DigiTech RP360 Owner's Manual
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DigiTech RP360 Owner's Manual

Digitech guitar multi-effects processors
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GU I TA R M ULT I - E FF E C TS P RO CE S S O R S
OWNER'S MANUAL

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Summary of Contents for DigiTech RP360

  • Page 1 RP360 RP360 XP GU I TA R M ULT I - E FF E C TS P RO CE S S O R S OWNER’S MANUAL...
  • Page 2 COMPLIANCE & SAFETY INSTRUCTIONS WARNING FOR YOUR PROTECTION READ THE FOLLOWING: KEEP THESE INSTRUCTIONS Protect the power cord from being walked on or pinched particularly at HEED ALL WARNINGS plugs, convenience receptacles, and the point where they exit from the The symbols shown above are internationally ac- FOLLOW ALL INSTRUCTIONS apparatus.

  • Page 3: Declaration Of Conformity

    Signal Processing FCC Part 15 8760 S. Sandy Parkway Sandy, Utah 84070, USA Date: July 9, 2013 European Contact: Your local DigiTech Sales and Service Office or Harman Signal Processing 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800 Fax: (801) 568-7583 If you want to dispose this product, do not mix it with general household waste.
  • Page 4 7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.

  • Page 5: Table Of Contents

    EXPRESSION PEDAL & LFO ASSIGNABLE Tuner ������������������������������������������������������������������������������������������27 PARAMETERS ������������������������������������������������������� 110 Looper ���������������������������������������������������������������������������������������28 Sound Check ����������������������������������������������������������������������������29 SPECIFICATIONS ����������������������������������������������� 114 Drum Machine �������������������������������������������������������������������������30 Aux Input ����������������������������������������������������������������������������������32 Tap Tempo ���������������������������������������������������������������������������������33 Expression Pedal Control �����������������������������������������������������34 Assigning The LFO ������������������������������������������������������������������36 Using An Optional FS3X Footswitch ����������������������������������37 RP360/RP360 XP...

  • Page 6: Overview

    Worksation) or for preset management using the free downloadable Nexus editor/librarian software� With a rugged, stylish design, a vast library of amps, cabinets, and effect pedals to choose from, and tons of flexibility and features, the RP360 and RP360XP processors were designed to look and sound great�...

  • Page 7: Features

    • Mono or Stereo Outputs • Sound Check for Easy Auditioning & Editing of Effects • USB Audio Streaming • Free Downloadable Nexus Editor/Librarian Software for Mac & PC • Heavy Duty Metal Chassis & Footswitches • Power Supply Included RP360 / RP360 XP...

  • Page 8: The User Interface & Connectors

    Top Panel Plexi-Drive LOOPER READY 1� LCD DISPLAY This LCD display provides the visual feedback necessary for operating the RP360/RP360XP processors� 2� SELECT KNOB This knob performs different functions when pressed or turned, depending upon which operating state you are in� In the Performance state, turning this knob navigates presets and pressing this knob accesses editing of effects and effect settings�...
  • Page 9 Press this button to access the global System Settings menu, where you can edit global parameters which determine how the RP360/RP360XP processor functions� See System Setup on page 41 for information on the options and parameters available in this menu�...

  • Page 10: Rear Panel

    60 Ohms or less� NOTE: When only headphones are connected (nothing connected to the 1/4” outputs), the outputs are optimized for full range speakers/headphones� See Output To on page 44 for further information� RP360 / RP360 XP...
  • Page 11 5� CONTROL IN In the RP360 model, this connector accepts an external expression or volume pedal for real-time control of effect parameters, or a DigiTech FS3X Footswitch for additional footswitch control� In the RP360XP model, this connector accepts an FS3X Footswitch for additional footswitch control�...

  • Page 12: Connection Diagrams

    Turn the RP on by connecting the included power supply to the POWER input connector and connecting the other end to an available AC outlet� 4� Turn on your amplifier� Strum your guitar and gradually increase your amplifier’s master volume control until the desired level is achieved� RP360 / RP360 XP...

