Adobe 25520388 - Premiere Pro - PC Using Manual page 21

USING ADOBE PREMIERE PRO
User interface
"Set the default keyframe display of audio
"Render audio when rendering
"Scale assets" on page 294
"Change bin behaviors" on page 107
"Specify whether to render audio when rendering
Appearance preferences
In the Appearance pane of the Preferences dialog box, you can set the overall brightness of the user interface.
More Help topics
"Brighten or darken the interface" on page 10
Audio Preferences
The Automatch Time preference specifies the time, in the Audio Mixer, for any control that has been
Automatch Time
adjusted to return to its previous setting. Affected controls are Volume, Pan, Effect and Send parameter knobs in
Audio, Submix and (except sends) Master track. Automatch Time preference affects properties in Touch mode, and
in Read mode for effects with keyframes.
Specifies how Premiere Pro mixes source channels to 5.1 audio tracks.
5.1 Mixdown Type
Mute Input During Timeline Recording
timeline.
Defines the type of track in which the clip audio channels are presented when a clip is added to
Default Track Format
a sequence—Mono, Stereo, Mono As Stereo, or 5.1.
•
Maps the source audio channels so that they're placed on separate mono audio tracks. For example, when
Mono
you select Mono from the Default Track Format menu, Premiere Pro maps each source channel to a separate mono
track on capture or import. If you capture from a stereo source with this setting, Premiere Pro maps each of the source
channels to a separate monaural track. You can apply the Mono track format to clips containing any number of audio
channels. Importing a file containing 5.1 channels maps them to six audio tracks. When you add the clip to the
sequence, the clips on the separate mono tracks remain linked together.
•
Maps the source audio channels so that paired channels are placed on stereo audio tracks. You can apply
Stereo
the Stereo track format to clips containing any number of audio channels. If the clip doesn't contain an even number
of channels, a silent channel is created. The silent channel is paired with the unpaired channel when the clip is added
to a sequence.
•
Maps the source audio channels so each is placed on a stereo audio track. Premiere Pro duplicates
Mono As Stereo
the audio from each mono source channel and places it in the left and right channels of a stereo track. You can apply
the Mono As Stereo format to clips containing any number of audio channels.
• Maps the source audio channels so that one or more groups of six channels are placed into separate 5.1
5.1
surround audio tracks. If the number of source channels is not a multiple of six, Premiere Pro creates a 5.1 surround
audio track with silence on one or more channels.
Creates keyframes only at points that don't have a linear relationship to the start and end
Linear Keyframe Thinning
keyframes. For example, suppose you are automating a fade from 0 dB to –12 dB. With this option selected, Premiere
Pro creates keyframes only at the points that represent an increase in value from the beginning (0 dB) and ending (–
12 dB) keyframes. If you don't select this option, Premiere Pro may create several incremental keyframes of identical
tracks" on page 141
video" on page 206
video" on page 47
Check this box to prevent monitoring of the audio inputs while recording the
Last updated 1/16/2012
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