Yamaha Programmable Mixer 01 Getting Started Manual page 39

33
Live Performance
This example shows ProMix 01 in a live performance application.
Eight balanced microphones can be connected to input channels 1
through 8, and 48V phantom power is available for condenser type
microphones. Eight line level sources can be connected to input chan-
nels 9 through 16. Apart from the phantom power and connector
type, however, inputs 1 through 16 all feature the same head ampli-
fier. So with right connector, up to 16 microphones can be connected:
eight with balanced XLR, and eight with balanced TRS phone plug.
SEND3 and SEND4 are used for two independent foldback mixes that
feed the onstage monitors via a stereo graphic equalizer and power
amplifier. The main mix is taken from the balanced XLR-type STE-
REO OUT connectors, which feed the front of house power amps and
speakers. The stereo output's 3-band parametric EQ is used to bal-
ance the room acoustics. The EQ's sharp peaking response is ideal for
filtering out unwanted noise and mains-born hum.
The live performance is recorded directly to DAT via the DIGITAL
REC OUT connection. Similarly, an analog cassette deck is connected
to the ANALOG REC OUT. A CD player connected to 2TR IN sup-
plies background music for intervals.
ProMix 01 internal effects provide reverb and delay via SEND1 and
SEND2. The processed signals are returned internally via RTN1 and
RTN2, respectively. Having internal effects means that you don't have
to bother with patch cords and external unit settings. All effects set-
tings are stored in mix scenes, so you can recall different settings for
different parts of the performance.
All three dynamics processors are utilized. One is patched into the ste-
reo outputs, the other two into SEND3 and SEND4. All are set for lim-
iting operation, protecting the power amplifiers and speakers from
overload. You could patch a gate into a drum microphone channel to
improve separation between drums, or compress the main vocalist to
achieve a more consistent volume level.
ProMix 01 mix scenes really come into their own with repeat perfor-
mances. For example, mix scenes make night-after-night
sound-checks a breeze. Simply press recall to return to the previous
night's mix settings. In a multi-performer/band situation, you can
store different mix settings (i.e. effects, EQ, faders) for each per-
former/band, then simply recall them during the performance. To
mute all microphone inputs with just one button press, simply store
a mix scene with all input channels turned OFF.
Three-band fully parametric EQ on all input channels allows you to
cut unwanted hiss, hum, and prevent possible feedback. It can also
be used to shape sounds so they cut through the mix, and to correct
individual instrument frequency abnormalities.
The large LCD display shows input levels, EQ curves, and dynamics
processor action. It's backlit, too, so it's easy to read in dim light.
An optional ProMix 01 carrying case is available.
ProMix 01 Getting Started Guide