Kurzweil K2600 - MUSICIANS GUIDE REV A PART NUMBER 910330 CHAP 12 Getting Started Manual
Kurzweil K2600 - MUSICIANS GUIDE REV A PART NUMBER 910330 CHAP 12 Getting Started Manual

Kurzweil K2600 - MUSICIANS GUIDE REV A PART NUMBER 910330 CHAP 12 Getting Started Manual

Song mode and the song editor

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Chapter 12
Song Mode and the Song Editor
Getting Started with the Sequencer
The K2600Õs sequencer is a powerful and versatile tool for songwriters, composers, and anyone
else who wants to record and play back songs. As with any tool, however, itÕs best to start with
the basics. This section begins with a tutorial where you will record a song, then shows some of
the mixing capabilities of the sequencer. If you are familiar with other sequencers, you will have
no problem using Song mode in the K2600. Read through this section, however, to learn about
the features that make the K2600Õs sequencer unique.
What is a Sequencer?
A sequencer is similar in some ways to a multi-track tape recorder: you can record and play back
all sorts of music and sounds, layer sounds on top of other sounds, and change or manipulate
things that youÕve previously recorded. Unlike a tape recorder, however, you do not actually
record sounds with a sequencer. Rather, you are recording commands that cause sounds to be
played. Nonetheless, we will sometimes explain sequencer features by drawing analogies to
familiar tape recording techniques such as splicing and overdubbing.
There are several advantages to recording a song by sequencing. For one thing, sequencer
commands take up much less disk space than digitally recorded music would, so you can get a
lot of information (that is, music) on a single ßoppy disk. Furthermore, you can easily make
changes to your sequences. For example, you can change individual notes, transpose parts, or
change instrumentation. Lastly, you can share the sequences you create with other musicians.
A Word about the Local Keyboard Channel
Before you being sequencing, weÕd like to remind you about the Local Keyboard Channel
parameter on the MIDI-mode RECEIVE page (described on page 10-7). Local Keyboard Channel
is especially important for sequencing with the K2600R, since it enables you to record on
different tracks without constantly switching transmit channels on your controller. Regardless of
which K2600 model you own, you should do the following whenever the K2600 is going to
receive MIDI information from an external source:
¥
Set the Local Keyboard Channel on the MIDI-mode RECEIVE page to a speciÞc
channel (1Ð16).
¥
Set your MIDI controller (keyboard, percussion controller, etc.) to transmit on the same
channel.
Performing the above two steps means that youÕll be able to hear the individual channels (each
of which is assigned by default to a separate recording track) as you scroll through the different
recording tracks in the K2600Õs Song mode. Local Keyboard Channel performs a rechannelizing
function that makes this happen.
Song Mode and the Song Editor
Getting Started with the Sequencer
12-1

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Summary of Contents for Kurzweil K2600 - MUSICIANS GUIDE REV A PART NUMBER 910330 CHAP 12

  • Page 1: Chapter 12 Song Mode And The Song Editor

    Song Mode and the Song Editor Getting Started with the Sequencer Chapter 12 Song Mode and the Song Editor Getting Started with the Sequencer The K2600Õs sequencer is a powerful and versatile tool for songwriters, composers, and anyone else who wants to record and play back songs. As with any tool, however, itÕs best to start with the basics.
  • Page 2: Tutorial: Recording A Song

