Korg m3 Operation Manual page 232

Music workstation/sampler
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Sampling
Effects
X–Y control
KARMA
Drum Track
Sequencer
Open Sampling System
16bit/48kHz: Stereo/Mono Sampling
RAM1: 64 Mbytes (installed as standard) allows up to approximately 11
minutes 39 seconds of mono sampling or approximately 5 minutes 49
seconds of stereo sampling. 512 bytes are used by the system.
RAM2: 256 Mbytes (when the EXB-M256 is installed) allows up to
Sampling time (RAM)
approximately 46 minutes 36 seconds of mono sampling or approximately 23
minutes 18 seconds of stereo sampling.
RAM1+RAM2: Total 320 Mbytes, allowing up to approximately 58 minutes 15
seconds of mono sampling or approximately 29 minutes 7 seconds of stereo
sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)
Maximum sampling time to a USB storage device is a maximum of
Sampling time
approximately 80 minutes for one sample file, for either mono or stereo. This
(MEDIA)
occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
Number of samples/
4,000 Samples/1,000 Multisamples (Max. 128 indexes per Multisample.)
multisamples
Sample directly from audio CDs (CD-DA)
Load AIFF, WAVE, AKAI (S1000/S3000), SoundFont 2.0, KORG Format sample data
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
5 Insert Effects
In-line processing; stereo in - stereo out.
2 Master Effects
Two effects sends; stereo in - stereo out.
For overall processing on the main outputs, such as compression, limiting,
1 Total Effect
and EQ; stereo in - stereo out.
High, low, and sweepable mid band. Per Program in Program Mode, per
3-band Track EQ
Timbre in Combination mode (16 total), and per Track in Sequencer mode (16
total).
170 types (Usable for insert, master, or total effects. However, double-size
Effects types
effects cannot be used as the total effect.)
Modulation
Dynamic Modulation, two common LFOs
Effects Control Bus
Stereo side-chaining for limiter, gates, vocoders, etc.
Effects Presets
Up to 32 per Effect/ 700 Preset
AUX bus
Two internal buses for sampling and routing audio to the EXB-RADIAS
X–Y MODE
TouchView display can be used as an X–Y controller. Hold function provided.
X–Y Control finger movements can be recorded in realtime, and memorized
X–Y MOTION function
for each program, combination, or song.
Program mode
Oscillator volume, synth parameters, and effect parameters can be controlled.
Combination,
Timbre/track volume, synth parameters, and effect parameters can be
Sequencer modes
controlled.
1 Module in Program Mode; 4 Modules in Combination and Sequencer
KARMA Modules
Modes, plus Master control module
GE
2,093 Presets, 1,024 User GE
ON/OFF, LATCH, MODULE CONTROL, KARMA SLIDERS 1–8, KARMA SWITCHES
Controllers
1–8, KARMA SCENES 1/5–4/8 (8 scenes)
KARMA Wave Sequence Control (change Multisamples via the KARMA engine), Freeze Randomize
function, Time Signature Control, Auto RTC (Real Time Control) setup.
Preset patterns
671 patterns (Held in common with sequencer preset patterns.)
1,000 patterns. Patterns created in Sequencer mode can be converted to
User patterns
drum track user patterns.
Trigger Mode / Sync / Zone settings can be specified
16MIDI Tracks & 1 Master Track
128 Songs
Resolution: 480 ppq (parts per quarter-note)
Tempo: 40.00–300.00 bpm (1/100 bpm resolution)
Up to 210,000 MIDI events
16 preset/16 user template songs
20 cue lists. Songs can be arranged consecutively or repeatedly in up to 99
Cue List function
steps. A cue list can be converted back into a song.
671 Presets /100 User Patterns (per Song)
Patterns/RPPR
RPPR (Realtime Pattern Play/Recording): 1 set per Song.
Format
Korg (M3) format, SMF (formats 0 and 1) supported
In-Track Sampling function, Auto Song Setup function
Specifications and options Specifications
225

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