Roland TD-27 Midi Implementation Manual
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Also See for TD-27:
- Reference manual (67 pages) ,
- Data list (58 pages) ,
- Quick start manual (30 pages)
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MIDI Implementation
Model: TD-27
Date: June. 1. 2020
Version: 1.01
* In this implementation, the order in which the TD-27's buttons should be pressed is indicated in the following way. For example, [KIT
EDIT]-[OTHER]-[KIT MIDI] means "press the [KIT EDIT] button, then press the [OTHER] (F5) button, then select [KIT MIDI] with the cursor,
and finally press the [ENTER] button." For details, refer to the TD-27 owner's manual (Quick Start).
* The "Data List" referred to in this document can be obtained via the Roland website.
1. Receive Data
■Channel Voice Messages
* The following Channel Voice Messages can be received by the channel assigned in [KIT EDIT]-[OTHER]-[KIT MIDI]-[MIDI CH] MIDI CH.
* Not received when [SYSTEM]-[MIDI]-[BASIC] MIDI Tx/Rx Sw is set to "OFF."
●Note On
Status
2nd byte
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note on velocity:
* Messages are received only on the channel that is assigned to the pad whose note number matches the message. For details on note
numbers, refer to the PAD MIDI page of "TD-27 Data List" (PDF).
* When the [KIT EDIT]-[OTHER]-[BRUSH SW] Brush Switch is set to "ON," the note number selected in [KIT EDIT]-[OTHER]-[KIT MIDI]-[NOTE]
Note No. (SNARE<BRUSH>) is received on the channel to which the SNARE<HEAD> is assigned (when an instrument compatible with brush
performances is selected for the Snare pad head).
* The note number selected in [KIT EDIT]-[OTHER]-[KIT MIDI]-[NOTE] NOTE NO. (SNARE<XSTICK>) is received on the channel to which the
SNARE<RIM> is assigned (when an instrument compatible with cross-sticking is selected for the Snare pad rim).
●Polyphonic Key Pressure
Status
2nd byte
AnH
kkH
n = MIDI channel number:
kk = note number:
vv = value:
* Messages are received only on the channel that is assigned to the pad whose note number matches the message. For details on note
numbers, refer to the PAD MIDI page of "TD-27 Data List" (PDF).
* If the value is greater than 1, the decay of the note sounded by the received note number will be shortened based on the value (used in
choking).
●Control Change
○Modulation (Controller number 1)
Status
2nd byte
BnH
01H
n = MIDI channel number:
vv = Control value:
* In the channel to which the HI-HAT<BOW> is assigned, setting [SYSTEM]-[MIDI]-[CONTROL] HH Pedal CC to "MODULATION (1)" changes the
hi-hat control pedal position.
* The strike position of the pad corresponding to the note number received changes immediately after [SYSTEM]-[MIDI]-[CONTROL] Snare CC
(for the SNARE pad head and rim), Ride CC (for the RIDE pad bow), or Toms/AUXs CC (for head and rim of TOM 1–3, AUX 1–3 pads) is set to
"MODULATION (1)."
○Breath Controller (Controller number 2)
Status
2nd byte
BnH
02H
n = MIDI channel number:
vv = Control value:
* In the channel to which the HI-HAT<BOW> is assigned, setting [SYSTEM]-[MIDI]-[CONTROL] HH Pedal CC to "BREATH (2)" changes the hi-hat
control pedal position.
* The strike position of the pad corresponding to the same note channel's note number received changes immediately after
[SYSTEM]-[MIDI]-[CONTROL] Snare CC (for the SNARE pad head and rim), Ride CC (for the RIDE pad bow), or Toms/AUXs CC (for head and rim of
TOM 1–3, AUX 1–3 pads) is set to "BREATH (2)."
○Foot Controller (Controller number 4)
Status
2nd byte
BnH
04H
n = MIDI channel number:
vv = Control value:
* In the channel to which the HI-HAT<BOW> is assigned, setting [SYSTEM]-[MIDI]-[CONTROL] HH Pedal CC to "FOOT (4)" changes the hi-hat
control pedal position.