    Song Mode and the Song Editor Getting Started with the Sequencer Patch Through ThereÕs one more use for Local Keyboard Channel. With any model of the K2600, the Local Keyboard Channel parameter lets you patch through (also known as soft through) to external sound modules.
  • Page 3 Song Mode and the Song Editor Getting Started with the Sequencer Follow these steps to assign the programs to separate channels: 1. Press the Song mode button to enter Song mode. The display will look something like this: Recording track is set to Track 1 SongMode:MAIN||Events:186K|||STOPPED|||| CurSong:1|NewSong||||||||||||Tempo:120|| RecTrk|:1||||Vol:127|Pan:64||Mode|:Erase...
  • Page 4 Song Mode and the Song Editor Getting Started with the Sequencer SongMode:MAIN||Events:186K|||STOPPED|||| CurSong:1|NewSong||||||||||||Tempo:120|| RecTrk|: 2||||Vol:127|Pan:64| |Mode|:Erase Program: 30|Warm|Bass|1^2|||| |Locat:||1:1 |||||||||||||||||||||||||||||||||||||||| Track||:-|R|-|-|-|-|-|-|-|-|-|-|-|-|-|-| Channel:1|2|3|4|5|6|7|8|9|10111213141516 Record||Play|||Stop||Erase||MISC||MIXER| 6. Repeat the above two steps to assign 22 Gospel Organ to Channel 3 and 79 Modulead to Channel 4.
  • Page 5 Song Mode and the Song Editor Getting Started with the Sequencer You can change the length of the countoff by changing the value of the Countoff parameter on the MISC page. Since we are recording four measures of silence, press the Stop soft button as soon as Locat reads 5:1.
  • Page 6 Song Mode and the Song Editor Getting Started with the Sequencer The last event listed is the endpoint, which should correspond to the Þrst beat of the Bar following the last Bar in the song. For our four measures of silence, then, the endpoint should be 5:1.
  • Page 7 Song Mode and the Song Editor Getting Started with the Sequencer While youÕre on the MISC page, take a look at the quantize parameters (Quant, Grid, and Swing) in the middle column of the page. Quantization is a very useful feature, especially if youÕre having a bad rhythm day.
  • Page 8 Song Mode and the Song Editor Getting Started with the Sequencer Record a Bass Line When you are satisÞed with your drum loop, you can begin using it as the foundation for a song. What weÕll do here is set RecMode to Unloop while leaving PlayMode set to Loop. This means that the drum loop will keep playing while we record new unlooped material of any length.
  • Page 9 Song Mode and the Song Editor Getting Started with the Sequencer Remember that by default there is a four-beat count off, during which time the Locat value is preceded by a minus sign (-). No material is recorded during the count off, though anything you play during the countoff gets quantized to the Þrst Beat of the song.
  • Page 10 Song Mode and the Song Editor Getting Started with the Sequencer Mix Your Song The MIX page lets you change the panning and volume levels for the tracks in your song. Needless to say, this is one of the most important steps in the completion of your song production, and potentially one of the most creative.
  • Page 11 Song Mode and the Song Editor Getting Started with the Sequencer (Program, Setup, etc.) double as track-mute buttons while youÕre on the MIX page; press one or more of them and the corresponding tracks are muted Press them again to bring the track back into the mix.
  • Page 12: Tutorial: Arrangements

    Song Mode and the Song Editor Tutorial: Arrangements Tutorial: Arrangements The Arrangement Editor gives you a variety of ways to record and play songs. The following tutorial is designed to walk you through the steps of creating songs using the Arrangement Editor.
  • Page 13 Song Mode and the Song Editor Tutorial: Arrangements 5. Press Add to add another step to the arrangement. Select the song you want for the second step. Continue adding steps and selecting songs as needed. If you need to get rid of a step, select the step and press the Delete soft button.
  • Page 14 Song Mode and the Song Editor Tutorial: Arrangements Arrangement Parameters: the COMMON page Start Step This determines the step number where the song will start. Normally this is 1, but it can be any step in the arrangement. Tempo Control You can choose whether the tempo is controlled by the arrangement song itself or by each song in the arrangement.
  • Page 15: Recording Additional Tracks

    Song Mode and the Song Editor Tutorial: Arrangements Timing problems can also occur between steps due to improperly-located endpoints. If you have a timing problem, you should check in the Event Editor to make sure the end point of each step falls on the Þrst beat of the bar after the last bar of the step.
  • Page 16: Triggering Arrangement Steps From The Keyboard

    Song Mode and the Song Editor Tutorial: Arrangements other charactersÑabove the numbers represent the tracks. The dashes and characters are the values for the Track parameter.) You can assign any track to any MIDI channel. The second way you can use more than 16 tracks is if you have an external sound module in addition to the K2600.
  • Page 17: Ram Tracks

    Song Mode and the Song Editor RAM Tracks TriggerCtl: This determine if the keys will trigger the steps. Set this parameter to ON, so when you hit the appropriate note on the trigger channel, the step will start playing. If you set it to a MIDI Controller number that has a physical controller assigned to it, then the keys will trigger the step only when the controller is on (for switch controllers) or above its halfway point (for continuous controllers).
  • Page 18: Creating Ram Tracks

    Song Mode and the Song Editor RAM Tracks A Matter of Timing The song must already be playing when you start sampling. There are several ways you can do this: ¥ Start the song, then at the appropriate location in the song, press Record on the SampleMode page, and start the sample input.
  • Page 19: Using Song Mode

