Notes About
Calibration
Thi ection will an wer ome of the question you
may have about the calibration procedure. We've also
provided ome
sugge
ti.on which may make your u
e
of
the Model lOOA more
atisfying.
1. During the Record Calibration, when
you
were
reading the level of the REC CAL TO E
coming
off
the tape,
you
may have noticed the Dolby Level meter
fluctuating
slightly.
This is u ually due to irregularities
in the oxid
urface of th tape itself. If the recorder'
h
ad are cl an, the
e
fluctuation
should
rarely be more
an the range indicated by the two mall dots on
either
id
the Dolby Level
line.
These dot r present a
ran
ge of about 2 dB, which i well within the matching
1
el tolerance of the Dolby System. It
i
rare,
even
with
th
be t tape, to always be preci
ely
on the Dolby Level
lin
. Slight variation are inaudible and
you
will have to
tolerant of them, as is the Dolby Sy tern.
However, if the meter fluctuation are per istent
and large, that is, well below the left hand mall dot
on
the meter, we uggest that you not use that reel of tape.
Fluctuations of this sort indicate tape
"dropout"
that
would be audible on any recording
you
made.
8
NORMAL MODE
2.
If
you own a
three-head
recorder capable
of mon-
itoring
the tape while
recording,
and
if you
are
con-
cerned with getting
the last
ounce
of performance from
your recorder and
the Model lOOA,
we sugge
t that
you
make a
quick Record Calibration for
each
reel of tape
that.
you
u
e.
It take only
a few seconds.
If
you
decide to do
this,
we'd
al
o sugge
t one
further
step.
After
you
do the Record Calibration for
a
particular reel, we
suggest
that
you actually
leave
10
econds
or o of the REC CAL TONE
at
the begin-
ning of the tape. Having
this
tone
at
the beginning of the
recording will greatly facilitate making
a copy
of the tape
later, using the method described on page 15
.
If
you
have
a
recorder which does not allow
you
to
monitor the tape with
a separate
playback head, we
doubt
it
would be worth the trouble to
re-calibrate
with
every
reel
,
if
you stick
to the
ame
type and brand of
tape.
However,
if you change
to
another
type
or
brand
of tape, you should re-calibrate.
3.
Once
you
have uccessfully
completed
the Record
Calibration,
you
have
essentially
duplicated the Dolby
Level tape
supplied
with the Model lOOA. Therefore,
by imply repeating the Record Calibration you can
make
your
own Dolby
Level
tape of any length desired.
Remember, however, that if
your
recorder i quarter
track, thi homemade Dolby
Level
tape is not uitable
for u
e
on half track
and full
track
machine
and
vice
versa.
4.
Remember that if Play Calibration require read-
jusbnent, you
must then
check
the Record Calibration
again.
Also, any time
you
decide to fully calibrate
your
recording
system,
the Play Calibration alway precede
the Record
Calibration.
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