Yamaha S90 Owner's Manual
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Yamaha S90 Owner's Manual

Yamaha music synthesizer owner's manual
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MUSIC SYNTHESIZER

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Summary of Contents for Yamaha S90

  • Page 1 MUSIC SYNTHESIZER...

  • Page 2: Special Message Section

    Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

  • Page 3: Important Safety Instructions

    Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
  • Page 4 Yamaha service personnel. Location • Do not expose the instrument to excessive dust or vibrations, or...
  • Page 5 If you experience any hearing loss or ringing in the ears, consult a physician. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use.

  • Page 6: Package Contents

    Thank you for purchasing the Yamaha S90 Music Synthesizer. In order to get the most out of your new S90 and its sophisticated functions, we suggest you read through this manual thoroughly. Also keep it in a safe, convenient place so that you can regularly refer to it when necessary.

  • Page 7: About This Manual

    About This Manual This manual consists of the following sections. Basics Section (page 12) This section provides an overview of the main functions and features of the S90 and introduces you to the basic operating conventions. Quick Guide (page 36) This section explains how to use the basic functions.

  • Page 8: Application Index

    Application Index This convenient, easy-to-use index is divided to general categories to help you when you want to find information on a specific topic or function. Listening/Playing • Listening to Demo songs ... Demo Playback (Page 19) • Playing the voices ...

  • Page 9: Changing The Pitch

    • Modulating the Resonance according to the LFO settings... LFO Dest (Voice Common Edit [F5] [SF3/4/5] Ref. #170) • Editing Voices using a computer... See separate Installation Guide and Voice Editor for S90 Owner’s Manual (PDF) • Setting the User LFO ...COMMON LFO (See separate Installation Guide and Voice Editor for S90 Owner’s Manual) Changing the pan position •...

  • Page 10: Entering Data

    • Using the S90 as a multitimbral tone generator ...(Page 80) • Editing Voices using a computer... The separate Installation Guide and Voice Editor for S90 Owner’s Manual (PDF) • Using the included sequencing software (Windows only)... The separate Installation Guide and the application’s on-line help •...

  • Page 11: Table Of Contents

    Information Displays ... 114 Display Messages ... 116 About MIDI ... 118 Installing Optional Hardware ... 123 Optional units that can be installed to the S90 ... 123 Installation locations ... 123 Installation Precautions ... 123 Optional Plug-in Board Installation ... 124 Optional mLAN8E Installation ...

  • Page 12: Basics Section

    Basics Section The Controls & Connectors Top Panel CONTROL REVERB CHORUS TEMPO FUNCTION CUTOFF RESONANCE ATTACK RELEASE ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2 MEQ LOW MEQ LOW MID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 ZONE 1 ZONE 2...

  • Page 13: Rear Panel

    Rear Panel ª ⁄ POWER AC INLET ‚ ª [POWER] switch (page 14) ‚ AC INLET (AC power cord socket) (page 14) ⁄ Plug-in Board cover (page 126) ¤ mLAN Expansion Board (mLAN8E) cover (page 126) ‹ MIDI IN/OUT/THRU terminals (page 16) ›...

  • Page 14: Setting Up

    AC INLET terminal Power cord (included) 1 Make sure the POWER switch on the S90 is set to OFF. 2 Connect the supplied power cord to the AC INLET terminal on the instrument’s rear panel. 3 Connect the other end of the power cord to an AC outlet.

  • Page 15: Connections

    Before connecting the S90 to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.

  • Page 16: Connecting External Midi Equipment

    Using a standard MIDI cable (available separately), you can connect an external MIDI device, and control it from the S90. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the S90. Below are several different MIDI connection examples;...

  • Page 17: Connecting To A Personal Computer

    Connecting to a Personal Computer By connecting a computer, you can transfer data between the S90 and the computer via MIDI, and use the computer to control, edit and organize data on the S90. For example, you can use the included Voice Editor program to edit the S90’s voices.
  • Page 18 If you are using a computer that has a USB interface, make sure to connect the computer and the S90 by USB. (The data transfer rate is faster than MIDI and you’ll have access to multiple MIDI ports.)

  • Page 19: Demo Playback

    Demo Playback The S90 features a variety of demo songs, showcasing its dynamic sound and sophisticated functions. n Make sure the synthesizer is ready for playback. Details are given in the section “Setting Up” on page 14. 1 Press the [SEQ PLAY] button to call up the CHAIN screen.

  • Page 20: Overview Of The S90

    Overview of the S90 The S90 has a wide variety of advanced and convenient features. This section gives you an overview of these features. The following diagram shows the various component sections or “blocks” of the S90. Memory Card Load...
  • Page 21 S90 at the factory. Up to three Plug-in Boards can be installed to the S90 (see box below for available boards). These boards are not simply a source of more Voices; they are also tone generators in their own right and extend the system-level specifications such as maximum polyphony.

  • Page 22: Maximum Polyphony

    Multi-Part Plug-in Boards let you expand the voice polyphony of the S90 by giving you a full 16 independent instrumental parts. By using this type of board to play back sequencer tracks, you can reserve the maximum polyphony of the S90 for your keyboard performance.