* The strike position of the pad corresponding to the same note channel's note number received changes immediately after
[SYSTEM]-[MIDI]-[CONTROL] Snare CC (for the SNARE pad head and rim), Ride CC (for the RIDE pad bow), or Toms/AUXs CC (for head and rim of
TOM 1–3, AUX 1–3 pads) is set to "FOOT (4)."
○Expression (Controller number 11)
Status
2nd byte
BnH
0BH
3rd byte
vvH
0H–FH (ch.1–ch.16)
00H–7FH (0–127)
01H–7FH (1–127)
3rd byte
vvH
0H–FH (ch.1–ch.16)
00H–7FH (0–127)
00H–7FH (0–127)
3rd byte
vvH
0H–FH (ch.1–ch.16)
00H–7FH (0–127)
Pedal position:
open to closed
Head strike position:
center to perimeter
Rim strike position:
deep to shallow
3rd byte
vvH
0H–FH (ch.1–ch.16)
00H–7FH (0–127)
Pedal position:
open to closed
Head strike position:
center to perimeter
Rim strike position:
deep to shallow
3rd byte
vvH
0H–FH (ch.1–ch.16)
00H–7FH (0–127)
Pedal position:
open to closed
Head strike position:
center to perimeter
Rim strike position:
deep to shallow
3rd byte
vvH
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Summary of Contents for Roland TD-27
- Page 1 Version: 1.01 * In this implementation, the order in which the TD-27's buttons should be pressed is indicated in the following way. For example, [KIT EDIT]-[OTHER]-[KIT MIDI] means “press the [KIT EDIT] button, then press the [OTHER] (F5) button, then select [KIT MIDI] with the cursor, and finally press the [ENTER] button.”...
- Page 2 If we let the high resolution velocity prefix be “y,” the velocity is expressed as “127+(0.5*y).” * Velocity values below the decimal point are not expressed in the screen of the TD-27. If we let the velocity be “x,” velocities above 127 are expressed as “127+(x-127).”...
- Page 3 pp = Program number: 00H–63H (prog.1–prog.100) * Not received when [SYSTEM]-[MIDI]-[BASIC] program Change Rx is set to “OFF.” * Received only if the channel number matches the MIDI Channel of [SYSTEM]-[MIDI]-[BASIC]. * The sound will change beginning with the next Note-On after the Program Change is received. Voices which were already sounding before the Program Change was received will not be affected.
- Page 4 ID number: An ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).
- Page 5 * The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the specified starting address and size. Refer to the address and size given in “3. Parameter Address Map.” * Data larger than 256 bytes must be divided into packets of 256 bytes or less, and each packet must be sent at an interval of about 20 ms or longer.
- Page 6 * When “BREATH (2)” is assigned to either [SYSTEM]-[MIDI]-[CONTROL] Snare CC (for head and rim of SNARE pad), Ride CC (for bow of RIDE pad), or Toms/AUXs CC (for head and rim of TOM 1–3, AUX 1–3 pads). * When the [SYSTEM]-[TRIGGER]-[PARAM] Trig Type is set to a type that can detect the strike position, or a digitally-connected pad that can detect strike position is assigned.
- Page 7 If we let the high resolution velocity be “x,” high resolution velocity prefix is (x-127)/0.5. * Velocity values below the decimal point are not expressed in the screen of the TD-27. If we let the velocity be “x,” velocities above 127 are expressed as “127+(x-127).”...
- Page 8 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum Byte Explanation Exclusive status ID number (Roland) Device ID (dev: 10H–1FH, 7FH) Model ID#1 (TD-27) Model ID#2 (TD-27) Model ID#3 (TD-27) Model ID#4 (TD-27) Command ID (DT1) Address MSB Address Address...
- Page 9 AUX2 AUX3 [TrigDigital] These are the trigger parameters for a digitally-connected pad. Digitally-connected pads detected by the TD-27 are assigned in the order in which they are recognized. Normally you should edit these parameters from within the TD-27 itself. +------------------------------------------------------------------------------+...