    Song Mode and the Song Editor Using Song Mode K2600 will eventually create a new program for the sample, and that program must be on its own MIDI channel. Press OK when youÕve selected a track. 9. The K2600 creates a program, and shows you the new programÕs ID. It then prompts you to strike a key to specify a note for triggering the sample during the playback of the song.
  • Page 20: Effect Selection During Recording And Playback

    Song Mode and the Song Editor Using Song Mode K2600 sends program changes, on all relevant channels, to its sound engine and to the MIDI Out port if the PChng parameter on the MIDI-mode TRANSMIT page is turned on. If you want to use a different program for playback than the one originally recorded, you have two alternatives.
  • Page 21 Song Mode and the Song Editor Using Song Mode If you set the Clock parameter to external (Ext), the K2600 expects to receive MIDI clock at its MIDI In port. Make sure that the Sync parameter on the MISC page in Song mode is set to Recv or Both, to enable the K2600 to receive sync messages as well as MIDI clock.
  • Page 22 Song Mode and the Song Editor Using Song Mode 10. Save the program (we recommend renaming it as well), then press Exit to return to the MAIN page in Song mode. So far, so good. Your song uses Channel 15 for effects control, and the effects for the song are determined by the studio used in the program on Channel 15.
  • Page 23: Memory Limits

    Song Mode and the Song Editor Recording Multi-timbral Sequences via MIDI Memory Limits While thereÕs no actual time limit to the length of the songs you record, their size is limited to 64K (or to the maximum amount of available free RAM space you have, if itÕs less than 64K). However, you can create longer songs by recording each section as a separate song, then putting it together with the Arrange feature.
  • Page 24: Song Mode: The Main Page

    Song Mode and the Song Editor Song Mode: The MAIN Page Song Mode: The MAIN Page The Song-mode MAIN Page allows real time recording and playback, song and track selection. From this page you can view and edit the tracksÕ channel, program, volume and pan settings, as well as other useful items.
  • Page 25: Current Song (Cursong)

    Song Mode and the Song Editor Song Mode: The MAIN Page Song Status, also on the top line of the display, is always one of the following: STOPPED The default sequencer status; also appears when you press the Stop or Pause button.
  • Page 26: Recording Track (Rectrk)

    Song Mode and the Song Editor Song Mode: The MAIN Page Fractional Tempos You can use fractional tempos (120.5, etc.) in your sequence. However, the initial tempo can not be fractional, and you cannot enter a fractional number in the tempo parameter on the MAIN or COMMON pages.
  • Page 27: Channel (Chan)

    Song Mode and the Song Editor Song Mode: The MAIN Page To change a trackÕs program quickly, press Record, select the program, then press Stop. Or you could press MIXER to go to the MIX page, change the program as desired, then press Keep. This preserves all changes you have made to any other tracks: volume, pan, tempo, etc.
  • Page 28: Location (Locat)

    Song Mode and the Song Editor Song Mode: The MAIN Page Volume (Vol) You can set an initial volume level for the playback and recording of each track as a value between 0 and 127. If the channel of the RecTrk (or the control channel, if RecTrk is set to Multi or None) contains any recorded volume change (controller code 7), the change will be reßected as the Vol parameterÕs value in real time.
  • Page 29 Song Mode and the Song Editor Song Mode: The MAIN Page Activity Indicators ( A small square ([) above the Track Status Indicator of a track set to Play (P) or Mute (M) means the track contains data. During playback and recording, the indicators above tracks containing any MIDI data will ßash a small, Þlled-in square when any MIDI activity is detected.
  • Page 30 Song Mode and the Song Editor Song Mode: The MAIN Page When the Song Status is REC READY, pressing the Play soft button will begin recording. Pause and Play share the same soft button. Pause appears only when the Song Status is PLAYING or RECORDING.
  • Page 31: Save This Song? Dialog

    Song Mode and the Song Editor Song Mode: The MAIN Page Save this song? Dialog The following dialog appears after you have recorded a track and pressed Stop, or if you have entered the Song Editor and made changes, then pressed Exit, or if you press Save in the Song Editor.
  • Page 32: Erase Track Dialog

    Song Mode and the Song Editor Song Mode: The MISC Page There are only 20 IDs available for song objects per bank in banks 100 - 900. In the zeros bank, there are 75, IDs 1Ð75. In the 200s bank there are IDs 200Ð219, in the 300s bank, IDs 300Ð319, and so on.
  • Page 33: Rec Mode

