Sustainer; Gate; Delay - Roland AX-Edge Parameter Manual

MFX/IFX Parameters

35 SUSTAINER

By compressing loud input and boosting low input, this effect keeps
the volume consistent to produce a sustain effect without distortion.
L in
Sustainer Sustainer 2-Band EQ 2-Band EQ
R in
Sustainer Sustainer 2-Band EQ 2-Band EQ
Parameter Value
Sustain 0–127
Attack 0–127
Release
0–127
Post Gain -15–+15 [dB]
Low Gain
-15–+15 [dB]
High Gain -15–+15 [dB]
Level 0–127

36 GATE

Cuts the reverb's delay according to the volume of the sound
sent into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb's decay.
L in
Gate Gate
R in
Gate Gate
Parameter Value
Threshold
0–127
Mode GATE, DUCK
Attack 0–127
Hold
0–127
Release 0–127
D100: 0W–D0:
Balance
100W
Level 0–127
L out
R out
Explanation
Adjusts the range in which a low input
signal is boosted to a consistent volume.
Higher values produce longer sustain.
Time until the volume is compressed
Time until compression is removed
Level of the output sound
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Output Level
L out
R out
Explanation
Volume level at which the gate begins
to close
Type of gate
GATE: The gate will close when the
volume of the original sound decreases,
cutting the original sound.
DUCK (Duking): The gate will close
when the volume of the original sound
increases, cutting the original sound.
Adjusts the time it takes for the gate to
fully open after being triggered.
Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
Adjusts the time it takes the gate to fully
close after the hold time.
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level

37 DELAY

This is a stereo delay.
When Feedback Mode is NORMAL:
L in
Delay Delay
Feedback
Feedback
Delay Delay
R in
When Feedback Mode is CROSS:
L in
Delay Delay
Feedback
Feedback
Delay Delay
R in
Parameter Value
Dly L Sync
(Delay Left
OFF, ON
(sync switch))
Dly L Msec
1–1300 [msec]
(Delay Left (msec))
Note
Dly L Note
&
(Delay Left (note)) "Note"
Dly R Sync
(Delay
OFF, ON
Right (sync switch))
Dly R Msec
1–1300 [msec]
(Delay Right (msec))
Note
Dly R Note
&
"Note"
(Delay Right (note))
Phase L
(Phase Left)
NORMAL, INVERSE
Phase R
(Phase Right)
Fbk Mode
NORMAL, CROSS
(Feedback Mode)
Feedback -98–+98 [%]
200, 250, 315, 400,
500, 630, 800,
1000, 1250, 1600,
HF Damp
2000, 2500, 3150,
4000, 5000, 6300,
8000, BYPASS [Hz]
Low Gain -15–+15 [dB]
High Gain -15–+15 [dB]
D100: 0W–D0:
Balance
100W
Level
0–127
53
Balance D
2-Band EQ 2-Band EQ
Balance W
Balance W
2-Band EQ 2-Band EQ
Balance D
Balance D
2-Band EQ 2-Band EQ
Balance W
Balance W
2-Band EQ 2-Band EQ
Balance D
Explanation
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
"Tempo" (p. 8)
Adjusts the time the left delay sound is
heard.
(p. 72)
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
"Tempo"
(p. 8)
Adjusts the time the right delay sound
is heard.
(p. 72)
Phase of left and right delay sound
NORMAL: Non-inverted
INVERT: Inverted
Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)
Adjusts the proportion of the delay sound
that is fed back into the effect.
Negative (-) settings will invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output Level
L out
R out
L out
R out