  • Page 23: Performance Mode

    Part 16 The sequencer block is not available in the Voice mode. Parts 1-48 are not used. Output The sequencer block is not available in the Performance mode. Parts 5-13 and 17-48 are not used. Output Overview of the S90...

  • Page 24: Effects

    (The receive channel/Port for each part must match the transmit channel/Port of each track.) Effects Utilizing sophisticated DSP (digital signal processing) technology, the effects of the S90 can be used to change or enhance the sound. n For more details about the effects, see page 67.

  • Page 25: Voices & Performance

    Voices & Performance Bank (Memory) Structure A Voice is a single instrument sound, created by using the Elements and setting various parameters. In the Voice Play mode (page 36), you can select and play any of these Voices. Performances, on the other hand, combine Voices in various ways.

  • Page 26: Overview Of Voice/Element/Performance

    Overview of Voice/Element/Performance Each Voice can consist of up to four Elements. Each Element itself is a high-quality waveform or instrument sound. Voice & Element Each Voice can consist of up to four Elements. Elements are made from waveforms, and the quality of the Elements is high enough that each can be used on its own as a voice.

  • Page 27: Normal Voices & Drum Voices

    GM device would sound virtually the same on any other GM device — no matter the manufacturer or the model. The GM Voice bank on the S90 is designed to appropriately play back GM song data.

  • Page 28: Internal Memory

    To properly protect and store your valuable User data, you should save it to Memory Card for indefinite safekeeping (page 82). There are two different ways to save data created on the S90 to memory card: • By saving all data in the User memory as a single file (with the extension “.W4A”).

  • Page 29: Basic Operations

    Basic Operations In this section, you’ll learn about the structure of the modes of the S90, its panel display indications and its fundamental operations. Modes The S90 is organized into various modes, each covering a different set of operations and functions.

  • Page 30: Selecting A Mode

    Selecting a Mode There are separate Play modes for Performances/ Voices and Sequence Play mode. To enter each of these modes, use the appropriate MODE button. In the Sequence Play mode, there is a Mixing mode. To enter the Mixing mode, press the [F6] button while selecting the Sequence play mode.
  • Page 31 Master Play Mode Indicates the mode assigned to the Master Master Quick Edit Mode Master Edit Mode Sequence Play Mode Sequence Play Mixing Mode Sequence Play Mixing Edit Mode Job Mode (Ex. Voice Copy) Source Voice Destination Data Type Indicates the bank Store Mode (Ex.

  • Page 32: Selecting Functions And Parameters

    Selecting Functions and Parameters Each mode described above contains various displays, with various functions and parameters. To navigate your way through these displays and select a desired function, use the [F1] - [F6] buttons and the [SF1] - [SF5] buttons. When you select a mode, the available displays or menus appear directly above the buttons at the bottom of the display (as shown below).

  • Page 33: Display-Based Controls

    Flash ROM). Confirmation Message When you execute certain operations, such as those in the Job, Store, and File modes, the S90 shows a confirmation message. This lets you actually execute the operation or cancel it if desired. If a confirmation message (like the one illustrated above) appears, press the [INC/YES] button to execute the operation or press the [DEC/NO] button to cancel it.
  • Page 34 Note (Key) settings Several S90 parameters let you set a key range for a function — for example, in setting up a keyboard split — by specifying certain note values. You can use the [INC/YES] and [DEC/NO] buttons or data dial to set...
  • Page 35 Using the Character List In steps 2 and 3 above, you can use the special pop- up Character List, which shows you all the available characters, making it exceptionally easy to enter names and text. To call up the list, press and hold down the [INFORMATION] button.

  • Page 36: Quick Guide

    Select a Normal Voice Bank. Drum Voice DRUM KITS n When shipped from the factory, the S90 contains a full set of specially programmed User voices in the User bank. Naturally, you can edit these and overwrite them if you want. You can also restore them to the original factory set from the Utility Job (page 72).
  • Page 37 3 Select a Voice Group. Voices in each Bank are divided into Groups [A] - [H]. Select the desired Group, and all the Voices of that Group are shown in the display. Group SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM/ CHOIR PERCUSSION...

  • Page 38: Using The Category Search Function

    Using the Category Search function The S90 features a powerful Category Search function that gives you quick access to the sounds you want, irrespective of their bank locations. Simply select a voice category, such as A. PIANO or SYN LEAD, and you can browse through all related voices one by one —...

  • Page 39: Voice Editing In The Voice Play Mode (Quick Edit)

    To actually call up the Voice and return to the Play mode, press the [ENTER] button. Favorite Category Use this convenient function to store all your favorite, often-used voices in a single, easy-to-access location — and call them up by pressing the [FAVORITES] button. Select any voice you want, from any desired category, and enter each to the Favorites Category.
  • Page 40 These values differ depending on the installed Plug-in board) n This display is available only when the Plug-in board is installed to the S90 and the Plug-in voice is selected. [F4] Voice Play Portamento From this display you can select monophonic or...

