Calibration
What
thi calibration is all about.
you can ee from
th~
earlier description of how
th
Dolby y tern works, the noise reduction is
accom-
.
h
d by proce ing the signal that is fed to the
recorder, and then decoding that
signal
as it
comes off
the ta
t th
time of playback. The optimum perform-
ance o(the Do lb
circuits
depends on proper matching
of the
le
ls
to
the
record and play halves of the system,
which
are identic'
circuits
u ed in
a
mirror-image
relation
hip to
h other. An initial set-up and calibra-
tion
p
·
ur
is
th
r
fore nece sary after the Model
100
and
your
.r
order
ha
e been interconnected.
Th
r
after, certain control
ettings,
including
virtually
al] those
on
Otir
ta
r
order, hould not be
changed.
The in tru
ti
n
ll str s
hich
of
these
controls
h
ul
not be changed
.
ODE witch
in
the
onto your recorder
.
et the recorder to
rding.
recorder:
ut
volume controls,
read
th
playback
signal,
6
-
..
set the output volume controls to
about
2/3 of
their full rotation.
(If
you own a T
db rg
d
k,
set
the output volume controls all
th
way up.)
c.
If
your
recorder has output volume co
tro and
the
meters do
read on playback, play th
Dolby Level tape and adju
t
th
1um
controls o thatthe record r's m t
r
r
d
to
"O".
5. Play the Dolby Level tap or cassette.
it p lay
,
watch the Dolby Level meters on the Model 1
,
and
adjust
the ModellOOA'
s
P
Y
AL control
(u
ing a
small screwdriver)
o that
each
meter reads to th large
Dolby Level line.
This
completes
the Play Calibration. From now on,
be
sure
that you do not
change
the etting of th
recorder's output
volume
controls
(if
any) or th Model
lOOA's PLAY C
controls.
This
calibration
is
extr
m
l
stable
and
should
not have to be rep ated,
except
to
periodically
check
it. If
your
recorder has output olume
controls,
we
suggest
that you mark their setting with a
felt tipped pen, or
even
put household tap over th
controls as a
reminder not to touch them.
ote: Be
sure
to treat
your
Dolby Level tap
respect. In particular, do not
get
them
clo e
to an
strong
magnetic fields,
such as
the
amplifier'
former, headdemagnetizers,
or peakerm gn
demagnetization may result, ther
by low rin
th
of the tone on the tape
· gnificantly below the
lished
standard
for
all products and prerecord
d
tap
employing
the Dolby
y
em.
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