PRESONUS StudioLive 16.4.2 User Manual page 7
16 channel digital recording and performance mixer
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Also See for StudioLive 16.4.2:
- Owner's manual (196 pages) ,
- Brochure (5 pages) ,
- Block diagram (1 page)
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Table of Contents
5.1 Microphones ............................................................................. 80
5.1.1 Condenser ..................................................................... 80
5.1.2 Dynamic ......................................................................... 80
5.1.3 USB and Other Types ..................................................... 81
5.1.4 Microphone Placement ................................................... 81
5.2 A Brief Tutorial on Dynamics Processing ................................... 84
5.2.2 Types of Dynamics Processing ....................................... 86
5.2.3 Vocabulary of Dynamics Processors............................... 88
5.2.4 General Compression Setting Suggestions .................... 91
5.3 Equalizers .................................................................................. 94
5.3.1 What is an EQ? ............................................................... 94
5.3.2 How to Find the Best and Leave the Rest ...................... 97
5.3.3 To Boost or Not to Boost ................................................ 98
5.3.4 General EQ Setting Suggestions .................................... 100
5.4 Subgroup Mixing ....................................................................... 103
5.4.1 Instrument Groups .......................................................... 103
5.4.2 Effects Groups ................................................................ 105
5.5 Aux Bus Mixing .......................................................................... 106
5.5.1 Monitor Mixing ................................................................ 106
5.5.2 Effects Processing .......................................................... 107
5.6 Digital Multi-Effects ................................................................... 108
5.6.1 Reverb ............................................................................ 108
5.6.2 Delay ............................................................................... 109
5.7 Level-Setting Procedure ............................................................ 111
5.8 The Solo Bus ............................................................................. 112
5.8.1 Using the Solo Bus for Monitoring .................................. 113
5.8.2 Destructive Soloing ......................................................... 114
5.8.3 Using Solo In Place (SIP) to Set Up a Mix ...................... 114
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