Back Panel Overview - Fostex PM-2 MKII Reference Manual

Fostex pm-2 mkii studio monitor: user guide

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Table of Contents

1. XLR & TRS Combination Input

This input is an electronically balanced input and

is compatible with both -10dBV and +4dBu

signals.

2. Continuously variable gain control

This control adjusts the input level to the internal

amplifiers.

3. Heatsink

The heatsink dissipates heat from the amplifier. It

is important the heatsink receives proper

ventilation and is not placed near any sources of

heat.

4. Power Switch

Turns power to the amplifier section on or off.

On - position is the spot side.

The apparatus shall be used in an open area.

5. Standard IEC Power Input

This power terminal should be used with a

properly grounded three pin power cable, such as

the one provide with the product.

6. Low Frequency Adjustment

The PM-2MKⅡ allows you to adjust its low frequency

response to get suit its environment.

There may be cases where a slight adjustment

is necessary in order to better match the

acoustic characteristics of the room.

To make this adjustment you may boost or

cut the PM-2MKⅡ's low frequency @ 60Hz by 3dB

simply by turning the switch to the right or the

left respectively.

There are 3 positions : -3dB, +0dB, 3dB.

The factory preset position is the center, 0dB position.

7. High Frequency Adjustment

The High Frequency adjustment tailors the overall high frequency response by +/-3dB

above 6kHz. This control is a variable knob with no preset position. In the extreme

positions a full +/-3dB can be achieved. Leave this adjustment in the normal " 0dB "

position unless:

• You want to subtly brighten or darken the sound of the speakers

• You want to compensate for any HF hearing loss

• You just like to mix on the bright or dull side

If your mixes consistently sound dull or dark when you listen elsewhere, this usually

indicates that you monitors are too bright relative to your normal hearing. A bit less high

frequency energy usually fixes this, and you can force the mix in this direction by

reducing the high frequency output of the monitors by turning the knob in the -3dB

direction. The converse is true if your mixes are consistently sounding bright and present.

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