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BANK / PATCH PATCH NAME
This drive sound uses the BGN DRIVE effect. Press the expression pedal down to use pedal wah.
0
WAH BGN
This uses FD COMBO for a clean sound. Use the expression pedal to control the Tremolo effect.
1
TREM FD
This high-gain sound combines DZ DRIVE and PDL Mono Pitch.
2
DZ Bend
The expression pedal controls the Resonance of the Flanger in this simple flanger sound.
3
Movejet
This is a funky pedal wah sound. Turn the compressor and phaser ON for a perfect tone for single-note muted backing lines.
4
FunkyWah
Use the expression pedal with this 70s Marshall sound to control the TapeEcho Mix.
5
MS Echo
This rich modulation sound with a wide stereo feel is created by a combination of DuoPhase and StereoChorus effects.
6
MultiMod
Using the Slicer, this patch automatically generates a shuffle backing pattern.
7
ShuffleAT
Combining a nice drive sound with auto-wah, this patch sings in response to dynamics with both single note lines and chords.
8
DriveA-Wah
You don't need to change your axe in the middle of a show. This patch uses the acoustic simulator for a tone with a lot of air.
9
Taste-AC
With this patch, you can get a great fuzz sound no matter what the volume setting of the guitar. The clear sound when the volume is around 2 is really great!
0
GoodFuzz
This sound is good for jazz with a cool tone.
1
Jazz
This ambient ReverseDelay sound uses a spacious loop. Use the expression pedal to control the ReverseDelay.
2
Fripper
Short reflections from the Air effect make this patch sound like a wind instrument. This is great for playing sax-style phrases.
3
Horn
Instead of chorus, this clean sound is modulated by a flanger effect. Suits a retro atmosphere.
4
Clean FLNG
This bluesy drive sound combines DIST and FD VIBRO effects.
5
DST&VIBRO
This filter sound responds quickly to picking dynamics. Single note lines work best with this effect.
6
Fast Filt
This crunch sound uses the B-BREAKER effect. Use the expression pedal to assign PedalCry.
7
CRY&BLUES
This drive sound uses the TONE CITY effect. Turn the Booster ON for an even more powerful sound.
8
BoostCity
This patch creates a chord sound that will make you feel like you are in Heaven. This is recommended for long chord backing parts.
9
Heaven
This auto-wah sound is cool and funky. The Air effect creates wide stereo imaging.
0
StereoFunk
A wide stereo chorus and hard compression create a clean sound for backing parts.
1
Tele ClnRW
Delay and reverb are added to the US BLUES 4x10 combo sound. Hit an open chord, let it ring and check the sustain!
2
410BlsSolo
This combines chorus and delay in a tone with aggressive compression. The tone is clean, but suitable when you want to solo through a high gain amp.
3
Str Cln LD
This clean sound has a vintage feel. Use the expression pedal to control the tremolo.
4
Trem Clean
This rhythm sound for classic hard rock uses a little EarlyRef. Remember the shorts and the backpack?
5
Elec Rhyth
The CAR DRIVE, Cho+Dly and Comp in this patch create a big overdriven tone that sounds like multiple layered guitars.
6
Washed Out
This dirty, big-bottomed flanged guitar sound transforms a clean amp into a fat rocking sound!
7
BigFatFlng
M Comp, RndmFLTR, and ParaEQ create a sick funk sound best for quick staccato single-note lines.
8
Robo Funk
This emulates the sound of an acoustic guitar plugged directly into an amp. Reverb is optional.
9
Fool Frnds
This classic rock tone uses MATCH 30. Turn OverDrive on for leads or TheVibe on for backing.
0
MatchVibe
This heavy sound with a beautiful low end is great for riffs. Boost and delay can also be added in this patch that is great for modern metal style solos.
1
Revolving
This clean sound uses a chorus and two delays to create width perfect for arpeggios and chords.
2
Livid
Add flanger and delay to this 80s Heavy Rock sound for a Van Halen flavor.
3
ValleyRock
This indie rock patch has two types of delays that can be used independently or simultaneously.
4
IndieDrive
A slight chorus gives this modern heavy sound greater width.
5
MetallicCh
This prog metal solo tone for fast picking has an effective modulated ping-pong delay.
6
Progressng
This heavy rock tone uses the Booster to maximize lead sounds.
7
Enfermo
This is a tribute to the enigmatic master guitarist Allan Holdsworth.
8
7 mirrors
This sound features pitch shifting and is great for solos. Use the expression pedal to control the HPS Mix.
9
HolyShift
This is a very usable sound for single note lines and lead playing.
0
Honeydrip
This killer sound for solos has a vocal quality depending on the guitar note pitch.
1
It's Alive
This lead tone features the TANGERINE amp sound.
2
Tropicana
No explanation needed for this exemplary thrash sound.
3
Thrash Em
This really obnoxious fuzzed-out sound has some depth added by the Air effect.
4
Zipper
Using BG CRUNCH, this smooth and squashed solo sound adds nice warmth with AnalogDly.
5
Solottery
This ominous and creepy sound is great with an amp.
6
Creeper
This heavy tone that uses Z Bottom and BG DRIVE was designed with drop D tuning in mind.
7
Heavy D
This patch has a very Classic Rock feel to it and is great with an amp.
8
Classic
This sound uses Governor, M Comp and DELUXE-R for a woody drive tone. The Cry effect adds the feeling of a human voice.
9
Wood
COMMENT
G3 / G3X presets have been created by professional guitarists.
● BANK C : Richie Kotzen
●BANK D : Kiko Loureiro
● BANK E : Rob Caggiano
●BANK F : Mike Orlando
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not
indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
BANK / PATCH PATCH NAME
This is a spacious and distorted auto wah sound. The expression pedal controls the delay feedback.