- Page 10 00 0E 00 | Trigger Digital 2 [TrigDigital] | 00 18 00 | Trigger Digital 12 [TrigDigital] | +------------------------------------------------------------------------------+ * [Current] +------------------------------------------------------------------------------+ | Offset Address | Description |-------------+----------------------------------------------------------------| 00 00 | 0aaa aaaa | Drum Kit Number (0 - 99) | 1 - 100 | |-------------+----------------------------------------------------------------| | 00 00 00 01 |Total Size...
- Page 11 -5 - 5 | |-------------+----------------------------------------------------------------| | 00 00 00 34 |Total Size +------------------------------------------------------------------------------+ (*1) These Overhead Template values (10:OTHER 5 - 14:OTHER 9) are supported starting with program version 1.10. Refer to the Roland website for the latest information. https://www.roland.com/global/support/...
- Page 12 0 - 127, OFF | 00 38 | 0000 aaaa | 00 39 | 0000 bbbb | 00 3A | 0000 cccc | 00 3B | 0000 dddd | Note HI-HAT CLOSE (EDGE) (0 - 128) | 0 - 127, OFF | 00 3C | 0000 aaaa | 00 3D | 0000 bbbb | 00 3E | 0000 cccc |...
- Page 13 01 00 | 0aaa aaaa | Gate Time CRASH1 (EDGE) (1 - 80) | 0.1 - 8.0 | 01 01 | 0aaa aaaa | Gate Time CRASH2 (BOW) (1 - 80) | 0.1 - 8.0 | 01 02 | 0aaa aaaa | Gate Time CRASH2 (EDGE) (1 - 80) | 0.1 - 8.0 | 01 03 | 0aaa aaaa | Gate Time RIDE (BOW)
- Page 14 00 0C | 0000 0aaa | Pre Limiter Ratio (0 - 7) | 1:1, 2:1, 3:1, 4:1 | 8:1, 16:1, 32:1, 100:1 | 00 0D | 0000 00aa | Pre Limiter Knee (0 - 3) | HARD, SOFT1 - 3 | 00 0E | 0aaa aaaa | Pre Limiter Attack (0 - 100) | 0.1 - 100 [ms] |...
- Page 15 0 - 6 | |-------------+----------------------------------------------------------------| | 00 00 00 53 |Total Size +------------------------------------------------------------------------------+ (*2) These Mic Type values (TYPE 5 - 10) are supported starting with program version 1.10. Refer to the Roland website for the latest information. https://www.roland.com/global/support/ * [KitMasterComp]...
- Page 16 | Offset Address | Description |-------------+----------------------------------------------------------------| 00 00 | 0000 000a | Switch (0 - 1) | OFF, ON | 00 01 | 0000 000a | Low Eq Type (0 - 1) | SHELV, PEAK | 00 02 | 000a aaaa | Low Freq (0 - 17) | 20Hz, 25Hz, 31.5Hz, 40Hz, 50Hz, 63Hz, | 80Hz, 100Hz, 125Hz, 160Hz, 200Hz, 250Hz, |...
- Page 17 +------------------------------------------------------------------------------+ | Offset Address | Description |-------------+----------------------------------------------------------------| 00 00 | 0000 aaaa | 00 01 | 0000 bbbb | Pan (-30 - 30) | L30 - 1, CTR, R1 - 30 | 00 02 | 0000 aaaa | Minimum Volume (0 - 15) | 0 - 15 | 00 03 | 0000 aaaa |...
- Page 18 SOFT COMP, HARD COMP, LIMITER | 00 03 | 0000 aaaa | 00 04 | 0000 bbbb | Gain (-48 - 48) | -24.0 - +24.0 [dB] | 00 05 | 0000 aaaa | 00 06 | 0000 bbbb | Threshold (-48 - 0) | -48 - 0 [dB] | 00 07 | 0000 0aaa | Ratio...