    Song Mode and the Song Editor Song Mode: The MISC Page Parameter Range of Values Default Record Mode Linear, Fixlen, Loop, Unloop, Auto Linear Play Mode Linear, Loop, List, Chain Loop Key Wait On, Off Locate -25:2 – 999:4 Auto In 1:1 –...
  • Page 34: Play Mode

    Song Mode and the Song Editor Song Mode: The MISC Page 4. A new End point is entered on the EVENTS page. 5. Using the Track-edit functions Copy, Insert, and Delete to alter the songÕs length. The End point of a song is used as a loop point in Loop and UnLoop modes, and it deÞnes the Fixed Length of a song when you record in FixLen mode.
  • Page 35: Input Quantize (Quant)

    Song Mode and the Song Editor Song Mode: The MISC Page memory has played through to its End point, the sequencer will stop and that song will be the new CurSong. Chain: For every song, there is a parameter called ChainTo found on the COMMON page that determines what other song, if any, will immediately follow this songÕs playback when PlayMode is set to Chain.
  • Page 36 Song Mode and the Song Editor Song Mode: The MISC Page Quantize is used to quantize your performance as you record it in. However, you may wish to record without quantization and go back and quantize at a later point. To do this, use the Quantize function in the Track Editor, as described on page 12-54.
  • Page 37 Song Mode and the Song Editor Song Mode: The MISC Page there when you press Play. The K2600 also responds to Song Position Pointer messages received from an external source. When you have the K2600 synced to another sequencer, the Song Position Pointer message shifts the auxiliary sequencerÕs start point correspondingly.
  • Page 38: Soft Buttons On The Misc Page

    Song Mode and the Song Editor Song Mode: The MISC Page ClickVel ClickVel determines the attack velocity to be used by the metronome click. The Þrst beat of each measure gets played at exactly this velocity level while the other beats scaled to about 90% of this value as a way to provide an accent.
  • Page 39: Song Mode: The Mix Page

    Song Mode and the Song Editor Song Mode: The MIX Page Song Mode: The MIX Page The MIX page allows you to set and keep new initial settings for all sixteen tracksÕ program changes, volumes, and pan positions. You can set these three parameters for each track, then press the Keep button, prompting a dialog that asks if you really want to update these settings.
  • Page 40: Quick Mute Track Bank Indicator

    Song Mode and the Song Editor Song Mode: The MIX Page Track Status Indicators Using the Up, Down, Left, and Right cursor buttons to position the cursor onto a Track Status Indicator, you can toggle an empty track (-) into Record (R) with the Alpha Wheel or Plus or Minus buttons.
  • Page 41: Soloing The Current Track

    Song Mode and the Song Editor The Song Editor The Song Editor In general, youÕll get to the Song-editor pages by pressing the Edit button any time youÕre in Song mode. ThereÕs one exception: if the Program parameter is currently highlighted on the display, youÕll enter the Program Editor when you press Edit.
  • Page 42: Parameters Used With The Arrangement Feature

    Song Mode and the Song Editor Song Editor: The COMMON Page The top line of this page displays the selected track or tracks. Select the available current track for editing by using the Chan/Bank buttons. Press both of the Chan/Bank buttons together to select all tracks.
  • Page 43 Song Mode and the Song Editor Song Editor: The COMMON Page TempoControl When the current song is composed of other songs entered as steps in the Arrangement Editor, the TempoControl parameter determines whether the current songÕs tempo setting or the arranged songsÕ...
  • Page 44: Soft Buttons On The Common Page

    Song Mode and the Song Editor Song Editor: The EVENT Page keys, and you want the sounds produced by each note number in that program to be preserved in each transposition. If in the song being used as a step in an arrangement (NOT the arrangement song itself), there is a (D) designating the track playing the drum program as a Drum Track, the originally recorded Note events on that track will remain unchanged.
  • Page 45: Bar, Beat, And Tick

    Song Mode and the Song Editor Song Editor: The EVENT Page results. For example, if you have program changes at bar 1 and bar 8, then if you jump from bar 1 to bar 9 any notes you scroll through will be played with the program change from bar 1. The channel of the selected event is displayed on the top line of the page.
  • Page 46: Soft Buttons On The Event Page