0
XtremeWah
This very saturated distortion sound is great for heavy metal and rock, as well as rhythm and lead playing.
HeavyMedal
1
Synth octaves and a lush delay make this tone huge. The expression pedal controls the synth.
2
MetaSynCor
This is a classic British rock tone. The expression pedal controls the delay.
3
StackedUp
This patch adds a tone that sound like an acoustic sound with a beautiful phase effect. The expression pedal controls the FilterDly Mix.
4
AngelFaze
This uses the Governor effect to produce an overdrive sound good for rock. Use the expression pedal to control the Delay Mix.
5
MrGovenor
This insane pitch transposition sound is great for tricky solos. The expression pedal controls the HPS Mix.
6
PitchedOut
This cry effect is great for soloing and chord playing. The expression pedal controls the delay of DLY+Reverb.
7
Open Wah!
Chorus adds width to this big rock sound. Use the expression pedal to control the StereoCho Mix.
8
CrunchCore
With this clean filter effect the notes seem to take off in a pitch-changing delay. This is great for special effects and unaccompanied moments.
9
DreamScape
This is the clean sound of the FD COMBO. Press the expression pedal down to turn PedalVx ON.
0
FD COMBO
This crunch sound uses the DELUXE-R effect. Turn the HotBox ON to boost it even more.
1
DELUXE-R
This crunch sound uses the FD VIBRO model. Use the expression pedal to add Tremolo.
2
FD VIBRO
This crunch sound uses the US BLUES model. Use the expression pedal to add TapeEcho.
3
US BLUES
This crunch sound uses the VX COMBO model. Use the expression pedal to add Ensemble.
4
VX COMBO
This crunch sound uses VX JMI. Turn the Booster ON for solos.
5
VX JMI
This crunch sound uses the BG CRUNCH model. EarlyRef provides the secret ingredient.
6
BG CRUNCH
This clean sound uses the MATCH30 model and gets more width from the Air effect.
7
MATCH 30
This crunch sound uses CAR DRIVE and features resonance characteristic of a small amp.
8
CAR DRIVE
This crunch sound uses the TW ROCK model. Reverberations from the PhaseDly stand out.
9
TW ROCK
This crunch sound uses the TONE CITY model. Use the expression pedal to add Flanger.
TONE CITY
0
This clean sound uses the HW STACK model and gives the sound a 3D feeling with a combination of EarlyRef and Air effects.
1
HW STACK
This crunch sound uses the TANGERINE effect. Try turning the Phaser ON.
2
TANGERINE
This crunch sound uses the B-Breaker model. The open tone is characteristic of an open-back amp.
3
B-BREAKER
This solo sound combines MS CRUNCH and T Scream and features ping-pong Delay.
4
MS CRUNCH
This is the MS 1959 crunch. The Vibe is ready to be activated at the head of the chain.
5
MS 1959
This drive sound uses the MS DRIVE model. Turn Comp ON to get a clean sound.
6
MS DRIVE
This drive sound is based on the BGN DRIVE effect. Use the expression pedal to control the StereoDly Mix.
7
BGN DRIVE
This is the high-gain sound of the BG DRIVE model. Move the expression pedal to raise the pitch by 2 octaves!
8
BG DRIVE
This high-gain sound uses DZ DRIVE and features a crisp, tight tone.
9
DZ DRIVE
This high-gain sound uses the ALIEN effect. This monstrous tone features a fat low-end.
0
ALIEN
This high-gain sound uses REVO-1. The NoiseGate shuts out noise.
1
REVO-1
This long reverb sound is ideal for emotional performances like when Jeff Beck plays "Amazing Grace."
2
JB Crunch
This patch was inspired by the sound used by Queen's Brian May in "Brighton Rock." The delay flying left and right every two beats is the key.
3
BrianDL
This smooth distortion sound is inspired by Eric Johnson's performance of "Cliffs of Dover."
4
Smooth
Press down on the pedal to turn PedalVx ON in this Jimi Hendrix sound. Use the expression pedal to control wah and The Vibe.
5
Hendrix
This modeled Mesa Boogie Dual Rectifier sound is perfect for riffs with the right amount of gain. Use the expression pedal to turn wah ON.
6
MetalKirk
This dotted-eighth-note delay that bounces left and right was popularized by U2's guitarist The Edge.
7
U2...
This captures the crisp riffing sound of Van Halen's "You Really Got Me."
8
E.V.H
This is the characteristic thick crunch sound used by The Beatles in their early days.
Beatle AC
9
This is the sound used by Jimmy Page live at Madison Square Garden. Turn the wah ON to get it!
0
J.Page
This tone can be heard in Eric Clapton's eternal hit Layla. Enjoy it with a Strat in a between pickup setting.
1
Layla...
This extreme Marshall sound is a tribute to Gary Moore.
2
Mr.Moore
Everyone has tried Michael Schenker's half-cocked wah sound once, right?
M.S-Wah
3
John Scofield inspired this crunch with chorus sound. This patch is perfect for funky jazz fusion.
4
JazzFusion
Use the tap button to match the tempo of the song that you play and strum a power cord just once to create a new arrangement.
5
Step Chord
The M-Filter responds slowly to picking dynamics for a clean sound. This effect is good for cutting, arpeggios and other chord playing.
6
FilterCLN
This patch simulates the strange sound of a Theremin using the MonoSynth effect. Use your arm to change the pitch in large increments for a more convincing performance.
7
Theremin
This hall sound is created by setting the pitch delay interval to two.
8
Atom
This special effect sound uses Z Dream and SeqFLTR effects. Use the expression pedal to control the StereoDly Mix.
9
DreamSeq
COMMENT
G3/G3X Patch List - 1
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