- Page 19 00 30 | 0000 aaaa | 00 31 | 0000 bbbb | Step 13 KitNum (-1 - 99) | END(*3), 1 - 100 | 00 32 | 0000 aaaa | 00 33 | 0000 bbbb | Step 14 KitNum (-1 - 99) | END(*3), 1 - 100 | 00 34 | 0000 aaaa | 00 35 | 0000 bbbb | Step 15 KitNum...
- Page 20 00 04 | 0000 aaaa | 00 05 | 0000 bbbb | Trigger Bank Name 3 (1 - 126) | 1 - 126 [ASCII] | 00 06 | 0000 aaaa | 00 07 | 0000 bbbb | Trigger Bank Name 4 (1 - 126) | 1 - 126 [ASCII] | 00 08 | 0000 aaaa |...
- Page 21 | Offset Address | Description |-------------+----------------------------------------------------------------| 00 00 | 00aa aaaa | Trig Type (0 - 50) | KDA22, KD200, KD140, KD120, KD85, | KD10, KD9, KD8, KD7, KT10, | KT9, PDA120, PDA100, PDA140F, PD128, | PD125X, PD125, PD108, PD105X, PD105, | PD85, PDX100, PDX12, PDX8, PDX6, | PD8, VH13, VH12, VH11, VH10, | CY16RT, CY15R, CY14CT, CY14C, CY13R, |...
- Page 22 OFF, | DIRECT 1, | DIRECT 2, | DIRECT 1+2(L+R), | MASTER DIRECT L, | MASTER DIRECT R, | MASTER DIRECT L+R | 00 12 | 0000 0aaa | Direct Assign (CRASH 1) (0 - 6) | OFF, | DIRECT 1, | DIRECT 2, | DIRECT 1+2(L+R), | MASTER DIRECT L, |...
- Page 23 MASTER DIRECT L, | MASTER DIRECT R, | MASTER DIRECT L+R | 00 24 | 0000 0aaa | Direct Assign (CLICK) (0 - 6) | OFF, | DIRECT 1, | DIRECT 2, | DIRECT 1+2(L+R), | MASTER DIRECT L, | MASTER DIRECT R, | MASTER DIRECT L+R | 00 25 | 0000 0aaa | Direct Assign (MIXIN)
- Page 24 00 00 | 0000 00aa | Mix In Gain (0 - 2) | 0, +6, +12[dB] | 00 01 | 0000 aaaa | 00 02 | 0000 bbbb | USB Audio Input Gain (-36 - 12) | -36 - +12[dB] | 00 03 | 0000 aaaa | 00 04 | 0000 bbbb | USB Audio Output Gain (-24 - 24) |...
- Page 25 00 50 | 0000 cccc | 00 51 | 0000 dddd | Room Parameter 19 (*4) | 00 52 | 0000 aaaa | 00 53 | 0000 bbbb | 00 54 | 0000 cccc | 00 55 | 0000 dddd | Room Parameter 20 (*4) | |-------------+----------------------------------------------------------------| | 00 00 00 56 |Total Size...
- Page 26 SATURATOR, T-SCREAM, BIT CRUSHER, | ISOLATOR, RING MODULATOR, PITCH SHIFTER, | AUTO PAN | 00 01 | 0000 000a | Switch (0 - 1) | OFF, ON | 00 02 | 0000 aaaa | 00 03 | 0000 bbbb | 00 04 | 0000 cccc | 00 05 | 0000 dddd | Level (-601 - 60) |...
- Page 27 00 60 | 0000 cccc | 00 61 | 0000 dddd | MFX Parameter 23 (*5) | 00 62 | 0000 aaaa | 00 63 | 0000 bbbb | 00 64 | 0000 cccc | 00 65 | 0000 dddd | MFX Parameter 24 (*5) | 00 66 | 0000 aaaa | 00 67 | 0000 bbbb |...