  • Page 41: Playing Performances

    Playing Performances In the Performance mode, you can select and play individual User performances. n For details about the performances and their memory (bank) structure, see page 26. Selecting a Performance 3.3V CARD PHONES L/MONO GAIN A/D INPUT SUSTAIN OUTPUT ASSIGNABLE OUTPUT FOOT CONTROLLER FOOT SWITCH...

  • Page 42: Layering Voices (Parts) Together (Layer)

    3 Select a Performance number. ELEMENT / PERF.PART / ZONE Decreases number DEC/NO INC/YES Decreases number 4 Play the keyboard. n The Category Search function (page 38) can be used also in the Performance Play mode in the same way as in the Voice Play mode.
  • Page 43 1 Call up the VOICE display by pressing the [F3] button in the Performance Play mode. 2 Assign the desired voice to each part. Move the cursor to the desired part and select a voice by pressing the [F1] or [F2] button. DEC/NO INC/YES Edit indicator (page 39)

  • Page 44: Editing Performances In The Performance Play Mode (Quick Edit)

    (such as from a microphone or guitar), then process and mix it with the other sounds of the S90. The audio signal can be input via the A/D INPUT jack or the mLAN terminal (if an optional mLAN8E has been installed).

  • Page 45: Using The Arpeggio Function

    Using the Arpeggio function What is the Arpeggio function? This function automatically triggers preset arpeggio phrases, according to the keys you play. It is particularly suited to dance/techno music genres. You can assign the desired Arpeggio Types to each Voice/Performance, and adjust the tempo. You can also set the Arpeggio playback method, Velocity range and Play Effects to create your own original grooves.

  • Page 46: Arpeggio Playback

    Using the Arpeggio function Arpeggio Type, Tempo, and Limit A variety of Arpeggio types are provided with the S90. You can change the tempo of Arpeggio as desired. The Arpeggio function is available in all modes. The explanation below applies to the Performance Play mode.
  • Page 47 4 Set the Tempo for Arpeggio playback. Move the cursor to the Tempo parameter and set it. 5 Set the Velocity Limit for Arpeggio playback. Move the cursor to the Velocity Limit parameter and set it. Low Limit High Limit The Arpeggio is played back only when the key is played at a velocity within this range (stronger than normal).

  • Page 48: Using As A Master Keyboard

    You can use it to memorize the operations you use most often in each mode, and call them up instantly anytime you need them with a single button press. The S90 has space for a total of 128 of your own User Master settings. Master number...

  • Page 49: Playing The Master Demo (Selecting Masters)

    One good place to start learning about the various pieces in the S90 puzzle is the Master mode. We’ve programmed a variety of Master programs to show you how this powerful feature can be used.

  • Page 50: Memorize To A Master

    Memorize to a Master The selected mode and program are memorized to a Master in the Master Play mode. 1 Enter the Master mode and select a Master number (page 49). 2 Call up the MEMORY display by pressing the [F2] button.

  • Page 51: Using Zones - Creating A Layer/Split With An External Tone Generator

    Using Zones — Creating a Layer/ Split with an external tone generator In the example below, we’ll set up three Zones as shown below. We’ll program a split at the note C3. In the lower range (B2 and lower), a bass voice and cymbal voice will sound.
  • Page 52 1 Set the TG Switch of Zone 1 to on and set those for all other Zones to off. This enables the data played only in Zone 1 to affect the S90 voices; other Zones will not play the S90.

  • Page 53: Using Controllers

    Using Controllers The S90 gives you an amazing amount of control options. Not only is it equipped with the conventional Pitch Bend and Modulation Wheels, it also features special sliders — and has an additional set of rear-panel jacks for connecting foot controllers and footswitches.

  • Page 54: Foot Controller

    You can connect an optional Breath Controller (BC3) to the BREATH jack (page 13) on the rear panel. Then use it to control a large number of the S90’s parameters, particularly those controlled by a wind player’s breath: dynamics, timbre, pitch and so on.
  • Page 55 Control Sets (Voice Common Edit [F4]) Keyboard aftertouch, the controllers and some of the sliders on the front panel can be assigned to control various parameters other than the ones set as defaults, as explained on page 53. For example, the Modulation wheel could be assigned to control filter resonance, while aftertouch could be used to apply vibrato.
  • Page 56 Control Sets and External MIDI Control In a Control Set, the controllers are assigned to the internal parameters of the synthesizer. However, some controllers were originally designed for a particular purpose, and send pre-defined MIDI Control Change messages when used, regardless of their Control Set allocations within the synthesizer.

  • Page 57: Remote Control For External Sequencer

    You can mute your tracks, control the sequencer transport (Play/Stop), mix both MIDI and audio tracks (up to 16) with the S90’s control sliders, pan the tracks, control EQ, and tweak effect sends — all without ever touching the mouse. Not only is this a more convenient and efficient way to work —...

