& Z8 : Installation and User Guide & Z4 Venue Mixer Installation and operation manual Contents Section Page Safety Notes................3 General ..................3 Schematic Diagram ..............3 Installation ..................3 Music inputs ................3 Sensitivity & Gain Control............4 Music Control – Front Panel or Remote Plate ......4 Music Equalisation ..............4 Line 6 Input Priority ..............4 Microphone inputs..............4...
& Z8 : Installation and User Guide Contents (cont.) Section Page 25.4 LM-1 Mic/line plus remote control of music signals ....14 Solving problems ..............15 26.1 Ground loops (aka Earth loops)..........15 26.2 Connecting balanced signals to the unbalanced line inputs ..15 EMC Considerations..............16 Technical Specifications ............16 General specifications ..............16...
Schematic Diagram Installation The Cloud Z4 and Z8 venue mixers are suitable for mounting in a standard 19” equipment rack and occupy 3 units of rack space. The units are 160mm deep but a depth of 235mm should be allowed to clear the connectors. Avoid positioning the units in close proximity to magnetic fields or equipment operating at a high temperature.
& Z8 : Installation and User Guide Music Inputs - Sensitivity & Gain Control All six line inputs have a pre-set gain control on the rear panel, adjacent to the respective input sockets. The input sensitivity can be varied from –12dBu (195mV) to +8dBu (2.0V). The pre-set gain controls should be set so that all the input signals operate at the same level within the mixer so that the change in level when switching sources is minimal.
Once the input gain control has been set the paging mic level of each zone can be optimised by adjusting the front panel mounted pre-set level controls. The Cloud CPM-4 & CPM-8 zone paging microphones are available as an optional accessory, both microphones feature zone selection switches allowing paging to all four or eight zones in any combination;...
& Z8 : Installation and User Guide Wiring Multiple CPM Paging Microphones to a Z4 or Z8 Venue Mixer In certain circumstances the Z4 and Z8 can power more than PAGING MICROPHONE ZONE ACCESS SWITCHING one CPM microphone, refer to section 19 for more details. 0V 8 1 +V The Z4 and Z8 mixers are compatible with general purpose...
& Z8 : Installation and User Guide Microphone Priority Fully automatic, voice operated priority is provided. When any microphone is used, the music signals will attenuate by approximately 30dB; after the announcement, the music signals will restore smoothly to their former level. Priority over Mic 1 & Mic 2 is provided for the paging mic only;...
In certain circumstances, there may be a requirement to mute the music signals via a fire alarm control panel in an alarm condition. The Cloud Venue Mixer provides a facility to mute the music signals by connecting the two pole music mute connector to a pair of relay contacts that are controlled by the fire alarm control panel.
Controlling the music functions using external DC control The Cloud Z4 and Z8 can be used as part of an automated sound system by controlling the music level and music source by an external 0-10V DC voltage. The 3-pole connector normally used to terminate the RSL-6 control plate can be used to feed two separate control voltages into the mixer on a zone by zone basis.
EQ Module Active Modules – general specification. The Cloud AE-1, DM-1 & LM-1 are the same physical size as a double UK electrical socket (13A type) and can be mounted in the recessed back box provided or be surfaced mounted in a standard 35mm deep housing.
25.1 AE-1 Aerobics Module The Cloud AE-1 is a remotely located active module with facilities for a line level music input and an unbalanced microphone input. The AE-1 is compatible with the Cloud Z4, Z8 and the MPA-626 and can be used for any application where the facilities provided match the system requirements;...
25.2 DM-1 Dual Microphone Input Module The Cloud DM-1 is a remotely located active module with two balanced microphone inputs via 3 pin female XLR connectors. Each input has a level control and overall equalisation is provided by tamperproof treble and bass controls. A ‘music ducking’ switch provides priority over the main system music if required.
25.4 LM-1 Mic/line plus remote control of music signals. The Cloud LM-1 is a remotely located active module with a balanced microphone input, a line level music input and music source select & level controls (rather like a built in RSL-6).
& Z8 : Installation and User Guide Solving problems 26.1 Ground loops (aka Earth loops) Despite your best efforts, if the completed sound system ‘hums’ you probably have a ‘ground loop’; the offending signal source can be found by setting the volume control to minimum then disconnecting the input leads (both left &...
: Installation and User Guide EMC Considerations The Cloud Z4 & Z8 fully conform to the relevant electromagnetic compatibility (EMC) standards and are technically well behaved; you should experience no operational problems and under normal circumstances, no special precautions need to be taken. If the unit is to be...
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® Bose is a registered trademark of The Bose Corporation In the interest of continuing improvements Cloud Electronics Limited reserves the right to alter specifications without prior notice. Cloud Electronics Limited 140 Staniforth Road Sheffield S9 3HF England Telephone +44 (0) 114 244 7051 Fax +44 (0) 114 242 5462 E-mail: Info@cloud.co.uk...
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