  • Page 13: Stereo Amplifiers

    5� For stereo operation you will need to change the OUTPUT MODE parameter to STEREO� See Output Mode on page 45 for information on configuring the RP for stereo operation� RP360 / RP360 XP...

  • Page 14: Direct To Mixer

    PA speakers� See Output To on page 44 for more information on editing this parameter� 6� For stereo operation you will need to change the OUTPUT MODE parameter to STEREO� See Output Mode on page 45 for information on configuring the RP for stereo operation� RP360 / RP360 XP...

  • Page 15: Computer Recording

    Computer Recording The RP360 and RP360XP use the standard drivers which come with Mac OS X and Windows operating systems� Therefore, there are no additional drivers to install� Simply plug in the RP and connect to your computer� The RPs will simultaneously stream 2 channels of audio up to the computer and 2 channels of audio down from the computer at a 44�1kHz sample rate with 16 or 24-bit resolution (bit resolution can...
  • Page 16 In your DAW, select the RP as the input/output device� See your DAW’s documentation for further details� HINT: The DigiTech Nexus editor/librarian software can also be used in this application to edit effects and manage presets� See Nexus Editor/Librarian Software on page 108 for further information�...

  • Page 17: Practicing With Headphones

    LEFT OUT or RIGHT OUT connectors� This makes it as simple as just plugging in your headphones to practice – no reconfiguration necessary! NOTE: The HEADPHONE output is optimized for use with headphones having an impedance of 60 Ohms or less� RP360 / RP360 XP...

  • Page 18: Operating Instructions

    Drum Machine� In this menu you have controls for DRUMS turning the Drum Machine on and off and changing the drum pattern, tempo and level� See Drum Machine on page 30 for more information on using the Drum Machine� RP360 / RP360 XP...

  • Page 19: Managing Presets

    Plexi-Drive There are a total of 198 presets available in the LOOPER READY LOOPER READY RP360/RP360XP� These presets are broken up into two banks, User and Factory, each containing Plexi-Drive LOOPER READY 99 presets� From the factory, the user and factory presets will contain the same presets�...
  • Page 20 You’ll notice that the RP is now functioning just as it does when configured for Preset Mode operation� 6� When done navigating presets, press both simultaneously again� The FOOTSWITCHES 2 LCD display will change and you will now be back to Bank Mode operation� RP360 / RP360 XP...

  • Page 21: Storing/Copying/Naming Presets

    The RP360 and RP360XP have 99 user preset memory locations� Factory presets can be edited and then stored to a user preset location�...
  • Page 22 SELECT preset name� 4� Press the button a second time to confirm the store procedure� The LCD display STORE will briefly display “Storing���” then the preset will be copied to the new user preset memory location� RP360 / RP360 XP...

  • Page 23: Working With Effects

    Stomp Mode, they can also be assigned to the three footswitches for effect on/off control� Up to 10 effects can reside in the effects chain at a time� This section of the manual describes how to work with the effects available in the RP360 and RP360XP processors� Editing Effect Parameters...

  • Page 24: Changing Effects

    Changing Effects Plexi-Drive CRY WAH Most of the effects in the RP360/RP360XP have LOOPER READY multiple effects to choose from� For example, the BYPASS 0 dB Delay effect offers a Ping Pong Delay, Tape Delay, ON/BYP MODEL LEVEL Analog Delay, etc��...

  • Page 25: Reordering Effects

    6� Repeat steps 2-5 to move any other effects� 7� When done, press the button to return to the Performance state� BACK 8� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17� RP360 / RP360 XP...

  • Page 26: Adding Effects

    BACK Performance state� 7� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17� NOTE: One of each effect type (Compressor, Distortion, Modulation, etc�) can be used in a preset� RP360 / RP360 XP...

  • Page 27: Deleting Effects

    Effect Options Edit menu� 6� Press the button twice to return to the Performance state� BACK 7� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17� RP360 / RP360 XP...

  • Page 28: Assigning Effects To Footswitches (Stomp Mode Only)

    Assigning Effects To Footswitches Plexi-Drive (Stomp Mode Only) Stompbox FSW DLY REV LOOPER READY When the RP360/RP360XP is configured for DIST ON WAH ON DLY ON Stomp Mode operation, effects can be assigned to ASSIGN A ASSIGN B ASSIGN C any of the three footswitches�...