  • Page 58: Using The Remote Control Function

    [REMOTE CONTROL] button so that its lamp flashes. REMOTE CONTROL 2 Operate the Control sliders or the buttons on the S90’s panel as required. 1 Select a track on your computer’s sequencer from the S90. The [1]~[16] buttons correspond to the respective numbered tracks on your computer’s sequence...

  • Page 59: Remote Control Assignments

    These control PLAY, STOP, G, H of the computer sequence TRANS- software. PORT When the [MUTE] button on the S90 is turned on, the NUMBER [1] - TRACK [16] buttons control the track mute settings of the computer sequence MUTE software.

  • Page 60: Voice Edit

    The following procedure shows you the fundamentals in creating and editing Voices. Of course, this is just one example; you are free to set any parameters in any way you like. Details about each parameter are given in the Reference section of this manual (page 98). n All parameter settings are stored along with the Voice itself.
  • Page 61 Common Edit and Editing Individual Elements Switching Elements (or Keys) On/Off (Mute) Voices can consist of up to four Elements (page 26). Use Common Edit to edit the settings common to all four Elements. To edit parameters common to all four elements, press the [DRUM KITS] button (which serves as a “COMMON”...
  • Page 62 3 Set the Common Parameters Each Voice consists of up to four Elements. Here, the parameters common to all Elements are explained. GENERAL [F1] For setting general parameters in Common Edit, such as the Voice Name. OUTPUT [F2] For setting the Voice output parameters such as the output level (volume) and pan position.
  • Page 63 Time Release The Low Pass Filter is shown in the illustration above — Time however, the S90 features other Filter types as well. LPF24D (Low Pass Filter 24dB/oct Digital) A 4-pole (-24db/oct) dynamic LPF with a strong resonance. Cutoff frequency...
  • Page 64 LPF24A (Low Pass Filter 24dB/oct Analog) A 4-pole (-24db/oct) dynamic LPF with a character similar to those found on analog synthesizers Resonance LPF18 (Low Pass Filter18dB/oct) A 3-pole (-18db/oct) dynamic LPF. LPF18s (Low Pass Filter [18dB/oct Staggered) Also a 3-pole (-18db/oct) dynamic LPF, but with a shallower frequency curve.
  • Page 65 Dual HPF A combination of two sets of –12dB/oct HPF in parallel. Level Distance The cutoff frequency can be set directly on the display. Dual BPF A combination of two sets of –6dB/oct BPF in parallel. Level Distance The cutoff frequency can be set directly on the display.

  • Page 66: Storing Edited Voices

    “1” when using the software with the Voice mode. Also make sure to match the basic MIDI receive channel of the S90 (Ref. #176) to the MIDI channel of the Editor software. The original Board Custom voices you’ve edited can be saved and controlled from the computer.

  • Page 67: Using Effects

    You can also set the balance so that only the effect sound is heard, by setting Wet to 100%. The S90 features two Insertion effect systems — one with a total of 104 internal effect types and the other with 25.

  • Page 68: In The Voice Mode

    5 Use the data dial to select “FLG: FLANGER1” then play the keyboard. Try out other different Effect Types, referring to the Effect Type List in the separate Data List. n You can listen to and compare the difference between the edited Voice with your edited settings and the same Voice prior to editing (page 61).
  • Page 69 In the Performance mode: The diagram below indicates the internal signal flow when the Vocal Harmony Plug-in Board (PLG100-VH) is installed to slot 1. Select the part to which the Insertion effect is applied from parts 1-4 and Plug-in parts 2-3. The connection type depends on the setting of the Voice assigned to the selected part.

  • Page 70: Using The Jobs

    Using the Jobs You can perform various operations (Jobs) in the Job mode. For example, you can initialize Voices/Performances to their original settings (including those currently being edited) or copy Elements/Parts. Job (PAGES) Bulk MODE Initialize Recall Copy Dump VOICE PERFORMANCE MASTER MIXING ([SEQ...
  • Page 71 Edit Recall [F2] If you are editing a voice/performance and select a different voice/performance without storing your edited one, all the edits you’ve made will be erased. If this happens, you can use Edit Recall to restore the voice/performance with your latest edits intact. Using the Copy function [F3] Voice From this display you can copy Common and Element/...
  • Page 72 Plug-in boards and the mLAN8E are stored only to the memory on those respective devices, and not to the User memory of the S90. Because of this, the Factory Set operation cannot be used to restore settings for those...

  • Page 73: Saving The Settings (Store)

    STRINGS BRASS REED/PIPE PLUCKED The Plug-in voices can be edited via the S90’s panel operation in much the same way as User voices. After editing, up to 64 Plug-in voices for each Plug- in slot can be stored. Editing and saving Board voices Included among the Board voices is a special set of voices —...
  • Page 74 3 Save the data in the memory (DRAM) to the memory card. Memory card Plug-in board 4 If necessary, set Auto Load to on in the Utility mode (page 84). Set this to on. 5 When turning the power on next time, the Board Custom voice data saved to the memory card is automatically loaded to the memory on the Plug- in board.

