Modeling/Poly Fx/Alternate Tuning Settings; Modeling Settings (Mdl: ); Electric Guitar (Eg: ); Acoustic (Ac: ) - Boss GP-10 Owner's Manual

Modeling/Poly FX/Alternate Tuning Settings

Modeling Settings
(Mdl: )
Press the [MODELING/ALT TUNE] button to edit.
* The parameters shown depend on the modeling type you've selected.
MEMO
For details on +/, marks, refer to "Basic Procedure for Editing the Settings" (p. 5).
Parameter Explanation
On/Off Turns the Modeling on/off (mute).
Type of Modeling
E. GTR Electric guitar
ACOUSTIC Acoustic
Type
E. BASS Bass
SYNTH Guitar synthesizer
POLY FX Poly FX
Electric Guitar
(EG: )
Parameter Explanation
Type of Electric Guitar
This models a Fender Stratocaster, a guitar with three
CLA ST
traditional single-coil pickups.
This models a guitar with three EMG active single-coil
MOD ST
pickups.
This models a Fender Telecaster, a guitar with two single-coil
TE
pickups often used in blues and country music.
This models a Gibson Les Paul Standard, a guitar with two
LP
humbucking pickups often used in rock.
This models a Gibson Les Paul Junior, a guitar with two
P90 single-coil pickups affectionately referred to as "dog ear" or
"soap bar" pickups.
This models a Gibson ES-335 Dot, a well-known semi-hollow
335
body guitar with two humbucking pickups.
Type
This models a Gibson L-4 CES, a hollow body guitar suitable
L4 for jazz, equipped with two humbucking pickups and strung
with flat-wound strings.
This models a Rickenbacker 360, a semi-hollow body guitar
RICK
with two unique single-coil pickups.
This models a Danelectro 56-U3, a guitar with three pickups
LIPS
with a distinctive silver "lipstick-style" appearance.
WIDE This produces the fat sound typical of a larger number of coil
RANGE windings than on a conventional single-coil pickup.
A conventional humbucking pickup places two coils side
by side, causing the high frequencies to be cancelled;
BRIGHT
however, this model produces a tone that preserves these
HUM
high frequencies while retaining the characteristics of a
humbucking pickup.
FRETLESS This models a fretless guitar.
Selects the pickup position.
REAR
Rear pickup
R+C *1 Rear and center pickups
CENTER *1 Center pickup
C+F *1
Center and front pickups
PU Select *1
FRONT Front pickup
R+F *2 Rear and front pickups
ALL *3
All pickups
*1 CLA-ST, MOD-ST, LIPS only
*2 TE, LP, P-90, RICK, 335, L4, BRIGHT HUM, WIDE RANGE only
*3 LIPS only
Tone Type *2 Selects the fretless tone type.
Sens *2 This controls the input sensitivity of the FRETLESS.
Depth *2 This controls the rate of the harmonics.
Attack *2 Adjusts the attack of the picking sound.
Resonance *2 Adds a characteristically resonant quality to the sound.
Direct Level *2 Adjusts the volume of the direct sound.
Volume Sets the volume. With a setting of 0, there will be no sound.
Adjusts the tone. The standard value is 100; lowering the value creates a
Tone
softer tone.
*1 Other than FRETLESS
*2 FRETLESS only
6
Acoustic
(AC: )
Parameter Explanation
Type of Acoustic
The sound of a Martin D-28. Older model known for its
MA28
exquisitely balanced sound.
The sound of a Martin 000-28. This model features a full low-
TRP-0
end resonance and crisp, distinct contour.
The sound of a Gibson J-45. This vintage model features a
GB45
unique, seasoned tone with good response.
The sound of a Gibson B-25. Featuring a compact body, this
GB SML
vintage model is often used in blues.
Type
The sound of a Guild D-40. This model features warm
GLD40
resonance from the body along with a delicate string
resonance.
NYLON This models a nylon-string guitar.
RESO
This models a Dobro-type resonator guitar.
BANJO This models a conventional five-string banjo.
This models a Coral electric sitar. The sitar's distinctive buzz
SITAR
and tonal change are modeled.
Adjusts the body resonation. Raising the value produces more of a sense
Body *1 of the guitar body in the sound. Lower the value in conditions where
feedback is prone to occur.
Specifies the strength of the attack when you pluck the string strongly. As
Attack *2 this setting is increased, the attack will be sharper, and the sound will be
crisper.
Selects the pickup position.
FRONT Front pickup
PU Select *3 R+F Rear and front pickups
REAR Rear pickup
PIEZO Piezo pickup
Sens *3 Adjusts the input sensitivity.
Color *3 Adjusts the overall tone quality of the sitar.
Decay *3 Adjusts the time it takes following the attack for the tone to change.
Adjusts the amount of characteristic buzz produced by the buzz bridge
BUZZ *3
when the strings make contact with it.
Attack Level *3 Adjusts the volume level of the attack
Adjusts the body resonation. The resonation increases as the value is
Resonance *4
raised.
You can specify how the resulting volume will be affected by changes
(loud/soft dynamics) in the guitar string vibrations that are input.
Sustain *5
Adjusts the range (time) over which low-level signals are boosted. Larger
values will result in longer sustain.
Adjusts the tone of the body. The standard value is 0; raising the value
Tone
boosts the high range.
Volume Sets the volume. With a setting of 0, there will be no sound.
*1 Other than RESO and BANJO
*2 NYLON and BANJO only
*3 SITAR only
*4 RESO and BANJO only
*5 RESO only
Bass
(EB: )
Parameter Explanation
Type of Bass
JB
This models a Fender Jazz Bass.
Type
PB This models a Fender Precision Bass.
FRETLESS This models a fretless bass.
Rear Volume *1
Volume of the rear pickup
Front Volume *1 Volume of the front pickup
Tone Type *2 Selects the fretless tone type.
Sens *2
This controls the input sensitivity of the FRETLESS.
Depth *2 This controls the rate of the harmonics.
Attack *2 Adjusts the attack of the picking sound.
Resonance *2
Adds a characteristically resonant quality to the sound.
Direct Level *2 Adjusts the volume of the direct sound.
Volume Sets the volume. With a setting of 0, there will be no sound.
Tone
Adjusts the tone.
*1 JB only
*2 FRETLESS only