  • Page 29: Preset Level & Master Level

    Preset Level & Master Level The RP360 and RP360XP have two different output level controls: Preset Level and Master Level� Preset Level Plexi-Drive Plexi-Drive The Preset Level parameter adjusts the output level for the currently loaded preset only� LOOPER READY...

  • Page 30: Preset (Effects) Bypass

    To bypass a preset’s effects (Footswitch Mode set to “BANK”): 1� Press the currently active preset’s (indicated by the lit LED above the FOOTSWITCH footswitch)� “BYPASS” will appear in the LCD display� 2� When done, press any footswitch to exit Preset Bypass� RP360 / RP360 XP...

  • Page 31: Tuner

    (as shown in the screenshot at the top of this page)� Tune the remaining strings in the same manner� 4� To exit the Tuner, press any � FOOTSWITCH RP360 / RP360 XP...

  • Page 32: Looper

    Looper Plexi-Drive RECORDING The RP360 and RP360XP feature a 40-second phrase Looper� The Looper can be used for looping your guitar parts� Use the Looper to write or practice lead guitar parts over a looped phrase, or use it for creating on-the-fly loop layers to enhance your live performance�...

  • Page 33: Sound Check

    When done using the Sound Check feature, press twice to stop loop FOOTSWITCH 3 playback� 10� If you wish to disable the Sound Check feature and re-enable the Looper, perform steps 1-3, this time setting the PHRASE SAMPLER back to LOOPER� RP360 / RP360 XP...

  • Page 34: Drum Machine

    2� Press the button again, or the button, to activate the Drum Machine� The DRUMS SELECT DRUMS button will light and the upper right corner of the LCD display will indicate the Drum Machine is “ON”� RP360 / RP360 XP...
  • Page 35 6� When done, press the button to deactivate the Drum Machine� DRUMS 7� Press the button to return to the Performance state� BACK NOTE: The Drum Machine’s parameters are global and are not stored to presets� RP360 / RP360 XP...

  • Page 36: Aux Input

    See Preset Level & Master Level on page 25 for 1/8” Stereo Cable information on adjusting the RP’s MASTER LEVEL control� 1/8” Stereo Cable Left Left Channel (+) Channel (+) Ground Ground Left + Ground Right + Right Right Channel (+) Channel (+) RP360 / RP360 XP...

  • Page 37: Tap Tempo

    6� When done, press and hold the assigned to the Delay for approximately 2 FOOTSWITCH seconds to exit Tap Tempo� The LED above the footswitch will stop flashing� RP360 / RP360 XP...

  • Page 38: Expression Pedal Control

    To link a parameter for expression pedal control and set the MIN/MAX range values: 1� If using an RP360, you must first enable the CONTROL IN port for expression pedal control� See Control In on page 49 for information on configuring the RP360 for external expression pedal control�...
  • Page 39 Store the changes to a user preset� See Storing/Copying/Naming Presets on page 17 for further information on storing presets� NOTE: The RP360’s external and RP360XP’s built-in expression pedal must be properly calibrated to work correctly� If you experience any issues with the expression pedal and suspect it may need recalibration, see Calibrate Pedal on page 52 for information on recalibrating the expression pedal�...

  • Page 40: Assigning The Lfo

    SPEED and WAVEFRM parameters – these parameters determine the rate and behavior of the modulation� 7� When done, press the button to return to the Performance state� BACK 8� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17� RP360 / RP360 XP...

  • Page 41: Using An Optional Fs3X Footswitch

    Using An Optional FS3X Footswitch An optional DigiTech FS3X Footswitch can be connected to the RP’s CONTROL IN connector to add three additional footswitches for RP control� There are two parameters in the System Settings menu that will determine how these FS3X footswitches will function, they are: the CONTROL IN parameter and the FOOTSWITCH MODE parameter�...
  • Page 42 Play Loop When a loop is recorded and playback is stopped, press once to start loop playback� Clear Loop When a loop is recorded and playback is stopped, press and hold to clear loop� RP360 / RP360 XP...
  • Page 43 Play Loop When a loop is recorded and playback is stopped, press once to start loop playback� Clear Loop When a loop is recorded and playback is stopped, press and hold to clear loop� RP360 / RP360 XP...
  • Page 44 When a loop is recorded and playback is Press once to clear loop� stopped, press once to start loop playback� Stop Loop Playback When a loop is recorded and playing, press once to stop loop playback� RP360 / RP360 XP...