  • Page 75: Playing The Songs

    Make sure to read the section “Using Memory Cards” on page 82. n The S90 is compatible with and can play back Standard MIDI Files or Format 0. If necessary, you can use the included File Utility software to convert Standard MIDI files on your computer from format 1 to format 0.

  • Page 76: Chained Playback

    Chained Playback 1 Use the [ ] and [ ] buttons to select the Chain Step Number of the first Song you wish to play back, or of the Mix Template. 2 Set the tempo (if necessary). 3 Follow the two secondary steps below if the Play directory and the Current directory are not the same.

  • Page 77: Mixing Mode

    Plug-in parts 1 - 3 (for installed single-part boards) or Plug-in parts 17 -32 (for installed multi-part boards). The internal tone generator parts of the S90 are automatically fixed at port 1. Settings off, 1 ~ 3 n Port data can be output only through the USB terminal.
  • Page 78 3 Select a display for the parts you wish to mix by using the [F6] button. Internal Tone Generator Parts 1~16 Multi Part Plug-in Parts 17~32 (When the Multi Part Plug-in board has been installed) Single Part Plug-in Parts 1~3 When the Single Part Plug-in board has been installed) n Please note that the Multi-Part Plug-in Part (17~32) settings apply not to one individual song but to all...

  • Page 79: Basic Procedure

    [F4] SEND (Effect Send) From this display you can make basic effect settings for each track — the Reverb, Chorus and Variation Send levels, as well as the Dry Level. [F5] TEMPLATE This convenient function lets you store your mixing settings as a template —...
  • Page 80 Using the S90 as a Multi- timbral Tone Generator (Mixing Edit) Mixing mode lets you configure the S90 as a Multi- timbral tone generator for use with computer-based music software or internal/external sequencers. If each track in a song file uses a different MIDI channel, then the Parts in a Mixing setup can be each assigned to those MIDI channels correspondingly.
  • Page 81 1 After pressing the [SEQ PLAY] button, press [F6] (MIX) to enter the Mixing mode, then enter the edit mode (page 29). n Before entering the Mixing Edit mode, you need to select a Mixing Template for editing (page 79). n You can initialize the Mixing settings, if necessary (page 70).

  • Page 82: Using Memory Cards

    Card. Do not reuse the seal that is peeled off. Data Backup For maximum data security Yamaha recommends that you keep two copies of important data on separate Memory Cards. This gives you a backup if one Memory Card is lost or damaged.
  • Page 83 (Current) selected in the Card mode. Since the song file name is not indicated in the S90 display, make sure to assign a properly descriptive or appropriate name to the folder containing the file. You can check through the folders and files using the File Utility software.
  • Page 84 The explanations here apply to step 2 of the Basic Procedure on page 83. Before you can use a new Memory Card with the S90, you will need to format it. Use this operation to format the memory card and assign a Volume Label to it.
  • Page 85 file to which the data is saved by using the Cursor buttons or the data dial. While the data is being saved, do not eject the Memory Card or turn off the power of the S90. 3 Press the [ENTER] button to execute the Save operation.
  • Page 86 Never eject the Memory Card or turn off the power of the S90 while data is being loaded. Loading data to the S90 automatically erases and replaces any existing data in the User memory. Make sure to save any important data to a memory card BEFORE performing any Load operations.

  • Page 87: Touch Sensitivity

    Touch Sensitivity Different types of keyboard sensitivity can be selected to match different playing styles and preferences. 1 Press the [UTILITY] button to enter the Utility mode. 2 Press the [F1] [SF2] buttons to select the KBD screen. 3 Use the [ EF] buttons to select the Vel Curve, then press the [INC/YES] and [DEC/NO] buttons to select the desired setting (see below).

  • Page 88: Function Tree

    Function Tree The Reference Numbers let you easily and quickly cross-reference the corresponding parameters in the Parameter Table (page 92) and Reference section (page 98). For more on the Information display, see page 33; for more on the Category Search function, see page 38.
  • Page 89 Function Parameter Name Ref. # Page Sub-Function (Display) [SF5] OTHER CSAssign ChoCtrl PB Upper PB Lower AssignA AssignB Assign1 Assign2 [F2] (OUTPUT) Volume RevSend ChoSend InsRevSend InsChoSend [F3] (ARP) [SF1] TYPE Bank Type Tempo Switch Hold KeyMode VelMode [SF2] LIMIT NoteLimit VelocityLimit [SF3]...
  • Page 90 Function Parameter Name Ref. # Page Sub-Function (Display) [SF5] OTHER CSAssign ChoCtrl AssignA AssignB Assign1 Assign2 [F2] (OUT/MEQ) [SF1] Volume RevSend ChoSend [SF2] SHAPE/FREQ/GAIN/Q (LOW/LOWMID/HIGH/ HIGHMID/HIGH) [F3] (ARP) [SF1] TYPE Bank Type Tempo Switch Hold KeyMode VelMode [SF2] LIMIT NoteLimit VelocityLimit [SF3] PLAY FX...
  • Page 91 Function Parameter Name Ref. # Page Sub-Function (Display) VoiceELPan [SF2] EF SEND RevSend ChoSend VarSend DryLevel [F3] (OUTSEL) OutputSel InsEF [F4] (TONE) [SF1] TUNE NoteShift Detune [SF2] FILTER Cutoff Resonance FEGDepth [SF3] Attack Decay Sustain Release [SF4] Attack Decay Sustain Release [F5] (RCV SW) BankSel...

