Performance List - Yamaha MU100R Sound List

Performance List

(Internal Performance List 1 MSB=002, LSB=000)
Pgm# Category Performance Name
1 PD Emperors
GuitarShop
2 GT
Dune
3 KS
Box Bass Man
4 KS
5 Fat Boy
BA
6 Mod-Sitar
ET
7 KS Good Day
8 KS Red Beard
9 KS It's Cool
10 KS Swing Jazz
Mountn Voice
11 EN
VL-Horn
12 LD
Moody Sax
13 RD
Midnight
14 KS
15 Wood Winds
RD
16 KS Bamboo
17 KS Blues
18 LD VA-Leed
19 KS Brass
20 KS Ophelia
2-Oct Unison
21 VH
Silent Voice
22 VH
Male Chorus
23 VH
24 WhiteChrisms
VH
25 DetuneChorus
VH
26 VH FlangeDetune
27 VH Big Chorus
28 VH Oct Unison
29 VH D.TonicChors
TremoloChors
30 VH
Duet Chorus
31 VH
Female Solo
32 VH
Heavy Chorus
33 VH
34 Flange Voice
VH
35 VH Open3Harmony
36 VH A Woman&Mans
37 VH FemaleChorus
38 VH Mr.Bassman
39 VH MovieVoice
DonaldVoice
40 VH
SpaceZoo
41 SE
StoneHng
42 SE
Whizzer
43 BA
44 SimpleBa
BA
45 BA ClavBass
46 BA SuperBas
47 BA New Slap
48 LD RockPigs
BuzzSaw
49 LD
ZubZub
50 LD
OsciLead
51 LD
SqrLead
52 LD
53 Bigger
LD
54 BA AnaSquid
55 BA SharpSyn
56 BA AnaWave
57 LD AnaWurl
58 BA FngerBass
Upright
59 BA
Fnground
60 BA
Birdland
61 BA
FlageoBs
62 BA
63 DampBass
BA
64 BA Fretles!
65 BA Frtles!2
66 BA ThumBass
67 BA RockBass
WarmBass
68 BA
BassCab
69 BA
AcidBas!
70 BA
SqrBass!
71 BA
72 BoppaBas
BA
73 BA BuzzrBas
74 BA TekBass
75 BA TranzBas
76 BA Chamlion
77 BA ParaSynB
SteamBas
78 BA
WhelkBas
79 BA
AttackSyn
80 BA
Q.Klav
81 PF
82 DinoPerc
PC
83 SE Formula
84 SE SpcHorse
85 SE Jason
86 SE Suedhead
Spanish
87 GT
JazzGtr!
88 GT
JazzyGtr
89 GT
L7 Pluck
90 GT
91 WetPluck
GT
92 GT Comp Gtr
93 GT FunkyGtr
94 GT Thin Gtr
95 GT Carlos
96 GT Destiny
Gonzo
97 GT
Old Mini
98 LD
ResoSqr
99 LD
WurliLd
100 LD
PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass
RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations
KS : keyboard splits SC : synth comp VH : Harmony Effect
126
Play boldly. Try moving MW and AT.
Distortion guitar. Don't worry about VL=Mono. Be careful not to overdo AT.
Impressionist music.
VL synth bass.
Vintage analog synth.
Sitar. MW changes the tone.
Analog-like synth.
Shakuhachi in the wilderness. Try moving PB.
Classy jazz with both hands.
Bass and melody for swing jazz.
Distant howling with PB, growling with AT.
The definitive VL sound. AT controls the noisy sound. Try moving PB and AT.
Gentle evening sax.
A night on the town. AT controls downward bending.
A pastoral sound.
Superb left-hand technique.
Blues. Everything depends on how you use AT.
Solo synth.
Ideal if you use AT for vibrato.
Good for lonely melodies.