  • Page 45: System Setup

    Press to bypass all effects in the preset� COMBINATION FOOTSWITCH FUNCTION 1 Press and hold to access the Tuner� *Multi Loop means a single footswitch controls multiple Looper functions (i.e., loop record, overdub, play, stop, and clear). RP360 / RP360 XP...
  • Page 46 NOTE: When the Delay effect is assigned to one of the footswitches for control in Stomp Mode, pressing and holding the assigned footswitch will access the Tap Tempo feature� See Tap Tempo on page 33 for more information on using Tap Tempo� RP360 / RP360 XP...
  • Page 47 1/4� 2� Turn the ) knob to select the desired Footswitch Mode� EDIT 1 FOOTSWITCH MODE 3� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 48: Output

    SYSTEM 1/4� 2� Turn the ) knob to select the desired option� EDIT 2 OUTPUT TO 3� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 49: Output Mode

    SYSTEM 1/4� 2� Turn the ) knob to select the desired option� EDIT 3 OUTPUT MODE 3� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 50: Usb Record Level

    LCD display� 4� Turn the ) knob to adjust the setting� EDIT 1 USB RECORD LVL 5� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 51: Usb Play Mix

    LCD display� 4� Turn the ) knob to adjust the setting� EDIT 2 USB PLAY MIX 5� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 52: Lcd Contrast

    LCD display� 3� Turn the ) knob to select the desired option� EDIT 3 LCD CONTRAST 4� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 53: Control

    Footswitch on page 37 for more information on using an optional FS3X Footswitch� EXP/VOL (RP360 Only) • Select this option to use an external volume controller to control RP360 effect parameters� NOTE: To use a volume pedal for RP360 control, the pedal must meet the following requirements: •...
  • Page 54 LCD display� 3� Turn the ) knob to select the desired option� EDIT 1 CONTROL IN 4� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 55: Phrase Sampler

    LCD display� 3� Turn the ) knob to select the desired option� EDIT 3 PHRASE SAMPLER 4� Press the button or any to exit the System Settings menu and return to BACK FOOTSWITCH the Performance state� RP360 / RP360 XP...

  • Page 56: Calibrate Pedal

    1.1.0.0 procedure can be used to calibrate the built-in expression pedal in the RP360XP, or an external expression controller connected to the RP360, in the event that it is not working correctly� To calibrate the RP360XP’s expression pedal: 1�...

  • Page 57: Factory Restore

    “Resetting���” prompt in the LCD display� Wait for the factory restore procedure to finish� 5� If using an RP360, the procedure is now complete� If using an RP360XP, you must proceed to the next step to calibrate the expression pedal�...

  • Page 58: Firmware Version

    SYSTEM the upper right-hand corner of the LCD display� 3� The firmware version will be displayed in the lower right-hand portion of the LCD display� 4� Press the button to exit the System Settings menu� BACK RP360 / RP360 XP...

  • Page 59: The Effects & Parameters

    With stompboxes, the order in which they are connected affects the overall sound� The RP360 and RP360XP allow you to change the order of effects as well as where the amplifier/cabinet is placed in the effects chain, giving you even more flexibility when shaping your sound�...

  • Page 60: Amp Modeling

    59 Bass Man • (Based on a ‘59 Fender Tweed Bassman ® This classic really roars with lots of bottom end� Great for blues riffs but equally great for driving rock and roll rhythm guitar parts� RP360 / RP360 XP...