  • Page 92: Parameter Table

    Parameter Table This convenient table lets you quickly and easily find any desired parameter — spotting its location in the various Edit modes of the S90 and confirming how to call it up. The setting displays for parameters are selected with the Function buttons ([F1] - [F6]) and the Sub Function buttons ([SF1] - [SF5]).
  • Page 93 ... Can be edited by Quick Edit function (editing in Play mode)..Can be edited by Control Sliders in real time..Can be edited by Quick Edit function and Control Sliders in real time. VOICE EDIT Display COMMON NORMAL DRUM PLUG-IN...
  • Page 94 VOICE EDIT Display COMMON NORMAL DRUM PLUG-IN Slider (F1 SF5) (F1 SF5) (F1 SF5) Octave Transpose NoteLimitL/H Coarse Fine Random EGTime Segment EGLevel Curve Pitch (VEL SENS) (PEG) TIME (PEG) LEVEL (PEG) Depth PitchSens CenterKey EGTimeSens CenterKey F3 (Tab Name) Bank Type Tempo...
  • Page 95 VOICE EDIT Display COMMON NORMAL DRUM PLUG-IN Filter (MW) AMod/PMod/FMod (MW) Pitch Filter (AT) AMod/PMod/FMod (AT) Filter (AC) AMod/PMod/FMod (AC) BC/AS1/AS2/FC1/FC2 (UTILITY) (UTILITY) (UTILITY) (ARP) Switch/Hold ASA/ASB Dest Set Remote Template Type BankMSB/LSB PgmChange Volume (F2 Direct) (F2 Direct) (F2 Direct) (F2 Direct) (F2 Direct) (F2 Direct) Level (F2 Direct) (F2 Direct) (F2 Direct)
  • Page 96 VOICE EDIT Display COMMON NORMAL DRUM PLUG-IN BankSel PgmChange CtrlChange LocalCtrl RcvBulk MIDI Sync ClockOut SeqCtrl MIDI IN/OUT ThruPort CtrlSlider F6 (Tab Name) EFFECT EL: OUT 1-4/KEY: OUT InsEF Connect Ins1 Ctgry/Type Ins2 Ctgry/Type Reverb/Chorus Type Reverb/Chorus Send Reverb/Chorus Return Reverb/Chorus Pan Chorus to Reverb EFF PART VCE INS...

  • Page 97: Parameter/Function List

    Parameter/Function List Effect Parameters ...F6 EGLevel (AMP) ...F4 A/DSource... F2 EGLevel (FILTER) ...F3 AEG Sustain (Level)... F4 EGLevel (PITCH) ...F2 AEG Attack/Decay/Release (Time)... F4 EGTime (AMP) ...F4 AlternatePan ... F4 EGTime (FILTER) ...F3 AltnateGroup... F1 EGTime (PITCH) ...F2 AMod (LFO) ... F5 EGTimeSens (AMP) ...F4 AMod/PMod/FMod (AC) ...

