0114: Guitar Amp Simulator; 0129: Multi Stage Phaser - Roland FP-4 Midi Implementation Manual

●0114: Guitar Amp Simulator
This is an effect that simulates the sound of a guitar amplifier.
No Parameter Value
1 Pre Amp Sw 0 - 1 Off, On
2 Pre Amp Type 0 - 13 JC-120,
#1 Clean Twin,
MATCH
Drive,
BG Lead,
MS1959I,
MS1959II,
MS1959I+II,
SLDN Lead,
Metal 5150,
Metal Lead,
OD-1,
OD-2 Turbo,
Distortion,
Fuzz
3 Pre Amp 0 - 127 0-127
Volume
4 Pre Amp 0 - 127 0-127
Master
5 Pre Amp Gain 0 - 2 Low, Middle,
High
6 Pre Amp Bass 0 - 127 0-127
7 Pre Amp 0 - 127
Middle
8 Pre Amp Treble 0 - 127
9 Pre Amp 0 - 127 0-127
Presence (MATCH
Drive: -127 - 0)
10 Pre Amp Bright 0 - 1 Off, On
11 Speaker Sw 0 - 1 Off, On
12 Speaker Type 0 - 15 (See the table.)
#2
13 Mic Setting 0 - 2 1, 2, 3
14 Mic Level 0 - 127 0-127
15 Direct Level 0 - 127 0-127
16 Pan 0 - 127 L64-63R
17 Level 0 - 127 0-127
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the number
of units.
Type Cabinet
Small 1 Small open-back enclosure
Small 2 Small open-back enclosure
Middle Open back enclosure
JC-120 Open back enclosure
Built-In 1 Open back enclosure
Built-In 2 Open back enclosure
Built-In 3 Open back enclosure
Built-In 4 Open back enclosure
Built-In 5 Open back enclosure
BG Stack 1 Sealed enclosure
BG Stack 2 Large sealed enclosure
MS Stack 1 Large sealed enclosure
MS Stack 2 Large sealed enclosure
Metal Stack Large double stack
2-Stack Large double stack
3-Stack Large triple stack
Description
Turns the amp switch on/off.
Type of guitar amp
Volume and amount of distortion of
the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble
frequency range
Middle cannot be set if "MATCH
Drive" is selected as the Pre Amp
Type.
Tone for the ultra-high frequency
range
Turning this "On" produces a
sharper and brighter sound.
This parameter applies to the "JC-
120," "Clean Twin," and "BG Lead"
Pre Amp Types.
Determines whether the signal
passes through the speaker (ON), or
not (OFF).
Type of speaker
Adjusts the location of the mic that's
capturing the sound of the speaker.
This can be adjusted in three steps,
from 1 to 3, with the mic becoming
more distant as the value increases.
Volume of the microphone
Volume of the direct sound
Stereo location of the output
Output level
Speaker Microphone
10 Dynamic
10 Dynamic
12 x 1 Dynamic
12 x 2 Dynamic
12 x 2 Dynamic
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 4 Condenser
12 x 4 Condenser
12 x 4 Condenser
12 x 4 Condenser
12 x 4 Condenser
●0120: Phaser
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
No Parameter Value
1 Mode 0 - 2 4-Stage,
8-Stage,
12-Stage
2 Manual #2 0 - 127 0-127
3 Rate Mode 0 - 1 Hz, note
4 Rate #1 1 - 127 0.05-10.00 Hz
5 Rate 0 - 21 note
6 Depth 0 - 127 0-127
7 Polarity 0 - 1 Inverse,
Synchro
8 Resonance 0 - 127 0-127
9 Cross Feedback 0 - 98 -98- +98 %
10 Mix 0 - 127 0-127
11 Low Gain 0 - 30 -15- +15 dB
12 High Gain 0 - 30 -15- +15 dB
13 Level 0 - 127 0-127
●0129: Multi Stage Phaser
Extremely high settings of the phase difference produce a deep phaser effect.
No Parameter Value
1 Mode 0 - 5 4-Stage,
8-Stage,
12-Stage,
16-Stage,
20-Stage,
24-Stage
2 Manual #2 0 - 127 0-127
3 Rate Mode 0 - 1 Hz, note
4 Rate #1 1 - 127 0.05-10.00 Hz
5 Rate 0 - 21 note
6 Depth 0 - 127 0-127
7 Resonance 0 - 127 0-127
8 Mix 0 - 127 0-127
9 Pan 0 - 127 L64-63R
10 Low Gain 0 - 30 -15- +15 dB
11 High Gain 0 - 30 -15- +15 dB
12 Level 0 - 127 0-127
MIDI Implementation
Description
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
Inverse: The left and right phase will
be opposite. When using a mono
source, this spreads the sound.
Synchro: The left and right phase
will be the same. Select this when
inputting a stereo source.
Amount of feedback
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Level of the phase-shifted sound
Gain of the low range
Gain of the high range
Output Level
Description
Number of phaser stages
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Stereo location of the output sound
Gain of the low range
Gain of the high range
Output Level
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