  • Page 61: Master Volume

    800 JCM • (Based on a ‘83 Marshall JCM800) The amp that defined many of the metal sounds of the '80s is still one of the most highly respected Marshall amps ever made� RP360 / RP360 XP...
  • Page 62 If high gain is your bag, this is up your alley� This amp is still as influential today as it was when introduced over a decade ago� Duo Rectified • (Based on a ‘01 Mesa/Boogie Dual Rectifier ® The new benchmark for metal guitar, this Rectifier series unleashed a new era of high gain amp mayhem� RP360 / RP360 XP...
  • Page 63 • (Based on a ’74 Orange OR 120) This often overlooked amp from a great British amp company was used by greats like Jimmy and Frank Zappa� No wonder the great Orange is making a comeback� RP360 / RP360 XP...

  • Page 64: High Gain

    For the rock or hard rock player who requires a lot of distortion as a starting point� This effect provides a very punchy tone for both rhythm and lead work reminiscent of a well polished production album� RP360 / RP360 XP...
  • Page 65 Fuzz • The DigiTech Fuzz tone is based off of the fuzz tone of the late '60s English bands, with our own twist� Thus making the DigiTech Fuzz ideal for everything from '90s grunge to todays mix of music�...
  • Page 66 – perfect if you play intricate metal� Transistor • The DigiTech Transistor effect emulates the grainy, narrow EQ band sound of a solid state transistor lo-fi amplifier� Great for use as an effect or to set the mood� Brown Sound •...
  • Page 67 Passes the direct signal (amp modeling is not applied to the signal)� When this option is selected, cabinet models are still available for selection� Select this option when you want to use cabinet modeling without amp modeling� RP360 / RP360 XP...

  • Page 68: Cabinet Modeling

    The benchmark that many others have tried to imitate� The classic clean tone at its best� 2x12: AC British • (Based on a 2x12 ‘63 Vox AC30 Top Boost w/Jensen Blue Backs) ® Amazing low end� These were our favorite speakers of the early Vox/Jensen era� RP360 / RP360 XP...
  • Page 69 The ultimate 4x12 for the heaviest tone� Massive bottom end and punchy midrange� 4x12: Solo • Solos need to cut through the mix without squashing the sound� The Solo cabinet is phrased to provide a clear tone with maximum distortion to help the guitar cut through� RP360 / RP360 XP...
  • Page 70 4x12: Alternative • The DigiTech Alternative cabinet model is a dirtier cabinet with more sizzle than a standard 4x12 cabinet� Use if you want to drive your tone over the edge� 4x12: Vintage •...

  • Page 71: Compression

    • (DigiTech Compressor) The DigiTech Main Squeeze compressor compresses high-input signals while boosting low- input signals, giving you smooth and long sustain without degrading the quality of the original sound� It also has a control to adjust the tone of the compressed signal�...
  • Page 72 Parameters OPTIONS OR NAME DESCRIPTION RANGE ON/BYP ON, BYPASS Turns the effect on and off� Adjusts the output level of the OUTPUT 0 - 99 effect� Adjusts the amount of SENSITIVITY 0 - 99 compression� RP360 / RP360 XP...

  • Page 73: Delay

    LEVEL 0 - 99 Adjusts the output level of the effect� 3 QUARTER, Sets the delay tap divider rate or the note value at which the delay will TAP DIV EIGHT, DOT EIGHT, occur� QUARTER, HALF RP360 / RP360 XP...
  • Page 74 Adds an additional ducking effect to the delayed signal� This parameter DUCKTHRSH 0 - 99 adjusts the ducking effect’s threshold� Lower values increase the effect and higher values decrease the effect� DUCKLEVEL 0 - 99 Adjusts the output level of the ducking effect� RP360 / RP360 XP...
  • Page 75 Adds an additional ducking effect to the delayed signal� This parameter DUCKTHRSH 0 - 99 adjusts the ducking effect’s threshold� Lower values increase the effect and higher values decrease the effect� DUCKLEVEL 0 - 99 Adjusts the output level of the ducking effect� RP360 / RP360 XP...
  • Page 76 VOLUME 0 - 99 Adjusts the output level of the effect� 3 QUARTER, Sets the delay tap divider rate or the note value at which the delay will TAP DIV EIGHT, DOT EIGHT, occur� QUARTER, HALF RP360 / RP360 XP...

