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AKG MicroMic C417 III User Instructions

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C 417
BEDIENUNGSHINWEISE
Bitte vor Inbetriebnahme des Gerätes lesen!
USER INSTRUCTIONS
Please read the manual before using the equipment!
MODE D'EMPLOI
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Veuillez lire cette notice avant d'utiliser le système!
ISTRUZIONI PER L'USO
Prima di utilizzare l'apparecchio, leggere il manuale!
MODO DE EMPLEO
Antes de utilizar el equipo, sirvase leer el manual!
INSTRUÇÕES DE USO
Favor leia este manual antes de usar o equipamento!
III
S. 2
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p. 13
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p. 24
p. 35
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p. 46
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p. 57
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  Summary of Contents for AKG MicroMic C417 III

  • Page 1 C 417 BEDIENUNGSHINWEISE S. 2 ... . . Bitte vor Inbetriebnahme des Gerätes lesen! USER INSTRUCTIONS p. 13 ....Please read the manual before using the equipment! MODE D’EMPLOI p.
  • Page 2 1 H 40/1 1 H 41 Check that the packaging contains all of the com- ponents listed above. Should anything be miss - ing, please contact your AKG dealer. 1.3 Optional • MK 9/10 microphone cable: 10-m Accessories (30-ft.) 2-conductor shielded cable w/male and female XLR connectors •...
  • Page 3 9 to 52 V universal phantom power. C 417 • With locking mini XLR connector for use with the B 29 L battery power supply, MPA III L phantom power adapter, or AKG bodypack transmitters. C 417 • Identical to the C 417 L, except with flesh- color cable and microphone body.
  • Page 4 Refer to fig. 1. Connect the phantom power adapter (1) to an optional AKG phantom power supply (2) (N 62 E, N 66 E, B 18, B 15) and use an XLR cable (3) (e.g., an optional MK 9/10 from AKG) to connect the phantom power supply to the desired balan- c ed input.
  • Page 5 2 Interfacing Phantom Fig. 2: Connecting to an unbalanced input. 1. On the XLR connector (4), add a wire bridge to connect pin 1 to pin 3 and the cable shield. 2. Connect the inside wire of the cable to pin 2 on the XLR connector (4) and the tip contact of the jack plug (5).
  • Page 6 2 Interfacing B 29 L Fig. 3: Using the B 29 L to power the microphone. To avoid damaging the cable, never try to Important! pull out the cable itself! 2. Connect the B 29 L (2) to the desired input. Refer to fig.
  • Page 7 Refer to fig. 4. 4. If your mixer provides no phantom power: Connect the MPA III L (3) to an optional AKG phantom power supply (4) (N 62 E, N 66 E, B 18, B 15) and use an XLR cable (5) (e.g., an optional MK 9/10 from AKG) to connect the phantom power supply (4) to the desired balanc ed input.
  • Page 8: Using Your Microphone

    3 Using Your Microphone The principal benefit of a microphone attached to 3.1 Introduction the user's clothes or integrated in their makeup is that the microphone will maintain a constant work ing distance independently of the user's mo- ve ments and thus ensure a constant output lev el. Also, a clip-on microphone allows the user to move about freely and keeps their hands free.
  • Page 9 3 Using Your Microphone Note: The smaller the distance between the micro- phone and the sound source, the higher the usable gain before feedback. 3.3 Live 1. Insert the cable into one of the fixing grooves Recording and on the supplied H 40/1 clip (se fig. 5a) or on the Spot Miking supplied H 41 tie pin (see fig.
  • Page 10 3 Using Your Microphone 3.5 Violin Fig. 8: Miking up a violin. Refer to fig. 8. If the production concept does not allow for microphones mounted on the the violin itself, you can attach the microphone with mastic to the violi- n ist's cheek.
  • Page 11: Troubleshooting

    5 Troubleshooting Problem Possible Cause Remedy No sound: 1. Power to mixer 1. Switch power to and/or amplifier is mixer or amplifier off. 2. Channel or master 2. Set channel or fader on mixer, or master fader on volume control on mixer or volume amplifier is at zero.
  • Page 12: Specifications

    C 417 L/PL: 8 g (0.3 oz.) / 160 g (5.6 oz.) This product conforms to the standards listed in the Declaration of Conformity. To order a free copy of the Declaration of Conformity, visit http://www.akg.com or contact sales@akg.com. Frequency Response...