Male/female unison. Good for scat singing. (Chromatic harmony)
Great for Christmas eve or Gospel singing. (Vocoder harmony)
Male chorus. (Vocoder harmony)
Try singing "White Christmas" with this. (Chordal harmony)
Doubling for the main vocal. (Detune harmony)
Flanger detuning. (Detune harmony)
VH number one wide chorus. (Chordal harmony)
Unison with bass voice. (Chromatic harmony)
Interesting to sing diatonically. PCM will not sound. (Vocoder harmony)
Mixed chorus with tremolo. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Harmonizes a third above. (Chordal harmony)
Female solo vocal. No harmony is added. (Chromatic harmony)
Chorus centered on bass (Chordal harmony)
Flanger is applied. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Two-person harmony on pedal bass. (Chordal harmony)
Male chorus with one female singer. (Chordal harmony)
Female chorus with falsetto mixed in. Vocal sound will not be heard unless you play the keyboard. (Vocoder harmony)
Try with sound effect-like voices. Likewise for the backup. (Chromatic harmony)
Try using a sound-effect-like voice. The same for backing. (Chromatic harmony)
Sing like a child. No harmony is added. (Vocoder harmony)
Try moving PB and AT in various.
MW produces a sustained sound.
Long sustaining synth tone similar to bass guitar harmonics.
Straight ahead synth bass with some distortion.
Bass sound with both electric/acoustic and synthesizer qualities. If you use foot contorller you can get "clavinet" style overtones.
DX7 style slapped bass.
New type slap bass with punchy power.
Organ-type synth lead sound. AT produces a neighing effect.
Play with lots of MW filter control.
Biting analogue synth sound. MW filter control.
Octave synth lead sound.
Nice Square lead tone. Lowering FC (#4) opens filter.
Big analog sound - velocity controls filter and volume
Analogue synth type sound with MW filter control.
Slightly mode unstable velocity sensitive sound.
Analogue synth type sound.
Velocity sensitive sound somewhat like a Wurlitzer EP passed through a resonant filter.
Vigorous finger bass sound.
Simulation of accoustic bass.
Finger bass with particular sound of rear pick up.
Midway between an analog synth and an electric bass sound. The high range produces harmonics.
Harmonics of a fingerd electric bass
Damped Pluck-Bass with a dry speaker sound
Fretless bass usable for either rhythm or melody.
Another fretless bass, good for melody play.
Thumped Bass
Heavy overdrive rock bass sound.
Warm electric Precision bass sound. Use foot controller to make sound brighter.
Slightly distorted electric bass with Resonator simulation of speaker cabinet tone.
Bass sound for acid jazz.
Square wave synth bass.
Synth bass with sub-octave undertone.
FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines.
Synth bass with sub-octave undertone.
TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines.
Dry Synthbass.
Strong, up-front synth bass, ideal for 70's Jazz-Funk. If you like that sort of thing.
Use lots of Pitch Bend (Embouchure) for finger slides. Gives greater tonal variety.
Synth bass. Velocity controls tonal change.
Synth bass sound with strong attack.
Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter parameters will also have a big effect.
Use with different combinations of MW and PB to produce complex noise percussion.
Engine-like sound effect.
While applying MW, add AT to create a neighing sound.
Use the MW to turn this into a strongly noisy sound effect.
Sound effect. Make liberal use of Modulation Wheel.
Spanish type acoustic guitar.
Electric guitar suitable mainly for jazz.
Velocity dynamic jazz style sustaining guitar lead.
A classic pluck sound.
A guitar sound that readily accepts effects such as flanging.
Compressed. clean electric strat guitar sound.
Snappy "70's style" funk guitar, for rhythm and comping
Clean uncompressed electric guitar with "thin gauge" new strings, good for country, R&B, lead solos etc.
Overdrive guitar, front pick up type.
Distortion guitar by using of hard attacked synth lead. Control change 13 for feedback effect.
Velocity controlled. Pitch Wheel down controls noise effect.
A classic analog synth solo sound.
Lowering FC (#4) opens filter.
Dark, reed electric piano style synth lead.
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