  • Page 77: Tap Delay

    Adjusts the distance between the two delay taps� Higher values create RATIO 0% - 99% greater distance between the taps� 3 QUARTER, Sets the delay tap divider rate or the note value at which the delay will TAP DIV EIGHT, DOT EIGHT, occur� QUARTER, HALF RP360 / RP360 XP...

  • Page 78: Distortion

    Distortion Distortion and overdrive pedals were designed to give your guitar tone gain before it reaches your amp� Many heavily distorted pedals such as the DigiTech Grunge were designed to provide most or all of the gain and run through a cleaner amp� Overdrives are great for boosting the gain of your guitar sound and driving an already distorted amp, giving your total tone more gain and a heavier feel�...
  • Page 79 DESCRIPTION RANGE ON/BYP ON, BYPASS Turns the effect on and off� Adjusts the amount of saturation� Higher values equal more DRIVE 0 - 99 saturation� LEVEL 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 80 DESCRIPTION RANGE ON/BYP ON, BYPASS Turns the effect on and off� Adjusts the amount of saturation� Higher values equal more GAIN 0 - 99 saturation� LEVEL 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 81 Adjusts the amount of saturation� Higher values equal more DRIVE 0 - 99 saturation� MIDBOOST 0 - 99 Adjusts the midrange frequencies of the effect� LEVEL 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 82 DIST 0 - 99 saturation� This is the tone control� It adjusts a high cut filter� Lower values FILTER 0 - 99 equal less treble� VOLUME 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 83 0 - 99 saturation� BUTT 0 - 99 Adjusts the bass frequencies of the effect� FACE 0 - 99 Adjusts the treble frequencies of the effect� LOUD 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 84 Adjusts the output level of the effect� Death Metal • Designed in 1992 to provide death metal musicians with a wall of sound, the DigiTech Death Metal pedal does just that� Whether you play early ‘90s grindcore or modern death metal, the Death Metal’s tone controls give you a multitude of sonic options�...
  • Page 85 Adjusts the tone of the effect� Switches between a tight, slightly louder sound or a loose, more LOOSENESS LOOSE, TIGHT classic fuzz sound with lower output volume� VOLUME 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 86 Turns the effect on and off� Adjusts the amount of saturation� Higher values equal more SUSTAIN 0 - 99 saturation� TONE 0 - 99 Adjusts the tone of the effect� VOLUME 0 - 99 Adjusts the output level of the effect� RP360 / RP360 XP...
  • Page 87 -12 dB to +12 dB Adjusts the level of the high frequencies (treble)� HIGH FREQ 2 kHz - 8 kHz Sets the center frequency of the high filter� WIDE, MEDIUM, HIGH BW Sets the width of the high filter� NARROW RP360 / RP360 XP...

  • Page 88: Expression Pedal

    (toe up) and maximum (toe down) control limit values� See Expression Pedal Control on page 34 for further information on configuring and using the Expression Pedal built into the RP360XP or an external expression/volume pedal connected to the RP360� Parameters...

