Arturia Minimoog V User Manual page 4

5.1 The 3 main elements
5.1.1 The oscillator
5.1.2 The filter
5.1.3 The amplifier
5.2 Other modules
5.2.1 The keyboard
5.2.2 The envelope generator
5.2.3 The low frequency oscillator
6.1 Subtractive sound synthesis
6.1.1 A simple bass sound
6.1.2 A three-oscillator lead sound
6.1.3 A polyphonic accompaniment
6.2 The modulation matrix
6.2.1 Using the arpeggiator
6.3 The effects of the minimoog V
6.3.1 The chorus
6.3.2 The delay
7.1 Stand-alone
7.2 VST
7.3 Pro Tools
7.4 DXi
7.5 Digital Performer
8 FROM THE FIRST MOOG SYNTHESIZERS UP TO TAE
8.1 The genesis of the Minimoog
8.2 A better emulation thanks to TAE
8.2.1 Aliasing-free oscillators
8.2.2 A better reproduction of analog waveforms
8.2.3 A better reproduction of analog filters
8.2.4 Implementation of the soft clipping
5 THE BASICS OF SUBTRACTIVE SYNTHESIS
6 QUELQUES ELEMENTS DE DESIGN SONORE
7 MODES OF USE OF THE MINIMOOG V
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