0151: Modulation Delay - Roland FP-4 Midi Implementation Manual

MIDI Implementation
●0150: Monaural Delay
A delay that provides a long delay time.
No Parameter Value
1 Delay Mode 0 - 1 ms, note
2 Delay Time 0 - 127 1-2540 ms
3 Delay Time #1 0 - 21 note
4 Phase 0 - 1 NORMAL,
INVERSE
5 Feedback 49 - 89 0- +80 %
6 HF Damp 0 - 17 200-8000 Hz,
Bypass
7 Pan 0 - 127 L64-63R
8 Low Gain 0 - 30 -15- +15 dB
9 High Gain 0 - 30 -15- +15 dB
10 Balance #2 0 - 100 D100:0W-
D0:100W
11 Level 0 - 127 0-127
●0151: Modulation Delay
Adds modulation to the delayed sound.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-1270 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-1270 ms
6 Delay Right 0 - 21 note
7 Feedback Mode 0 - 1 Normal, Cross
8 Feedback 49 - 89 0- +80 %
9 HF Damp 0 - 17 200-8000 Hz,
Bypass
10 Rate Mode 0 - 1 Hz, note
11 Rate 1 - 127 0.05-10.00 Hz
12 Rate 0 - 21 note
13 Depth #1 0 - 127 0-127
14 Phase 0 - 90 0-180 deg
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
17 Balance #2 0 - 100 D100:0W-
D0:100W
18 Level 0 - 127 0-127
26
Description
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when the original
sound is heard to when the delay
sound is heard (Hz)
Delay time from when the original
sound is heard to when the delay
sound is heard (note)
Phase of the delay (NORMAL: non-
inverted, INVERSE: inverted)
Proportion of the delay sound that is
to be returned to the input
Frequency at which the high-
frequency content of the delayed
sound will be cut (Bypass: no cut)
Panning of the delay sound
Amount of boost/cut for the high-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and the delay sound (W)
Output volume
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Selects the way in which delay sound
is fed back into the effect (See the
figures above.)
Adjusts the amount of the delay
sound that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter
to Bypass.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
●0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-2540 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-2540 ms
6 Delay Right 0 - 21 note
7 Delay Center 0 - 1 ms, note
Mode
8 Delay Center 0 - 127 1-2540 ms
9 Delay Center 0 - 21 note
10 Center 49 - 89 0- +80 %
Feedback #1
11 HF Damp 0 - 17 200-8000 Hz,
Bypass
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127 0-127
14 Center Level 0 - 127 0-127
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
17 Balance #2 0 - 100 D100:0W-
D0:100W
18 Level 0 - 127 0-127
●0157: 3D Delay
This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees
left and 90 degrees right.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-2540 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-2540 ms
6 Delay Right 0 - 21 note
7 Delay Center 0 - 1 ms, note
Mode
8 Delay Center 0 - 127 1-2540 ms
9 Delay Center 0 - 21 note
10 Center 49 - 89 0- +80 %
Feedback #1
11 HF Damp 0 - 17 200-8000 Hz,
Bypass
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127
14 Center Level 0 - 127
15 Output Mode 0 - 1 Speaker,
Phones
16 Low Gain 0 - 30 -15- +15 dB
17 High Gain 0 - 30 -15- +15 dB
18 Balance #2 0 - 100 D100:0W-
D0:100W
19 Level 0 - 127 0-127
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Settings of the Delay C
The parameters are the same as for
the Delay L.
Adjusts the amount of the delay
sound that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out
any high frequencies, set this
parameter to Bypass.
Volume of each delay
Volume of each delay
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the
direct sound until the delay sound is
heard. (Hz)
Adjusts the delay time from the
direct sound until the delay sound is
heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay 1.
Settings of the Delay C
The parameters are the same as for
the Delay 1.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect will be
cut. If you do not want to cut the high
frequencies, set this parameter to
Bypass.
Output level of the delay sound
Adjusts the method that will be used
to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select
Speaker when using speakers, or
Phones when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level