  • Page 89: Modulation

    Turns the effect on and off� INTENSTY 0 - 99 Adjusts the intensity of the effect� SPEED 0 - 99 Adjusts the speed of the modulation� WIDTH 0 - 99 Adjusts the stereo width of the effect� RP360 / RP360 XP...
  • Page 90 Adjusts the intensity of the effect� Multi Chorus • DigiTech’s famous multi-chorus gets has an incredibly warm chorus tone using 16 voices that interact with each other in Stereo mode, giving you the most incredible and unique chorus tone you can imagine�...
  • Page 91 “earthy” tone to it and definitely takes your chorus tone to a different place� Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS Turns the effect on and off� RATE 0 - 99 Adjusts the speed of the modulation� DEPTH 0 - 99 Adjusts the intensity of the effect� RP360 / RP360 XP...
  • Page 92 The following provides a description of the flanger models available in the RPs and their associated parameters� MODULATION – FLANGER MODELS Flanger • DigiTech’s own flanger with control of Speed, Depth, Regeneration, and Level� Parameters NAME OPTIONS OR RANGE DESCRIPTION...
  • Page 93 Filter Flanger • The DigiTech team expanded on the traditional flanger by adding a band pass filter in the feedback path of the effect� Because of this filter, the Filter Flanger’s feedback affects only a set amount of frequencies, thereby generating a different sounding flanger effect�...
  • Page 94 MANUAL 0 - 99 Sets the time delay and is disabled when RANGE is set to full� HARMONIC 0 - 99 Sets passband peaking at even or odd harmonic relationships� RP360 / RP360 XP...
  • Page 95 Adjusts the sensitivity of the trigger� The higher the setting, the more SENSITIVITY 0 - 99 sensitive the trigger� Sets the frequency at which the LFO modulation will begin once LFO START 0 - 99 triggered� RP360 / RP360 XP...
  • Page 96 OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS Turns the effect on and off� RATE 0 - 99 Adjusts the speed of the modulation� COLOR BYPASS, ON When turned on, this parameter increases the intensity of the effect� RP360 / RP360 XP...
  • Page 97 Adjusts the amount of change in pitch variation� Higher values DOPPLER 0 - 99 introduce a higher degree of pitch shifting� Selects the crossover frequency between the horn and rotor, changing X OVER 0 - 99 the tone of the effect� RP360 / RP360 XP...
  • Page 98 Adjusts the output level of the effect� SPEED 0 - 99 Adjusts the speed of the modulation� INTENSTY 0 - 99 Adjusts the strength of the effect� CHO VIBE CHORUS, VIBRATO Selects the type of modulated effect used� RP360 / RP360 XP...
  • Page 99 Parameters NAME OPTIONS OR RANGE DESCRIPTION ON/BYP ON, BYPASS Turns the effect on and off� SPEED 0 - 99 Adjusts the speed of the modulation� INTENSTY 0 - 99 Adjusts the strength of the effect� RP360 / RP360 XP...
  • Page 100 SPEED 0 - 99 Adjusts the speed of the modulation� DEPTH 0 - 99 Adjusts the intensity of the effect’s modulation� TRIANGLE, SINE, WAVEFORM Selects the type of LFO waveform used to modulate the effect� SQUARE RP360 / RP360 XP...

  • Page 101: Envelope Filter

    0 - 99 Adjusts the speed of the modulation� INTENSTY 0 - 99 Adjusts the strength of the effect� Controls the range of frequencies affected and alters the movement of RANGE 0 - 49 the envelope’s sweep� RP360 / RP360 XP...

  • Page 102: Step Filter

    MODULATION – ENVELOPE FILTER MODELS Ya Ya • The Ya Ya is exclusive to DigiTech products� It combines the characteristics of a wah and a flanger, providing a unique talk-box type of effect that is controlled using an expression pedal� Parameters...

  • Page 103: Pitch Shift

    Whammy • The DigiTech Whammy effect provides a dynamic pitch shifting and harmony effect and is meant to be used in conjunction with an expression pedal� As the pedal is moved, the note bends either up or down – the pitch of the note is dependent upon the option selected for the AMOUNT parameter�...
  • Page 104 ON, BYPASS Turns the effect on and off� LEVEL 0 - 99 Adjusts the output level of the effect� Adjusts the amount of pitch shift and ranges from -24 cents to 24 SHIFT -24 to +24 cents� RP360 / RP360 XP...
  • Page 105 KEY D KEY E♭ MAJOR MINOR Selects the musical scale that the Harmony Pitch Shifter will reference DORIAN SCALE when creating its harmony� Choices include: Major, Minor, Dorian, MIXOLYDIAN Mixolydian, Lydian, and Harmonic Minor� LYDIAN HARMMINR RP360 / RP360 XP...
  • Page 106 Adjusts the level of the effect signal 1 octave below the input signal� OCTAVE 2 0 - 99 Adjusts the level of the effect signal 2 octaves below the input signal� DRY LEVL 0 - 99 Adjusts the level of the dry (unprocessed) signal� RP360 / RP360 XP...