- Page 28 00 2F | 0000 bbbb | 00 30 | 0000 cccc | 00 31 | 0000 dddd | HF Damp (0 - 17) | 200, 250, 315, 400, 500, 630, 800, | 1000, 1250, 1600, 2000, 2500, 3150, | 4000, 5000, 6300, 8000, BYPASS[Hz] | 00 32 | 0000 aaaa | 00 33 | 0000 bbbb | 00 34 | 0000 cccc |...
- Page 29 |------------------------------------------------------------------------------| MFX Type: REVERSE DELAY +------------------------------------------------------------------------------+ | Offset Address | Description |-------------+----------------------------------------------------------------| 00 06 | 0000 aaaa | 00 07 | 0000 bbbb | 00 08 | 0000 cccc | 00 09 | 0000 dddd | Threshold (0 - 127) | 0 - 127 | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb |...
- Page 30 00 4F | 0000 bbbb | 00 50 | 0000 cccc | 00 51 | 0000 dddd | Delay HF Damp (0 - 17) | 200, 250, 315, 400, 500, 630, 800, | 1000, 1250, 1600, 2000, 2500, 3150, | 4000, 5000, 6300, 8000, BYPASS[Hz] | 00 52 | 0000 aaaa | 00 53 | 0000 bbbb |...
- Page 31 00 2D | 0000 dddd | Center Feedback (0 - 98) | -98 - +98 [%] | 00 2E | 0000 aaaa | 00 2F | 0000 bbbb | 00 30 | 0000 cccc | 00 31 | 0000 dddd | HF Damp (0 - 17) | 200, 250, 315, 400, 500, 630, 800, | 1000, 1250, 1600, 2000, 2500, 3150, |...
- Page 32 +------------------------------------------------------------------------------+ | Offset Address | Description |-------------+----------------------------------------------------------------| 00 06 | 0000 aaaa | 00 07 | 0000 bbbb | 00 08 | 0000 cccc | 00 09 | 0000 dddd | Distortion Drive (0 - 127) | 0 - 127 | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc |...
- Page 33 00 26 | 0000 aaaa | 00 27 | 0000 bbbb | 00 28 | 0000 cccc | 00 29 | 0000 dddd | Low Gain (0 - 30) | -15 - +15 [dB] | 00 2A | 0000 aaaa | 00 2B | 0000 bbbb | 00 2C | 0000 cccc | 00 2D | 0000 dddd | High Gain...
- Page 34 00 15 | 0000 dddd | Tempo Sync (0 - 1) | OFF, ON | 00 16 | 0000 aaaa | 00 17 | 0000 bbbb | 00 18 | 0000 cccc | 00 19 | 0000 dddd | Rate (Hz) (1 - 200) | 0.05 - 10.00 [Hz] | 00 1A | 0000 aaaa |...
- Page 35 OFF, ON | 00 12 | 0000 aaaa | 00 13 | 0000 bbbb | 00 14 | 0000 cccc | 00 15 | 0000 dddd | Rate (Hz) (1 - 200) | 0.05 - 10.00 [Hz] | 00 16 | 0000 aaaa | 00 17 | 0000 bbbb | 00 18 | 0000 cccc | 00 19 | 0000 dddd | Rate (note)
- Page 36 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Tempo Sync(Rate) (0 - 1) | OFF, ON | 00 12 | 0000 aaaa | 00 13 | 0000 bbbb | 00 14 | 0000 cccc | 00 15 | 0000 dddd | Rate (Hz) (1 - 200) | 0.05 - 10.00 [Hz] |...
- Page 37 00 19 | 0000 dddd | Rate (Hz) (1 - 200) | 0.05 - 10.00 [Hz] | 00 1A | 0000 aaaa | 00 1B | 0000 bbbb | 00 1C | 0000 cccc | 00 1D | 0000 dddd | Rate (note) (0 - 21) | MUSICAL-NOTES | 00 1E | 0000 aaaa |...
- Page 38 0 - 127 | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Time (0 - 127) | 0 - 127 | 00 0E | 0000 aaaa | 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Pre LPF...
- Page 39 LPF, BPF, HPF, NOTCH | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Filter Slope (0 - 2) | -12, -24, -36[dB] | 00 0E | 0000 aaaa | 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Filter Cutoff...