    Song Mode and the Song Editor Song Editor: The EVENT Page Table 12-2 lists the ranges of the editable event values. The PCHG, BEND, MPRS, SYSX, TMPO, and END events will show their values in the display region directly to the right of the Event Type region. All of their values can be edited.
  • Page 47: Song Editor: The Track Page

    Song Mode and the Song Editor Song Editor: The TRACK Page The View page determines which events you see when youÕre on the EVENT page. If you set a parameter on the View page to Off, you wonÕt see any of the corresponding events on the EVENT page, and the events wonÕt be executed as they normally are when you scroll through the Event list.
  • Page 48: Common Parameters For Edit Song: Track Functions

    Song Mode and the Song Editor Song Editor: The TRACK Page Below is an example of the TRACK page for the Bounce function. Region/Criteria Box EditSong:TRACK|||||||||||||||<>Track:1|| Function:Bounce||d|From||:||1:1|To:||2:1 DstTrack:1|||||||d|Events:Notes||||||||| Mode||||:Erase|||d|LoKey|:C|-1||Hi:G|9|| |||||||||||||||||d|LoVel|:1|||||Hi:127|| |||||||||||||||||d|||||||||||||||||||||| Locate||:||1:1|||'%%^^^^^^^^%%%%%%^%%%%% FromTo||Play|||Stop||||||||||Go||||Done| You will notice that the page is divided into two halves, with the right half being a separate box This is called the Region/Criteria box.
  • Page 49: Region / Criteria Box Parameters

    Song Mode and the Song Editor Song Editor: The TRACK Page Region / Criteria Box Parameters From and To From and To are available in most TRACK edit functions to deÞne a range of time on the selected track(s). The From value deÞnes the Þrst Bar and Beat in a range of time selected for editing. Although From is always expressed in Bars and Beats, and will be aligned exactly on the Beat when adjusted manually, it is possible for From to represent a value with Þner resolution when a range of time is deÞned in real time using the FromTo soft button.
  • Page 50: Soft Buttons On The Track Page

    Song Mode and the Song Editor Song Editor: The TRACK Page When Events is Set to Controller If your song contains any MIDI Controller data, the Ctl parameter is used to select particular controller data to be edited. Refer to the Control Source list in Chapter 6 of the Reference Guide. LoVal You may further specify a particular range of values to edit by setting a high and low value.
  • Page 51: Song Editor: Track Functions

    Song Mode and the Song Editor Song Editor: Track Functions Song Editor: Track Functions Erase This function erases speciÞed events from a region of time, but it doesnÕt delete the region of time. The result is like erasing a section of recording tape. If you want to completely remove a segment and shorten the length of the track, you can do it with the Delete function.
  • Page 52 Song Mode and the Song Editor Song Editor: Track Functions Mode: Merge / Erase The Mode setting determines whether the copied events merge with, or erase existing events on the destination track from the location point to the end of the copied region. Times: 1 Ð...
  • Page 53 Song Mode and the Song Editor Song Editor: Track Functions Insert The Insert function is used to add blank time to the current song, modifying the songÕs End point appropriately. The Insert function will affect all tracks. This is similar to splicing a piece of blank tape to an existing segment of recording tape.
  • Page 54 Song Mode and the Song Editor Song Editor: Track Functions Quantize Use the Quantize function to adjust the timing of Note events. Keep in mind that only Note events are quantized; other types of events, such as controllers, are not quantized. EditSong:TRACK|||||||||||||||<>Track:1|| Function:Quantized|From||:||1:1|To:||2:1 Quant|||:100%||||d||||||||||||||||||||||...
  • Page 55 Song Mode and the Song Editor Song Editor: Track Functions Reference Quantize The Reference Quantize function is similar to the Quantize function in that it aligns Note events to a grid. The difference is that the grid locations are not mathematically perfect divisions of a Bar.
  • Page 56 Song Mode and the Song Editor Song Editor: Track Functions Shift The Shift function allows you to offset the existing MIDI events forward or backward in time any number of ticks (1/480th of a Beat) up to approximately 26 Beats. This function does not affect the End point.
  • Page 57 Song Mode and the Song Editor Song Editor: Track Functions are sometimes more difÞcult to change since there can be inconsistent gaps of time between each controller event. EditSong:TRACK|||||||||||||||<>Track:1|| Function:Change||d|From||:||1:1|To:||2:1 Scale|||:100%||||d|Events:Velocity|||||| Offset||:0|||||||d|LoKey|:C|-1||Hi:G|9|| Mode||||:Constantd|LoVel|:1|||||Hi:127|| |||||||||||||||||d|||||||||||||||||||||| Locate||:||1:1|||'%%^^^^^^^^%%%%%%^%%%%% FromTo||Play|||Stop||||||||||Go||||Done| Scale: 0% Ð 20000% The selected velocity or controller eventsÕ...
  • Page 58 Song Mode and the Song Editor Song Editor: Track Functions Thin Use the Thin function to reduce the number of actual controller events used for any controller type on the current track. Sometimes a controller can produce the same noticeable effect by using fewer events to describe its change, which in turn will save memory and possibly prevent timing delays caused by an excess of MIDI data.
  • Page 59 Song Mode and the Song Editor Song Editor: Track Functions Grab Grab is similar to the Copy function, except that the Grab function allows you to copy selected data from tracks that exist in other songs in memory. EditSong:TRACK|||||||||||||||<>Track:1|| Function:Grab||||d|From||:||1:1|To:||2:1 SrcSong|:1|NewSond|Events:Controllers||| DstTrack:1|||||||d|Ctl|||:MWheel|||||||| Location:||1:1|||d|LoVal|:0|||||Hi:127||...
  • Page 60: Song Editor: The Step Page

