Reverb; Long Reverb; Super Filter; Filter+Drive - Roland V-Drums TD-27 Data List

Multi-Effect Parameters

REVERB

Adds reverberation to the direct sound, simulating an acoustic space.
Parameter Value
ROOM1, ROOM2,
Type
STAGE1, STAGE2,
HALL1, HALL2
Pre Delay
0.0–100msec
Time
0–127
200–8000Hz,
HF Damp
BYPASS
Low Gain
-15–+15dB
High Gain
-15–+15dB
Level
0–127

LONG REVERB

This is a very rich sounding reverb with a choice of character.
Parameter Value
Depth
0–127
Time
0–127
16–15000Hz,
Pre LPF
BYPASS
BYPASS,
Pre HPF
16–15000Hz
Peaking Freq
200–8000Hz
Peaking Gain
-15–+15dB
Peaking Q
0.5–8.0
16–15000Hz,
HF Damp
BYPASS
BYPASS,
LF Damp
16–15000Hz
Character
1–6
EQ Low Freq
200–400Hz
EQ Low Gain
-15–+15dB
EQ High Freq
2000–8000Hz
EQ High Gain
-15–+15dB
Level
0–127
46
Explanation
Type of reverb
Adjusts the delay time from the direct sound
until the reverb sound is heard.
Time length of reverberation
Adjusts the frequency above which
the reverberant sound will be cut
(BYPASS: no cut).
Gain of the low range
Gain of the high range
Output Level
Explanation
Depth of the effect
Time length of reverberation
Frequency of the filter that cuts the high-
frequency content of the input sound
(BYPASS: no cut)
Frequency of the filter that cuts the low-
frequency content of the input sound
(BYPASS: no cut)
Frequency of the filter that boosts/cuts a
specific frequency region of the input sound
Amount of boost/cut produced by the filter
at the specified frequency region of the input
sound
Bandwidth of the filter that boosts or cuts
the specified frequency region of the input
sound
Frequency at which the high-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
Frequency at which the low-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
Type of reverb
Center frequency of the low range
Gain of the low range
Center frequency of the high range
Gain of the high range
Output Level

SUPER FILTER

This is a filter with an extremely sharp slope. The cutoff frequency can
be varied cyclically.
Parameter Value
Filter type
Frequency range that will pass through each filter
LPF
Filter Type
BPF
HPF
NOTCH
Amount of attenuation per octave
-12dB
Filter Slope
-24dB
-36dB
Filter Cutoff
0–127
Filter
0–127
Resonance
Filter Gain
0–+12dB
Modulation
OFF, ON
Sw
How the cutoff frequency will be modulated
TRI
SQR
SIN
Modulation
SAW1
Wave
SAW2
SAW1
Tempo Sync
OFF, ON
0.05–10.00 Hz,
Rate
note
Depth
0–127
Attack
0–127
Level
0–127

FILTER+DRIVE

This is a low-pass filter equipped with overdrive. It cuts the upper
range and adds distortion.
Parameter Value
Cutoff
0–127
Resonance
0–127
Drive
0–127
Level
0–127
Explanation
Frequencies below the cutoff
Frequencies in the region of the cutoff
Frequencies above the cutoff
Frequencies other than the region of the
cutoff
Gentle
Steep
Extremely steep
Cutoff frequency of the filter
Increasing this value will raise the cutoff
frequency.
Filter resonance level
Increasing this value will emphasize the
region near the cutoff frequency.
Amount of boost for the filter output
On/off switch for cyclic change
Triangle wave
Square wave
Sine wave
Sawtooth wave (upward)
Sawtooth wave (downward)
SAW2
Specifies whether the modulation rate is
specified as a note value (ON) or not (OFF).
Rate of modulation
Depth of modulation
Speed at which the cutoff frequency will
change
This is effective if Modulation Wave is SQR,
SAW1, or SAW2.
Output Level
Explanation
Cutoff frequency of the filter
Increasing this value will raise the cutoff
frequency.
Filter resonance level
Increasing this value will emphasize the
region near the cutoff frequency.
Amount of distortion
Output Level