Gtampsim Flngr - Roland AX-Edge Parameter Manual

MFX/IFX Parameters
58 GTAMPSIM 0 FLNGR
L in
Pre Amp Pre Amp Speaker Speaker
R in
Parameter Value
Pre Amp Sw
OFF, ON
(Pre Amp Switch)
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
MS1959II
Type
(Pre Amp Type)
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Volume
0–127
(Pre Amp Volume)
Master
0–127
(Pre Amp Master)
LOW, MIDDLE,
Gain
(Pre Amp Gain)
HIGH
Bass 0–127
(Pre Amp Bass)
Middle
0–127
(Pre Amp Middle)
Treble 0–127
(Pre Amp Treble)
Balance D
L out
Feedback
Balance W
Flanger Flanger
Balance W
R out
Balance D
Explanation
Turns the amp switch on/off.
Type of guitar amp
This models the sound of the Roland
JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input
on a Matchless D/C-30.
A simulation of the latest tube amp
widely used in styles from blues and rock.
This models the lead sound of the MESA/
Boogie combo amp.
The sound of a tube amp typical of the
late '70s to '80s.
This models the sound input to Input I on
a Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on
a Marshall 1959.
The sound of connecting inputs I and II
of the guitar amp in parallel, creating a
sound with a stronger low end than I.
This models a Soldano SLO-100. This is
the typical sound of the eighties.
This models the lead channel of a Peavey
EVH 5150.
This is distortion sound that is ideal for
performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of
the BOSS OD-2.
This gives a basic, traditional distortion
sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the
amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble frequency
range
Middle cannot be set if "Match Drive" is
selected as the Pre Amp Type.
Parameter Value
Speaker Sw
OFF, ON
(Speaker Switch)
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN1
BUILT-IN2
BUILT-IN3
SpType
(Speaker Type)
BUILT-IN4
BUILT-IN5
BG STACK1
BG STACK2
MS STACK1
MS STACK2
MTL STACK
2-STACK
3-STACK
Flg Switch
OFF, ON
(Flanger Switch)
Flg PreDly
0.0–100 [msec]
(Flanger Pre Delay)
Flg Hz
0.05–10.00 [Hz]
(Flanger Rate (Hz))
Flg Depth
0–127
(Flanger Depth)
Flg Fbk
-98–+98 [%]
(Flanger Feedback)
D100: 0W–D0:
Flg Bal
100W
(Flanger Balance)
Level
0–127
62
Explanation
Selects whether the sound will be sent
through the speaker simulation (ON) or
not (OFF)
Cabinet Speaker Microphone
small
open-back 10 dynamic
enclosure
small
open-back 10 dynamic
enclosure
open back
12 x 1 dynamic
enclosure
open back
12 x 2 dynamic
enclosure
open back
12 x 2 dynamic
enclosure
open back
12 x 2 condenser
enclosure
open back
12 x 2 condenser
enclosure
open back
12 x 2 condenser
enclosure
open back
12 x 2 condenser
enclosure
sealed
12 x 2 condenser
enclosure
large sealed
12 x 2 condenser
enclosure
large sealed
12 x 4 condenser
enclosure
large sealed
12 x 4 condenser
enclosure
large double
12 x 4 condenser
stack
large double
12 x 4 condenser
stack
large triple
12 x 4 condenser
stack
Flanger on/off
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Adjusts the volume balance between the
sound that is sent through the flanger
(W) and the sound that is not sent
through the flanger (D).
Output Level