Harman Kardon AVR 147 Owner's Manual page 44

ADVANCED FUNCTIONS
Table 6 – Surround Modes
Surround Mode Description
DTS Neo:6 Depending on the number of speakers in your system, select 3- or 5-channel
Cinema modes, enhanced for movie or video presentations.
DTS Neo:6 Available only in 5-channel mode, creates a surround presentation suitable
Music for music recordings.
Logic 7 Exclusive to Harman Kardon, Logic 7 enhances 2-channel recordings by deriving
Mode Group
separate information for the surround back channels. This provides more accurate
placement of sound, improves panning and expands the sound field, even when
used with 5. 1 -channel systems. Logic 7 uses 96kHz processing. Three variants
are available.
Logic 7 Especially suited to 2-channel sources containing Dolby Surround or
Cinema matrix encoding, Logic 7 Cinema mode increases center channel intelligibility.
Logic 7 The AVR 147 is programmed at the factory to default to this mode for
Music 2-channel signals. Logic 7 Music mode is well suited to conventional
2-channel music recordings.
Logic 7 Logic 7 Enhance circulates low frequencies in the 40Hz – 120Hz range to
Enhance the main speakers for less localized bass performance than would be achieved • Tuner
solely with a subwoofer. Enhance mode is best used with music recordings.
Hall 1 Hall 1 is a DSP (digital signal processor) mode that simulates a small
concert hall.
Hall 2 Simulates a medium-sized concert hall.
Theater Simulates a live-performance theater.
5-Channel Stereo Useful for parties, the left- and right-channel information is played through
both the front and surround speakers on each side, while the center speaker
plays a summed mono mix.
DSP Surround Off Turns off all surround processing and plays a pure 2-channel signal.
The signal is digitized and bass management settings are applied, making it
appropriate when a subwoofer is used.
Surround Off Maintains an analog input signal in that form, bypassing all digital processing
(Analog Bypass) (i.e., surround and bass management). Requires TONE OUT setting.
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(Continued)
Incoming Bitstream or Signal
• DTS-ES Matrix
• DTS-ES Discrete
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
• DTS-ES Matrix
• DTS-ES Discrete
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
See below.
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner