Version 6.1 for le systems on windows xp and mac os x; version 5.3.3 for le systems on windows xp; version 5.2.1 for le systems on mac os 9; portable pro tools micro-studio (80 pages)
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• The equipment should only be connected to the correct rating power supply as indicated on the 192 I/O. • Do not attempt to service the equipment. There are no user-serviceable parts inside. Please refer all servicing to authorized Digidesign personnel.
(D/A) converters. The 192 I/O • External Clock input and output for synchro- supports sample rates of up to 192 kHz for supe- nizing 192 I/O with external 1x Word Clock rior dynamic range and low noise floor. or 256x (Slave Clock) devices.
User Tips are helpful hints for getting the Complete instructions for connecting and con- most from your system. figuring the 192 I/O for your Pro Tools|HD sys- tem are located in the Pro Tools|HD Getting Started Guide. For additional information about...
News and Events Get the latest news from Digi- design; sign up for a Pro Tools demo. To learn more about these and other resources available from Digidesign, visit the Digidesign website (www.digidesign.com). Chapter 1: Introduction to the 192 I/O...
This chapter describes the front and back panel features of the 192 I/O. See the Pro Tools|HD Getting Started Guide for complete system installation and configuration instruc- tions. If you are adding the 192 I/O to an existing system, see the Expanded Systems Guide . 192 I/O Front Panel...
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However, for sample rates als. (Only one Pro Tools|HD I/O can be Loop higher than 48 kHz, the 192 I/O will generate a Master at a time.) The Loop Master LED will al- choice of 1x or a base rate of 44.1 kHz or 48 kHz, ways be lit with a single interface.
Empty Bay for Optional Card Bay 2: Analog Out Card 192 I/O back Panel Although the 192 I/O is a 16-channel audio in- Analog Input terface, it has up to 50 inputs and outputs avail- This section contains connectors for analog au- able through its various back panel connectors.
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192 kHz sample rates in dual-wire page 8, and “Soft Clip Limiting” on page 12. mode. Dual-wire mode uses two of 192 I/O’s physical I/O channels of AES/EBU I/O to carry each single stream of 192 kHz audio. Therefore,...
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Enclosure Connectors Optical (ADAT) [Encl] These are Optical ports that accept up to eight The right half of the back panel of 192 I/O fea- channels of Optical (ADAT) input and output, tures a set of non-removable connectors that are or two channels (stereo) optical S/PDIF input mounted to the enclosure.
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These ports can be used to synchronize • 18” (0.46m), included with each interface the 192 I/O to any device that requires (or pro- • 12’ (3.6m), included with each vides) word clock.
If you want to switch the input levels of the +4 dBu port, and use the B trims for –10. Or, use 192 I/O from +4 dBu to –10 dB(V), you can ac- A and B to maintain two different trims for any cess these parameters on a channel-by-channel signal input port (+4 dBu or –10 dB(V)).
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At session sample rates above 48 kHz, sam- ple rate conversion for the TDIF and Optical The 192 I/O has two Output Trims for each out- (ADAT) inputs on the Digital I/O card is au- put signal. You can switch between these Out- tomatically enabled on all eight inputs of put Trim levels from within Pro Tools.
If you re- move a single card from the 192 I/O, the unit will continue to function while the audio card is being serviced. See “Removing an I/O Card” on page 16.
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Lift off the top of the 192 I/O and set it aside. Remove the five screws on the cover over the empty bay. Do not misplace these screws; note guide rails that they are a different size and shape from the top cover screws.
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Locate the raised ridge in the middle of the Connect the 192 I/O to your Pro Tools|HD 50-pin cable which connects to the 192 I/O system. chassis. This ridge is only on one side of the con- Power on your 192 I/O.
In the event of a problem with one of the cards The additional inputs and/or outputs provided in your 192 I/O, you can remove the card and by the new card will appear in the Hardware send it to Digidesign for repair.
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Pull straight back, lifting very slightly to avoid contact be- tween components on the underside of the card and the 192 I/O back panel faceplate. When you pull a card out, pay particular at- tention to keeping components on the sur-...
The concept of headroom is slightly different for to the level of your mixing console. analog and digital devices. The 192 I/O has +4 dBu and –10 dB(V) inputs, Analog Most analog devices allow for a certain and +4 dBu outputs, each with their own trim amount of headroom above 0 VU.
For example, to have 12 dB of headroom above necessary to type a minus sign here.) 0 VU with the 192 I/O, you must align the in- coming 0 VU 1kHz tone to a level of –12 dBFS. Click OK.
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It is best to calibrate the inputs with the back of brate both the A and B trims, select the active the 192 I/O facing you and the Pro Tools screen trim in the Analog Output tab in the Hardware well in sight.
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14 dB of headroom and its inputs are not adjust- able. When setting up a 96 I/O (particularly in sys- tems using a combination of the 192 I/O and 96 I/Os), it may make sense to calibrate all I/Os for –14 dB headroom. This helps ensure that re-...
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DIGIDESIGN TECHNICAL SUPPORT (USA) PRODUCT INFORMATION (USA) INTERNATIONAL OFFICES Visit the Digidesign website 2001 Junipero Serra Boulevard Tel: 650.731.6100 Tel: 800.333.2137 for contact information Daly City, CA 94014-3886 USA Fax: 650.731.6384 Tel: 650.731.6300 Fax: 650.731.6399...
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