Rear Panel - Fishman LOUDBOX PERFORMER - ANNEXE 324 Owner's Manual

Rear Panel

D esigned and Engineered in the U. S .A. by Fishman Transducers, Inc.
A ssembled in Chin a
1. Mute Foot Switch
Plug a mono, on/off Foot Switch into this jack for remote access to the Mute. . The Mute Footswitch overrides
the front panel Mute switch.
2. Tuner Out
Plug in an electronic tuner here. This output receives only the Channel 1 signal and is independent of the mute,
so you can tune with the speakers and the XLR outs muted. The Tuner Out can also be used as pre-EQ unbalanced
D.I. out for Channel 1.
3. Mix D.I. (Post)
Plug in here when you wish to send signals from both Channel 1 and 2 to a mixing console or a slave amplifier.
This post-EQ output is always ground isolated to prevent ground loop hum.
4. Channel 2 Effects Loop (serial)
Patch an external effect (delay, reverb, chorus) through these jacks. Use a standard 1/4-inch shielded instrument
cable to connect the Channel 2 send to the input of the effect. Connect the Channel 2 return jack to the output of
the effect. The Channel 2 loop is located post-EQ and is compatible with battery-operated stompbox-style effects
processors.
5. Channel 2 D.I. Out (Pre)
You'll find that this true direct output produces an uncolored signal that is exceptional for recording. Use this
output when you want a flat D.I. signal to go to the board. In this case you leave it to the soundperson or recording
engineer to dial up your tone and effects from the console. This pre-EQ output is always ground isolated to prevent
ground loop hum.
6. Channel 1 Effects Loop (serial)
Patch an external effect (delay, reverb, chorus) through these jacks. Use a standard 1/4" shielded instrument
cable to connect the Channel 1 send to the input of the effect. Connect the Channel 1 return jack to the output of
the effect. The Channel 1 loop is located post-EQ and is compatible with battery-operated stompbox-style effects
processors.
7. Channel 1 D.I. Out (Pre)
You'll find that this true direct output produces an uncolored signal that is exceptional for recording. Use this
output when you want a flat D.I. signal to go to the board. In this case you leave it to the soundperson or recording
engineer to dial up your tone and effects from the console. This pre-EQ output is always ground isolated to prevent
ground loop hum.
Mut e T uner M ix D.I. ( Post )
Foot S witch O ut
1 2 3
C hannel 2
Eff ects Eff ects D .I. Out ( Pre )
Re t u rn S end
4 5
8
C hannel 1
E ff ect s Eff ects D.I. Out ( Pre )
Re t u rn S end
6 7