0129: Multi Stage Phaser; 012A: Infi Nite Phaser; 0123: Stereo Flanger; 0127: 3D Flanger - Roland F-120R Implementation Manual

●0129: Multi Stage Phaser
Extremely high settings of the phase diff erence produce a deep phaser eff ect.
No Parameter Value
1 Mode 0–5
2 Manual #2 0–127
3 Rate Mode 0–1
4 Rate #1 1–127
5 Rate 0–21
6 Depth 0–127
7 Resonance 0–127
8 Mix 0–127
9 Pan 0–127
10 Low Gain 0–30
11 High Gain 0–30
12 Level 0–127
●012a: Infi nite Phaser
A phaser that continues raising/lowering the frequency at which the sound is
modulated.
No Parameter Value
1 Mode 0–3
2 Speed #1 0–127
Resonance
3 0–127
#2
4 Mix 0–127
5 Pan 0–127
6 Low Gain 0–30
7 High Gain 0–30
8 Level 0–127
●0123: Stereo Flanger
This is a stereo fl anger. (The LFO has the same phase for left and right.)
It produces a metallic resonance that rises and falls like a jet airplane taking off or
landing. A fi lter is provided so that you can adjust the timbre of the fl anged sound.
No Parameter Value
1 Filter Type 0–2
2 Cutoff Freq 0–16
3 Pre Delay 0–125
Description
4-Stage,
8-Stage,
12-Stage,
Number of phaser stages
16-Stage,
20-Stage,
24-Stage
Adjusts the basic frequency
0–127 from which the sound will be
modulated.
When this is set to "note, " the
Hz, note eff ect is synchronized with the
tempo.
0.05–10.00
Frequency of modulation (Hz)
Hz
Frequency of modulation
note
(note)
0–127 Depth of modulation
0–127 Amount of feedback
Level of the phase-shifted
0–127
sound
Stereo location of the output
L64–63R
sound
-15–+15 dB Gain of the low range
-15–+15 dB Gain of the high range
0–127 Output Level
Description
Higher values will produce a
1, 2, 3, 4
deeper phaser eff ect.
Speed at which to raise or
lower the frequency at which
-100–+100
the sound is modulated
(+: upward / -: downward)
0–127 Amount of feedback
Volume of the phase-shifted
0–127
sound
L64–63R Panning of the output sound
Amount of boost/cut for the
-15–+15 dB
low-frequency range
Amount of boost/cut for the
-15–+15 dB
high-frequency range
0–127 Output volume
Description
Type of fi lter
Off : No fi lter is used
Lpf: Cuts the frequency range
Off , Lpf, Hpf
above the Cutoff Freq
Hpf: Cuts the frequency range
below the Cutoff Freq
200–8000 Hz Basic frequency of the fi lter
Adjusts the delay time from
when the direct sound begins
0.0–100.0 ms
until the fl anger sound is
heard.
No Parameter Value
4 Rate Mode 0–1
5 Rate #1 1–127
6 Rate 0–21
7 Depth #2 0–127
8 Phase 0–90
9 Feedback 0–98
10 Low Gain 0–30
11 High Gain 0–30
12 Balance 0–100
13 Level 0–127
●0127: 3D Flanger
This applies a 3D eff ect to the fl anger sound. The fl anger sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value
1 Filter Type 0–2
2 Cutoff Freq 0–16
3 Pre Delay 0–125
4 Rate Mode 0–1
5 Rate #1 1–127
6 Rate 0–21
7 Depth #2 0–127
8 Phase 0–90
9 Feedback 0–98
10 Output Mode 0–1
11 Low Gain 0–30
12 High Gain 0–30
13 Balance 0–100
14 Level 0–127
MIDI Implementation
Description
When this is set to "note, " the
Hz, note eff ect is synchronized with the
tempo.
0.05–10.00
Frequency of modulation (Hz)
Hz
Frequency of modulation
note
(note)
0–127 Depth of modulation
0–180 deg Spatial spread of the sound
Adjusts the proportion of the
fl anger sound that is fed back
-98–+98%
into the eff ect. Negative (-)
settings will invert the phase.
-15–+15 dB Gain of the low range
-15–+15 dB Gain of the high range
Volume balance between
D100:0W–
the direct sound (D) and the
D0:100W
fl anger sound (W)
0–127 Output Level
Description
Type of fi lter
Off : No fi lter is used
Lpf: Cuts the frequency range
Off , Lpf, Hpf
above the Cutoff Freq
Hpf: Cuts the frequency range
below the Cutoff Freq
200–8000 Hz Basic frequency of the fi lter
Adjusts the delay time from
when the direct sound begins
0.0–100.0 ms
until the fl anger sound is
heard.
When this is set to "note, " the
Hz, note eff ect is synchronized with the
tempo.
0.05–10.00
Frequency of modulation (Hz)
Hz
Frequency of modulation
note
(note)
0–127 Depth of modulation
0–180 deg Spatial spread of the sound
Adjusts the proportion of the
fl anger sound that is fed back
-98–+98%
into the eff ect. Negative (-)
settings will invert the phase.
Adjusts the method that will
be used to hear the sound
that is output to the OUTPUT
Speaker, jacks. The optimal 3D eff ect
Phones will be achieved if you select
Speaker when using speakers,
or Phones when using
headphones.
-15–+15 dB Gain of the low range
-15–+15 dB Gain of the high range
Volume balance between
D100:0W–
the direct sound (D) and the
D0:100W
fl anger sound (W)
0–127 Output Level
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