Rear Panel - Yamaha PortaTone PSR-275 Owner's Manual

Yamaha psr-275: user guide
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!5 [INTRO/ENDING/rit.] / [
When the Style mode is selected, this is used to con-
trol the Intro and Ending functions. (See page 34.)
When the Song mode is selected, this is used as a
"rewind" control, or move the song playback point
back toward the beginning.
!6 [MAIN/AUTO FILL] / [
When the Style mode is selected, these are used to
change auto accompaniment sections and control the
Auto Fill function. (See page 39.) When the Song
mode is selected, this is used as a "fast forward" con-
trol, or move the song playback point toward the end.
!7 [TEMPO/TAP] button
This button is used to call up the Tempo setting, let-
ting you set the Tempo with the numeric keypad or
[+]/[–] buttons. (See page 21.) It also allows you to
tap out the tempo and automatically start a selected
song or style at that tapped speed. (See page 35.)
I Rear Panel
@5
@5 PHONES/OUTPUT jack
This is for connection to a set of stereo headphones or
to an external amplifier/speaker system. (See page
11.)
@6 DC IN 10-12V jack
This is for connection to a PA-3C or PA-3B AC
power adaptor. (See page 10.)
REW] button
FF] button
@6
@7
Panel Controls and Terminals
!8 [SONG] button
This is for enabling song selection. (See page 45.)
!9 [STYLE] button
This is for enabling style selection. (See page 33.)
@0 [VOICE] button
This is for enabling voice selection. (See page 23.)
Holding down this button calls up the Melody Voice
Change function. (See page 48.)
@1 [HARMONY] button
This turns the Harmony effect on and off. (See page
29.)
@2 [DUAL] button
This turns the Dual voice on or off. (See page 25.)
@3 [SPLIT] button
This turns the Split voice on and off. (See page 26.)
@4 [SUSTAIN] button
This turns the Sustain on and off. (See page 30.)
@8
@7 MIDI IN, MIDI OUT terminals
These are for connection to other MIDI instruments
and devices. (See page 56.)
@8 SUSTAIN jack
This is for connection to an optional FC4 or FC5
Footswitch for control over sustain, just like the
damper pedal on a piano. (See page 11.)
9

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