  • Page 98: Reference

    BC (Breath Controller) These curves determine how the sound of the S90 responds to use of a Breath Controller. The specific aspect of the sound that is affected by Breath Control and the selected curve is set in the Controller Set display ([F4] [SF1/2/3]) from the Normal Voice Curve Common Edit mode.
  • Page 99 Auto Load Determines whether the Auto Load function is on or off. When this is on, the S90 will automatically load the specified files (from memory card) to User memory — whenever the power is turned on. Press the [SF5] button to register the folder containing the desired files for auto loading.
  • Page 100 A/D Source The S90 features two different input connections for transferring analog audio from an external device: the A/D INPUT jacks or the mLAN terminal (when an optional mLAN8E is installed). One or the other must be set; the two cannot be used at the same time.
  • Page 101 Ref. Display Parameter Name PitchSens Pitch Key Follow Sensitivity Determines the sensitivity of the Key Follow effect (the interval of adjacent notes). At +100, adjacent notes are pitched one semitone (100 cents) apart. At 0, all notes are the same pitch (for the percussion sounds,etc.). At +50, one octave is stretched out over twenty- four notes.
  • Page 102 Ref. Display Parameter Name Gain Filter Gain Determines the Gain (the amount of boost applied to the signal sent to the Filter). Cutoff Determines the cutoff frequency for the Filter, or the central frequency around which the Filter is applied. Filter Cutoff Frequency Resonance Filter Resonance...
  • Page 103 Ref. Display Parameter Name OutputSel Output Select Determines the specific output(s) for the individual part (Performance/Mixing Part Edit). Determines the specific output(s) for the individual Drum key signal (Drum Key Edit). (InsEF) Indicates whether the Insertion effect is applied or not for each part. This is for display purposes only and cannot be set here. Insertion Effect ElementSw Determines whether or not the selected controller affects each individual element.
  • Page 104 Ref. Display Parameter Name AlternatePan Alternate Pan Depth Determines the amount by which the sound of the selected Element is panned alternately left and right for each note you press. The Pan setting is used as the basic Pan position. RandomPan Determines the amount by which the sound of the selected Element is panned randomly left and right for each note you press.
  • Page 105 Voice/Performance mode. When this is set to “omni,” the data of any channel can be received. KBDTransCh Keyboard Transmit Determines the MIDI channel over which the S90 sends MIDI data (to an external MIDI device). This parameter is available for the Voice /Performance mode. Channel (Voice/Performance Mode) DeviceNo./DEV NO.
  • Page 106 Change CtrlChange Lets you set the S90 to properly respond to either type of GM System data, Level 1 or Level 2 — particularly regarding AEG Sustain. Control Change (AEG When using GM Level 2, set this to Mode 1, and the S90 responds to the messages as parameter change data. When using GM Sustain) Level 1, set this to Mode 2, and the S90 responds to the messages as control change data.
  • Page 107 Plug-in Board. Type Determines the Equalizer Type. The S90 features a wide selection of various equalizer types, which can be used not only to EQ Type enhance the original sound, but even completely change the character of the sound. The particular parameters and settings L.Freq/Gain...
  • Page 108 When the Alternate Group (AltGrp) Voice...Offsets to the EQ settings in the parameter is set to a setting other than “off,” Utility ([F3] this parameter is unavailable, and “---” is Performance/Mixing...Offsets to the Master shown in the display (Drum Key Edit). EQ settings (Common [F2] Micro Tuning Type These Portamento parameters above are not...
  • Page 109 All mLAN8E-related settings in the Utility mode are stored only to the memory on the mLAN8E itself, and not to the User memory of the S90. To initialize all the mLAN settings above, use the following procedure. 12.0 [EXIT] button...
  • Page 110 Element control according to the sync-off note position on the keyboard The first time you press a key, the first note of (ex. PEG Time : Speed of PEG change) the arpeggiator pattern is played. From the second and subsequent key presses, the Positive value arpeggiator note that is played back depends on the arpeggiator tempo and the timing of...
  • Page 111 Filter Scaling Settings Amplitude Scaling Settings The best way to understand Filter Scaling is The best way to understand Amplitude by example. For the settings shown in the Scaling is by example. For the settings shown example table below, the basic Cutoff in the example table below, the basic frequency value is 64, and the various Offset Amplitude (volume) value for the selected...
  • Page 112 LFO Speed Key On Reset Speed = fast The LFO cycles freely with no key synchronization. Pressing a key starts the LFO wave at whatever Time phase the LFO happens to be at that point. Speed = slow Key on Time on (Element Edit) each-on (Common Edit)
  • Page 113 MIDI IN/OUT=MIDI Pressing the [SF5] button switches between display of all four Parts and one single Part (in which all receive switch settings are shown). In the four-Part display, use the cursor buttons to scroll. The ReceiveCh parameter in Sequence Play mode is set in the Mixing Part Edit ([F1] [SF2]).

  • Page 114: Appendix

    Appendix Information Displays The convenient Information displays let you see at-a- glance some of the more important settings relevant to each mode. Select the desired mode, then press the [INFORMATION] button to call up the Information display for that mode. To exit from the display, press the button again (or any other panel button).

  • Page 115: Card Mode

    Sequence Play Mixing mode PlugInfo/Port (Plug-in board installation status) Indicates the Plug-in board name and its MIDI port number (Ref. #207, page 77) at the right of the slot number. When PolyExpand (Ref. #206) is set to on in the Utility mode, “P” is indicated at the left of the slot number.

  • Page 116: Display Messages

    Indicates a problem in the mLAN8E network. Check the on/off status of the LED lamps on the mLAN8E and refer to the Owner’s Manual of the mLAN8E. The mLAN8E board is set to the Mixer mode by your computer, and the S90 cannot control the mLAN8E.
  • Page 117 Too many favorites. You’ve attempted to assign more than 257 voices to the Favorite category. Transmitting MIDI bulk. The S90 is transmitting MIDI bulk data. Unknown file format. The file format type is not supported by the S90. Information Display Messages...

  • Page 118: About Midi

    Change and various other types of MIDI data, or messages. The S90 can control a MIDI device by transmitting note related data and various types of controller data. The S90 can be controlled by the incoming MIDI messages which automatically determine tone generator mode, select MIDI channels, voices and effects, change parameter values, and of course play the voices specified for the various Parts.

  • Page 119: Channel Messages

    MIDI Receive channel 2 The S90 is a fully multi-timbral tone generator, allowing you to sound several different instrument parts simultaneously — from just the S90 — by assigning a different MIDI channel to each part. MIDI Messages Transmitted/ Received by the S90 MIDI messages can be divided into two groups: Channel messages and System messages.
  • Page 120 Sostenuto (Control #066) Messages which control sostenuto on/off. Holding specific notes and then pressing and holding the sostenuto pedal will sustain those notes as you play subsequent notes, until the pedal is released. Setting the value between 64 -127 turns the sostenuto on, between 0 - 63 turns the sostenuto off.