- Page 40 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Manual (0 - 127) | 0 - 127 | 00 0E | 0000 aaaa | 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Peak (0 - 127) |...
- Page 41 00 21 | 0000 dddd | Touch Wah Switch (0 - 1) | OFF, ON | 00 22 | 0000 aaaa | 00 23 | 0000 bbbb | 00 24 | 0000 cccc | 00 25 | 0000 dddd | Touch Wah Mode (0 - 1) | LPF, BPF | 00 26 | 0000 aaaa |...
- Page 42 Address | Description |-------------+----------------------------------------------------------------| 00 06 | 0000 aaaa | 00 07 | 0000 bbbb | 00 08 | 0000 cccc | 00 09 | 0000 dddd | Drive (0 - 127) | 0 - 127 | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Tone...
- Page 43 0 - 127 | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Saturator Drive (0 - 127) | 0 - 127 | 00 0E | 0000 aaaa | 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Saturator Level...
- Page 44 00 09 | 0000 dddd | Boost/Cut Low (0 - 64) | -60 - +4 [dB] | 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Boost/Cut Mid (0 - 64) | -60 - +4 [dB] | 00 0E | 0000 aaaa |...
- Page 45 00 0A | 0000 aaaa | 00 0B | 0000 bbbb | 00 0C | 0000 cccc | 00 0D | 0000 dddd | Fine (0 - 100) | -100 - +100 [cent] | 00 0E | 0000 aaaa | 00 0F | 0000 bbbb | 00 10 | 0000 cccc | 00 11 | 0000 dddd | Tempo Sync...
- Page 46 00 02 | 0000 bbbb | V-Edit Parameter 1 (*6) | 00 03 | 0000 aaaa | 00 04 | 0000 bbbb | V-Edit Parameter 2 (*6) | 00 05 | 0000 aaaa | 00 06 | 0000 bbbb | V-Edit Parameter 3 (*6) | 00 07 | 0000 aaaa | 00 08 | 0000 bbbb | V-Edit Parameter 4...
- Page 47 00 0D | 0000 aaaa | 00 0E | 0000 bbbb | Wire Level (1 - 10) | -4 - -1, NORMAL, +1 - +5 | +------------------------------------------------------------------------------+ (*8) For some instruments, this cannot be set. INSTRUMENT GROUP: CROSS STICK +------------------------------------------------------------------------------+ | Offset Address | Description...
- Page 48 1 - 100 | +------------------------------------------------------------------------------+ * [TrigDigital] This area is valid for a pad that is connected to the DIGITAL TRIGGER IN jack. Normally you should edit these parameters from within the TD-27 itself. +------------------------------------------------------------------------------+ | Offset Address | Description...
- Page 49 | 00 00 00 1C |Total Size +------------------------------------------------------------------------------+ (*10) Depending on the pad assignments that are saved within the TD-27 for digitally-connected pads, this area will be as follows. Addresses for which the digitally-connected pad has no assignment are ignored.
- Page 50 According to the settings made at the factory, the drum part is assigned to MIDI Channel 10, Note Number 44 is assigned to the pedal hi-hat, and the foot controller is set to Pedal CC; in this case, the TD-27 plays a foot splash when the message is received.
- Page 51 (1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (TD-27) (5) Command ID (DT1) (6) EOX Then calculate the checksum. 04H ＋ 01H ＋ 01H ＋ 01H ＋ 00H ＋ 05H ＝ 4 ＋ 1 ＋ 1 ＋ 1 ＋ 0 ＋ 5 ＝ 12(sum) 12 (sum) ÷...
- Page 52 :All Sound Off | o (120, 123-127) :Reset All Controllers | Aux :Local On/Off | Messages :All Notes Off | o *5 :Active Sensing :System Reset |---------------------------------------+----------------------+----------------------+--------------------------------| | Notes | *1 One is selected as the strike position. | *2 One is selected as the hi-hat control pedal. | *3 ○×...
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