Rupert Neve Designs Portico 500 Series Manual

Rupert Neve Designs Portico 500 Series Manual

Tape emulator
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Portico 542
500 Series Tape Emulator
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Serial #:
Operations Manual

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Summary of Contents for Rupert Neve Designs Portico 500 Series

  • Page 1 Portico 542 500 Series Tape Emulator Serial #: Operations Manual...
  • Page 2 Thank you for your purchase of the 542: 500 Series Tape Emulator. Everyone at Rupert Neve Designs hope you enjoy using this tool as much as we have enjoyed designing and building it. Please take note of the following list of safety concerns and power requirements before the use of this or any Portico Series product.
  • Page 3 blend control. In addition to the tape circuit, the 542 also has the variable Silk / Texture found in the Portico II series of modules, which allows the engineer to fine tune the harmonic ratio and tonality on the output transformer. PORTICO 542: FRONT PANEL PORTICO 542: BLOCK DIAGRAM INPUT STAGE...
  • Page 4 NOTES ON TAPE Tape Recorders were first used by professional recording studios in the late 1940’s, soon after WW2. They were adapted from the German Magnetofon that had been used by the German Navy to improve security of communications with their submarines.
  • Page 5 the 542’s tape circuit can significantly impact tone, depending on the position of the saturation control and the drive level on the tape circuit. As saturation is increased, low frequency compensation is decreased, and at a drive level of 5 the soft clipper enters the circuit.
  • Page 6 function can be useful on many sources like bass and kick drum to find the balance between a clean, boosted low end (low saturation) and a denser, more saturated low end (high-saturation). 15/30 IPS Selects the pre-emphasis / de-emphasis, record / replay tape characteristic. The 15IPS mode has a significant “head bump”...
  • Page 7: Specifications

    SPECIFICATIONS LINE AMP SPECIFICATIONS (Measurements with tape circuit disengaged) NOISE: Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms. Unity Gain Better than -100dBu FREQUENCY RESPONSE Measured at +10dBu, trim at unity. Main Output +/- 0.25dB from 5Hz to 60Khz -2dB @ 120KHz MAXIMUM OUTPUT LEVEL...
  • Page 8: Power Requirements

    30 IPS, Input @ -0 dBu -3dBu @ 120kHz Saturation @ minimum -3dBu @ 10Hz +3.15dBu Peak @ 125Hz Saturation @ maximum -3dBu @ 100kHz -3dBu @ 12.5Hz +1.3dBu Peak @ 110Hz TOTAL HARMONIC DISTORTION AND NOISE Refer to sweeps on page10 15 IPS, Input @ -0 dBu 0.4% @ 3kHz to 1% @ 175Hz typical...
  • Page 9 FREQUENCY RESPONSE (TAPE OUT) Cyan: No Silk Blue: Silk Blue Max Texture Red: Silk Red Max Texture FREQUENCY RESPONSE BY SATURATION LEVEL: 30 IPS Magenta: Satuation Max Red: Saturation @ 2 o’clock Green: Saturation @ 10 o’clock Cyan: Saturation @ Min...
  • Page 10 FREQUENCY RESPONSE BY SATURATION LEVEL: 15 IPS Magenta: Saturation at Max Red: Saturation at 2 o’clock Green: Saturation at 10 o’clock Cyan: Saturation at Min TOTAL HARMONIC DISTORTION BY “RECORD HEAD” LEVEL THD % Red: Input 0dBU Saturation at Min (Drive = 2) Green: Input 0dBU Saturation @ 10 o’clock (Drive = 2) Cyan: Input 0dBu Saturation @ 2 o’clock (Drive = 3) Magenta: Input 0dBU Saturation @ Max (Soft Clipping (Drive = 6)
  • Page 11: Product Warranty

    PRODUCT WARRANTY Rupert Neve Designs warrants this product to be free from defects in materials and workmanship for a period of three (3) years from date of purchase, and agrees to remedy any defect identified within such three year period by, at our option, repairing or replacing the product.

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Portico 542

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