  • Page 121: Channel Mode Messages

    RPN (Registered Parameter Number) LSB (Control #100) RPN (Registered Parameter Number) MSB (Control #101) Messages which offset, or add or subtract values from a Part’s pitch bend sensitivity, tuning, or other parameter settings. First send the RPN MSB and RPN LSB to specify the parameter which is to be controlled.

  • Page 122: Program Change

    The S90 does not transmit this data from the keyboard; however, the S90 does properly respond to this data when received from an external device.

  • Page 123: Installing Optional Hardware

    Philips screwdriver. mLAN8E • Before beginning installation, switch off the power to the S90 and connected peripherals, and unplug them from the power outlet. Then remove all cables connecting the S90 to other devices. (Leaving the power cord connected while working can result in electric shock.

  • Page 124: Optional Plug-In Board Installation

    • PLG100-XG • PLG100-VH Installing the Plug-in Board The S90 has three slots on the rear panel, allowing you to install and use up to three separate Plug-in boards. 1 Turn the S90 power off, and disconnect the AC power cord. Also, make sure to disconnect the S90 from any connected external devices.
  • Page 125 This indicates that the board has been successfully installed. • If an error message appears, the S90 freezes after a while, indicating that the installation was not successful. If this happens, turn off the power and carefully go through the installation procedure again.

  • Page 126: Optional Mlan8E Installation

    Also, make sure to disconnect the S90 from any connected external devices. 2 Turn over the S90 so you can have direct access to the underside. To protect the Knobs and Wheels, place the keyboard so the four corners are supported by something that provides sufficient...
  • Page 127 8 Hold the mLAN8E upside down, and insert the connector on the other end of the flat ribbon cable, to the circuit board of the S90. Align the connectors as shown. Underside of the S90...

  • Page 128: Troubleshooting

    Is the power of the S90 and any external equipment connected to the S90 turned on? (Page 14) Have you made all the appropriate level settings – including the Master Volume on the S90 and the volume settings on any connected external equipment? (Page 14) Is the Foot Controller pressed down (when it is connected to the FOOT CONTROLLER jack)? (Page 18) Is the S90 properly connected to related external equipment (e.g., amplifier or speaker) via audio cables? (Page 15)
  • Page 129 Is the cutoff frequency of the filters set too high/low? (Ref. #92, #96) Sound is cut off. Are you exceeding the maximum polyphony of the S90? (Page 22) Pitch or intervals are wrong. Is the Master Tune parameter in the Utility mode set at a value other than “0”? (Ref. #216) Is the Note Shift parameter in the Utility mode set at a value other than “0”? (Ref.
  • Page 130 Has the Multi-part Plug-in board been installed to slot 1 or 2? (The Multi-part Plug-in board should be installed to slot 3.) (Page 124) S90 hangs up or freezes during start up because of a malfunction or incorrect operation. While data is being written to Flash ROM (while an “Executing...” or “Please keep power on” message is shown), power should never be turned off –...

  • Page 131: Specifications

    Supplied Accessories Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

  • Page 132: Index

    A/D (Performance Play)... 44 A/D input (Connections)... 15 A/D INPUT jack ... 13 A/D Source ... 100 Absolute ... 35 AC INLET (AC power cord socket) ... 13 AC Source (AC1 Control Number) ... 103 AC(AC1) Filter Control ... 103 AC(AC1) LFO Amplitude Modulation Depth...
  • Page 133 Element Switch (Voice Element) ... 62 ElementSw ... 99, 103, 105 [ENTER] button... 12 Entering Characters ... 34 Envelope Generator (Voice Play)... 40 EQ (Equalizer) (Voice Element) ... 66 EQ High Frequency... 107 EQ High Gain ... 107 EQ Low Frequency... 107 EQ Low Gain ...
  • Page 134 OUTPUT L&R Gain ... 100 OUTPUT L/MONO & R jacks ... 13 Output Select ... 103 OutputSel ... 103 OutputSwitch... 101 Overview of the S90 ... 20 Overview of Voice/Element/Performance... 26 Package Contents... 6 Pan... 100 Pan (Control #010)... 119 Parameter Table ...
  • Page 135 TransmitCh... 101 Transpose... 98 Troubleshooting ... 128 Tune ... 107 Turn the track (Remote Control)... 58 Turning on the S90 ... 14 Type ... 99, 101, 106, 107 UnitMultiply ... 101 USB... 13 USB connector ... 17 USB interface ... 17 USB terminal ...
  • Page 136 MEMO...
  • Page 137 For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd.
  • Page 138 This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.
  • Page 139 Yamaha Web Site (English only) www.yamahasynth.com Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2002 Yamaha Corporation V943760 210MWCP2.3-02B0 This document is printed on chlorine free (ECF) paper with soy ink. Printed in Japan...

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