    Song Mode and the Song Editor Song Editor: The STEP Page Song Editor: The STEP Page EditSong:STEP||||||||||||||||<>Track:1|| DubMode|:Erase|||d|||||||||||||||||||||| Duration:1/16||||d|||||||||||||||||||||| Modifier:None||||d|||||||||||||||||||||| GateTime:75%|||||d|||||||||||||||||||||| Velocity:Played||d|||||||||||||||||||||| Locate||:||1:1000'%%^%%%%%%^%%%%%%^%%%%% ||||||||Play|||Stop||<Back||Step>||Done| Parameter Range of Values Default Dubmode Merge, Erase Merge Duration 1/1 – 1/64 Modifier None, Triplet, Dotted, DotDot None Gatetime 0 –...
  • Page 61 Song Mode and the Song Editor Song Editor: The STEP Page duration. For example, if you have a Duration of 1/8 and a Gate Time of 75%, then striking a note will produce a duration of 180 (75% of 240). But if you hold the note and press Step>, then the duration will be 420 (180 + 240), instead of 360 (75% of 480).
  • Page 62: Soft Buttons On The Step Page

    Song Mode and the Song Editor Song Editor: The STEP Page Modifier The ModiÞer parameter allows you to change the Duration value with three standard modiÞers. Set to None if you do not chose to use a modiÞer. Use the triplet modiÞer for a resulting duration 2/3 of the value set in the Duration parameter. (For example, an eighth note = 240 ticks, an eighth note triplet = 160 ticks.) A Dotted modiÞer adds half of the current Duration value to that duration, and a DotDot modiÞer will add 3/4 of the current Duration value to itself.
  • Page 63: Song Editor: The Arrange Page

    Song Mode and the Song Editor Song Editor: The ARRANGE Page Song Editor: The ARRANGE Page This page allows you to create a song by arranging other songs together in the order you specify. The other songs become sections (called steps) of the current song, which can be repeated, transposed, etc.
  • Page 64 Song Mode and the Song Editor Song Editor: The ARRANGE Page When a song containing an arrangement is selected as the CurSong on the MAIN page, three dashes (---) appear above the Track parameter name to indicate that the current song has been saved with arrangement information.
  • Page 65 Song Mode and the Song Editor Song Editor: The ARRANGE Page Parameter Range of Values Default Step 1 – 99 Song Any song In Memory 0 None Mutes – , M – (Not Muted) Xpose -128ST – 127ST Times 1x – 120x, Infinite Mode Next, Stop Next...
  • Page 66: Triggering Steps From A Key

    Song Mode and the Song Editor Song Editor: The ARRANGE Page played, or you can specify an inÞnite loop (Inf), in which case the arrangement will play that step until Stop is pressed. Mode The Mode setting found in the Arrangement Editor determines whether an arrangement plays the next step or if the sequencer will stop after playing the current step.
  • Page 67: Soft Buttons On The Arrange Page

    Song Mode and the Song Editor Song Editor: The ARRANGE Page Soft Buttons on the ARRANGE Page Add adds another step to the arrangement. The new step will be inserted as the step number directly after the current step. You would add a step to place a new section into a song arrangement or to deÞne another keyboard range for triggering.

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