal is sent to the Reverb
effect. Higher values result in a louder Reverb effect.
0–127 This determines how much of the Main voice's signal is sent to the Chorus
effect. Higher values result in a louder Chorus effect.
1–480 This select the dual voice.
0–127 This determines the volume of the Dual voice, letting you create an opti-
mum mix with the Main voice.
-2–2 This determines the octave range for the Dual voice. Use this to create an
(octave) octave layer for the Dual voice.
0–127 This determines how much of the Dual voice's signal is sent to the Reverb
effect. Higher values result in a louder Reverb effect for the Dual voice.
0–127 This determines how much of the Dual voice's signal is sent to the Chorus
effect. Higher values result in a louder Chorus effect for the Dual voice.
1–480 This select the split voice.
0–127 This determines the volume of the Split voice, letting you create an opti-
mum mix with the Main voice.
-2–2 This determines the octave range for the Split voice. Use this to set the
(octave) most suitable range for the Split (lower) voice.
0–127 This determines how much of the Split voice's signal is sent to the Reverb
effect. Higher values result in a louder Reverb effect for the Split voice.
0–127 This determines how much of the Split voice's signal is sent to the Chorus
effect. Higher values result in a louder Chorus effect for the Split voice.
1–9 This determines the Reverb type (See the list on page 32).
1–5
This determines the Chorus type, including "off" (See the list on page 32). *
1–26 This determines the Harmony type (See the list on page 31).
0–127 This determines the level of the Harmony effect when Harmony type 1-5 is
selected, letting you create the optimum mix with the original melody note.
On/Off This determines the Local on or off.
Press the [+]/[–] buttons to set Local Control to on or off.
On/Off This determines the External clock or Internal clock.
Press the [+]/[–] buttons to set External clock or Internal clock.
YES/NO This lets you save PortaTone initial data to another device (such as a se-
quencer, computer, or MIDI data filer).
Use the [+/YES] button to transmit the data.
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