Ada Suite 7.1 HD Installation Manual page 27

When setting up your speaker array using the
PC program, select the side THEATER tab, the
PRO SETUP top tab and then the 3-DELAYS
sub tab.
Here you can increase (UP) or decrease (DN)
the delay levels by channel. All changes occur
in real-time (instantly).
The Master Delay is a global delay or lip sync de-
lay. This feature can be added to remote control
or touchscreen permitting the end user to com-
pensate for lip sync issues which can vary from
source to source and even program content.
If you want to see the delays currently active on
the Suite 7.1 HD, press the UPDATE DELAYS
button.
From the front of the Suite 7.1 HD, while in the
setup mode, use the Mode knob to navigate to
the word SETUP and press the Mode knob. On
the page that features LABELS/AV in the top left
corner, use the Mode knob to navigate to the
DELAYS option and press the Mode knob.
You are now on the Delays page with the cursor
flashing on the first 0 in L 0.0. To alter the whole
number (feet) turn the Input knob. To advance to
the decimal (1/10 foot ~ 1.25 inch), turn the Mode
knob. Now the Input knob will adjust the 1/10 foot
setting. To adjust other speaker channels, turn the
Mode knob and accordingly use the Input knob to
make any changes.
To set the Master (Lip Syn) delay, turn the Mode
knob so that the cursor is on the arrow to the
right of MASTER and press the knob. On the
Master Delay page, turn the Input knob to adjust
the Master Delay. Navigate to P to return to the
previous screen.
To store the Balance and Delay levels (but not
the Master Delay) on a Balance Preset, you have
to return to the Levels screen. Turn the Mode
knob to the letter P (previous) and then press
the knob. Turn the Mode knob to LEVELS and
press the knob.
Turn the Mode knob to STR1. To select the Bal-
ance Preset number you wish to use for these
settings, turn the Input knob and then press the
Input knob to store it. Repeat setting and stor-
ing of Balance and Delay levels for other seating
positions or speaker configurations.
T R x B R x V R x
T O N E R E C A L L 1 T N B L V L E Q
B A L R E C A L L 1 S E T U P
V O L R E C A L L 1 L O U D N E S S M ]
L A B E L S / A V P L
S P E A K E R S B A S S
L E V E L S H D M I T H X
D E L A Y S S O L O T E S T R E V E R B
D E L A Y S M A S T E R ]
L O . O C
L S O . O S U B
S B L O . O
D E L A Y S M A S T E R ]
L O . O C
L S 9 . O S U B
S B L 8 . O
D E L A Y S M A S T E R ]
L O . O C
L S 9 . O S U B
M A S T E R D E L A Y =
S B L 8 . O
M A S T E R D E L A Y =
D E L A Y S M A S T E R ]
L O . O C
L A B E L S / A V P L
L S 9 . O S U B
S P E A K E R S B A S S
S B L 8 . O
L E V E L S H D M I T H X
D E L A Y S S O L O T E S T R E V E R B
N O I S E S E Q
L 1 . 5 C - 1 . O R
L S O . O S B
N O I S E S E Q
S B L O . O
L 1 . 5 C - 1 . O R
L S O . O S B
S B L O . O
E H [ P M ]
A D A B U S
T U R N O N
[ P M ]
O . O R O . O
O . O R S O . O
S B R O . O
[ P M ]
5 . O R 2 . O
7 . O R S 1 O . O
S B R 8 . O
[ P M ]
5 . O R 2 . O
[ P
7 . O R S 1 O . O
O m s
S B R 8 . O
[ P
4 O m s
[ P M ]
5 . O R 2 . O
E H [ P M ]
7 . O R S 1 O . O
A D A B U S
S B R 8 . O
T U R N O N
S T R 1 [ P M ]
2 . 5
O . O R S O . O
S T R 3 [ P M ]
S B R O . O
2 . 5
O . O R S O . O
S B R O . O
Page 27