Operation - Reloop RMX95 Instruction Manual

Digital club with 24-bit dual interface
For more information, please visit reloop.com
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1.2 DESIGNATIONS
1.2.1 SIGNAL CHANNELS
1.
Signal input selector switch
2.
Gain
3.
3-band EQ
4.
LEDs
5.
Filter
6.
Cue button
7.
Line fader
8.
Crossfader assignment switch
9.
Crossfader
10.
Crossfader curve
11.
Tap button, for manually tapping the BPM
12.
Linefader curve
13.
Auto/Tap button, for automatic BPM detection
14. EQ curve switch
1.2.2 MIC CHANNEL
15.
DJ Mic 1/AUX level
16.
Level LED for DJ Mic/AUX
17.
Mic 2 level
18. Level LED for DJ Mic 2
19.
2-band EQ for DJ Mic 1
20a. Talkover switch
20b. Mic ON button
1.2.3 HEADPHONES SECTION
21.
Split switch (Mono/Stereo split switch)
22. Cue EQ (EQ for headphone output)
23. Cue mix (ratio between cue and master signal)
24. Cue VOL (volume control for headphone output)
1.2.4 MASTER SECTION
25. Master Level, controls the master volume
26. LED for the master signal
27. Mono/stereo switch for booth output
28. Booth level control, adjusts the monitor volume
29. Filter resonance, adjusts the resonance settings for the sound filters
1.3 CONNECTING
1.3.1 LINE SIGNALS
Connect your line sources (CD player, tape deck, controller, etc.) to the
corresponding line/CD channel inputs for channels 1 – 4 -53-.
1.3.2 PHONO SIGNALS
Connect your phono sources to the corresponding phono channel
inputs of channels 2 and 3 -53-. Connect your grounding cable of your
turntables to the GND grounding screws -54-.
1.3.3 MICROPHONE SIGNAL
Connect your main microphone to the input for DJ Mic 1 -44-. Connect
a further mic to the input for Mic 2 -47-.
1.3.4 HEADPHONES
Connect your headphones to one of the headphones inputs -45- and
-46-.
1.3.5 MASTER OUTPUT
Connect your sound system to Master Out 2 -49- (RCA) or Master Out
1 balanced (XLR) -50-.
1.3.6 MONITOR OUTPUT
Connect your monitoring system to Booth Out -51-.
1.3.7 REC OUTPUT
Connect a recording device of your choice to Record Out -52-. The
Record Output provides a steady signal, independent from Master.
1.3.8 POWER SUPPLY
Connect the power cable to the Power Connection -48-. Connect the
power cable to your power outlet.
1.3.9 USB CONNECTION
Connect your computer to one of the mixer's USB ports -55- or -56- to
receive audio signals from it or to connect other USB devices, via the
USB HUB -57-. The connected devices to the USB HUB will automatically
be routed to the selected input USB-B input of channel 2 and 3.
Example:
Channel 2 is routed to USB-B Port 1
Channel 3 is routed to USB-B Port 2
The connected device on USB HUB CH2 input will be routed to USB-B
Port 1 while the connected device on USB HUB CH3 to USB-B Port 2.
12
1.2.5 FX SECTION
30. FX Select
31.
FX Routing
32. Time encoder
33. Time-beat buttons
34. FX-Frequency control
35. Level/Depth control
36. FX On
37. Display
1.2.6 DISPLAY
38. FX / PARAM
39. FX channel display
40. Time / Length
41. BPM Channel / FX
42. BPM CUE display
1.2.7 CONNECTIONS
43. AUX (RCA)
44. DJ MIC 1 (combo XLR/jack)
45. Headphone output 1 - 6.3 mm jack (TRS)
46. Headphone output 2 - 3.5 mm jack (TRS)
47. MIC 2 jack (TRS)
48. Power connection
49. Master out 2 - unbalanced (RCA)
50. Master out 1 - balanced (XLR)
51.
Booth Out - balanced (TRS)
52. Record out - unbalanced (RCA)
53. Channel inputs (RCA)
54. GND (ground)
55. USB A port
56. USB B port
57. USB-HUB
58. Kensington Lock
59. ON/OFF switch

2. OPERATION

2.1 POWER ON
After all connections have been carried out, you can turn on the device
via the ON/OFF switch -59-.
2.2 SIGNAL INPUT SELECT
Via the Signal Input Select Switch -1- you can select between line, CD,
phono and USB sources for channels 1 – 4. Please observe the captions
of the single signal input switches. Via the Signal Input Select Switch
-1.1- you can select between microphone and AUX as source for the Mic/
AUX channel.
2.3 GAIN
Via the Gain Dials -2- you can adjust the input volume for channels 1 – 4.
Make sure that peak signals remain within the yellow range of the LED
indicator -4-. Use the Mic Level Dials -15, 17- to adjust DJ microphone 1/
AUX and microphone 2 respectively. Make sure that the Mic LEDs -16-
and -18- are only lit during signal peaks.
2.4 EQ
With the 3-Band EQ -3- you can adjust low, mid and high frequencies
for channels 1 – 4. The equalizer's characteristics can be switched to
KILL and CLASSIC via the EQ Curve Switch -14-. In CLASSIC mode it is
possible to lower a frequency band; with KILL it is possible to remove a
frequency band completely. Via the 2-Band EQ -19- you can adjust low
and high frequencies for the MIC/AUX channel.
2.5 FILTER
Channels 1 – 4 dispose of an individual, bipolar filter -5-. In the 12 o'clock
position the filter is turned off. When turning clockwise, a highpass
effect will be generated; when turning counter-clockwise a lowpass
effect will be generated.
With the filter resonance control -29-, you can adjust the resonance
of the sound filters -5- in the channel according to your personal
preferences.
2.6 LINEFADER
The Linefaders -7- are used to adjust the output volume for channels
1 – 4. The Linefader's curve can be adjusted with the help of the
Linefader Curve -12-. In the 12 o'clock position the curve is linear. By
turning clockwise, the CUT limit will be moved to the upper fader pass.
By turning counterclockwise, the CUT limit will be moved to the lower
fader pass.

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