Putting It All Together; Technical Specifications - PRESONUS Revelator io24 Owner's Manual

9 Resources
9.3 Technical Specifications
9.2.5

Putting it All Together

9.3

Technical Specifications

Audio Interface
Type
Sample Rates
Bit Depth
ADC Converter Dynamic Range
DAC Converter Dynamic Range
Hardware Controls: Direct Monitor, Mic Gain, Headphone Level, Mute, Preset Select
Software Controls: Mic Gain, Monitor Mix, Preset Management
Onboard DSP
PreSonus StudioLive Fat Channel: High Pass Filter, Noise Gate / Expander, 3 Compressor models, 3 EQ models, and Limiter;
Voice Effects: Doubler, Vocoder, Ring Modulator, Comb Filter, Detuner, Delay, Reverb
Microphone Inputs
Maximum Level
Gain Range
Frequency Response
THD + N
EIN
Input Impedance
Phantom Power
Instrument Inputs
Maximum Level
Gain Range
Frequency Response
THD + N
Input Impedance
Sibilance. Sibilance occurs when you make a consonant sound by directing your
breath to the back of your teeth using your tongue. The most common examples
of problematic sibilants are 'S' and 'Z' sounds. Depending on your speech pattern,
you may naturally exaggerate these sounds without noticing—and this may
be a habit that you wish to alter while you're recording. Luckily, if this is a habit
you cannot or do not want to break, you can fix most sibilance issues in post-
production as long as you are multi-tracking your podcast using a dynamics
effect called a de-esser, which your Revelator io24 happens to have onboard! See
Section 5.1.3 for more information. Professional DAW applications, like PreSonus
Studio One, are also equipped with a de-esser plug-in especially for this purpose.
Power User Tip: If you are recording a several speakers at once with your Revelator io24,
using a de-esser can cause more problems than it solves, because over-using a de-esser or
putting one where it is not needed can turn all your 'S' sounds to "Th" sounds, and you can
easily give someone a lisp they don't have, which they are unlikely to appreciate.
Once you've practiced your microphone placement and technique, do some
practice recordings to find out what works for you and what doesn't. Just
sit in front of the microphone and talk as you would if you were chatting
with a friend. The more natural you feel behind the microphone, the
more engaging your performance will be. Letting your natural charisma
and charm come across is the best way to engage your audience.
USB-C™ Compatible USB 2.0
44.1kHz, 48kHz, 88.2kHz, 96kHz
24 bit
105 dB
105 dB
+10 dBu (±0.5 dBu, min gain)
60 dB
20 Hz - 20 kHz (+0.1dB/-0.3 dB, unity gain, unwtd)
0.005% (1 kHz, -1 dBFS, min gain)
-126 dBu (A-weighted, 150Ω, max gain)
1.4 kΩ
+48 VDC (10 mA total)
+10 dBu (min gain)
50 dB
20 Hz – 20 kHz (+0.1dB/-0.3 dB, unity gain, unwtd)
0.005% (1 kHz, min gain)
1M Ω
Revelator io24
Owner's Manual
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