  • Page 107: Noise Gating

    Higher values will open the gate at a slower rate� Sets how quickly the gate will close when the signal falls below RELEASE 0 - 99 threshold� Higher values will close the gate at a slower rate� RP360 / RP360 XP...

  • Page 108: Reverb

    • The largest of the Lexicon reverbs, the Lexicon Hall reverb produces long-decaying, lush reverbs with a swirling decay unlike any other reverbs today� Use it to create lush soundscapes in sparsely-arranged songs or song sections� RP360 / RP360 XP...
  • Page 109 They are known for being bright and blending well with the unprocessed sound� Use it when you want a bright reverb with plenty of reverb decay and character� RP360 / RP360 XP...

  • Page 110: Volume

    The Volume module can be assigned to the RP360XP’s built-in expression pedal (or to an external expression pedal if using the RP360) to control the volume of your guitar with your foot� The Volume icon in the Effect Edit menu represents the location in the effects chain where the Volume module will be adjusted�...

  • Page 111: Wah

    This wah has a thinner tone and sweeps more of the upper end of the audible frequency spectrum� Full Range • DigiTech’s Full Range Wah sweeps the entire spectrum of audible frequencies, giving you the most range of tone from the wah pedal� RP360 / RP360 XP...

  • Page 112: Nexus Editor/Librarian Software

    NEXUS EDITOR/LIBRARIAN SOFTWARE The free Nexus editor/librarian software, available for Mac and PC, lets you to connect to an RP360 or RP360XP and edit effects, reorder effects using drag-and-drop functionality, and backup and manage presets� System Requirements To download Nexus and get the latest information on system requirements, visit the downloads section at www�digitech�com/en-US/products/rp360 or www�digitech�com/en-US/products/rp360-xp�...

  • Page 113: Preset List

    Wildfire Airbag Wipe Clean Methenyish The Crowing Lotta Jimmy Luxury Dark Room Stray Kat WoccaWocca Spankers Morning View Whammy Lead DualPetaluma Dist Bass Fretless Gtr Clyde McWah Bass Solo Ethereal Black Stripes Bass Harmonics Best Solo RP360 / RP360 XP...
  • Page 114 High Gonkulator On/Bypass Gonk Smear Suck Heave 8Tavia On/Bypass Drive Volume Later Fuzz On/Bypass Fuzz Tone Looseness Volume DOD Classic On/Bypass Fuzz Tone Volume Fuzz Face Fuzz On/Bypass Fuzz Volume Big Pi On/Bypass Sustain Tone Volume RP360 / RP360 XP...
  • Page 115 Range Color AD Flanger On/Bypass Speed Enhance Range Manual Harmonic Phaser Beam On/Bypass Level Speed Depth Regen Waveform Triggered Phaser On/Bypass Level Speed Sensitivity LFO Start MX Phaser On/Bypass Speed Intensity Stone Phase On/Bypass Rate Color RP360 / RP360 XP...
  • Page 116 On/Bypass Repeats Level Flutter Mult Echo Flex On/Bypass Repeats Volume Mult Lo Fi Delay On/Bypass Repeats Level Mult 2-Tap Delay On/Bypass Repeats Level Ratio Mult Reverb PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER MODEL Spring Reverb On/Bypass Reverb RP360 / RP360 XP...
  • Page 117 MODEL Lexicon On/Bypass Level PreDelay Decay Liveliness Ambience Lexicon Studio On/Bypass Level PreDelay Decay Liveliness Lexicon Room On/Bypass Level PreDelay Decay Liveliness Lexicon Hall On/Bypass Level PreDelay Decay Liveliness Vintage Plate On/Bypass Level PreDelay Decay Liveliness RP360 / RP360 XP...

  • Page 118: Specifications

    Bit Depth: Supports 16-bit or 24-bit (depends on setup in recording software) Physical Dimensions: RP360: 7�5” (L) x 8�5” (W) x 2” (H) RP360XP: 11�5” (L) x 8�5” (W) x 2” (H) Unit Weight: RP360: 2�84 lbs� RP360XP: 4�12 lbs�...
  • Page 119 RP360 / RP360 XP...
  • Page 120 Harman International Industries, Inc� Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc� They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product�...

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