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MINOR ADD NINTH
MINOR MAJOR ELEVENTH
MINOR MAJOR SEVENTH
MINOR MAJOR NINTH
DIMINISHED
DIMINISHED SEVENTH
SEVENTH
SEVVENTH SUSLEND FOURTH
SEVENTH NINTH
SEVENTH SHARP ELEVENTH
SEVENTH THIRTEENTH
SEVENTH FLATTED NINTH
SEVENTH FLATTED THIRTEENTH
SEVENTH SHARP NINTH
MAJOR SEVENTH AUGMENTED
SEVENTH AUGMENTED
SUSPENED FOURTH
ONE PLUS TWO PLUS FIVE
9
Note:
• All above notes in the parentheses may be omitted.
• A Perfect (1+5) produces accompaniment based only on the root and fifth which
can be used with many major and minor chords.
• If two notes are octachord apart from each other, accompaniment can only
produce root.
• If you play any three neighboring keys (black and white keys) simultaneously.
Chord accompaniment will be eliminated immediately and only rhythm
accompaniment remained.
• The chord finger in the figure can only be confirmed mainly at root and will be
recognized as m7 (Minor seventh) at other places.
• (Major sixth add ninth) can only be confirmed mainly at root.
• (Minor sixth) can only be confirmed mainly at root and will be recognized as m7b5
at other places.
• (1+2+5) can only be confirmed mainly at root and will be recognized as sus4 at
other places.
• When you play Augmented Diminished Seventh the lowest note will be confirmed
as root.
• In7#11the lowest note played will be regarded as root or b7.
m9
m11
mM7
mM9
dim
dim7
7
7sus4
79
7
#
11
713
7
b
9
7
b13
7
#
9
M7aug
7aug
sus4
1+2+5
Quick Guide
1-2-3-5
1-3-(5)-7
1-
b
3-(5)-7
1-2-3-(5)-7
1-3-5
1-3-5-6
1-3(5)-7
1-4-5-7
1-2-3-(5)-7
1-(2)3-
#
4-(5)-b7
1-3-(5)-7&2-3-5-6-7
1-2-3-(5)-7
1-3-5-6-7
(1)-
#
2-3-(5)-7
1-3
#
-5-7
#
(1)-3-
5-7
1-4-5
1-2-5
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