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FORM BY ANY MEANS WITHOUT THE PRIOR WRITTEN CONSENT OF ARRI. IF YOU ARE DOWNLOADING FILES FROM OUR WEBPAGES FOR YOUR PERSONAL USE, MAKE SURE TO CHECK FOR UPDATED VERSIONS. ARRI CANNOT TAKY ANY LIABILITY WHATSOEVER FOR DOWNLOADED FILES, AS TECHNICAL DATA ARE SUBJECT TO CHANGE WITHOUT NOTICE.
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ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 1...
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*Note: Output board HD-SDI 2 not available on the ARRIFLEX D-21 HD ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 2...
1. Contents Contents ........................3 Safety Instructions and Legal Disclaimer .............6 2.1. Safety Instructions .........................6 Explanation of Warning Signs and Indications ..............6 General Safety Instructions ....................6 Specific Safety Instructions....................7 2.2. Disclaimer ..........................8 General Description....................9 Power Supply ......................10 4.1. Mains Unit NG 12/26 R......................10 4.2.
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11.3. Remote Lens Control ......................42 CLM-2 Status Indications.....................42 11.4. Camera Remote Control ......................42 Wired Camera Remote Control ...................43 11.5. Compatibility ........................43 ARRIFLEX D-21 FEM-2 Compatibility List ................43 11.6. Replacing the FEM-2 ......................44 Removing the FEM-2 ......................44 Attaching the FEM-2 ......................44 Accessories......................45 12.1.
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Cleaning the Sensor ......................51 Condensation........................51 Pixel Failure .........................51 13.3. Cleaning the Field Lens .......................52 Technical Data - ARRIFLEX D-21 ...............53 Technical Data - ARRIFLEX D-21 HD ..............54 Appendix ......................55 16.1. Troubleshooting ........................55 16.2. Glossary..........................57 Clipping ..........................57 Colour Signals and Chroma (Sub-)Sampling...............57 Data Mode/ARRIRAW ......................57...
Do not use accessories or attachments that are not recommended by ARRI, as they may cause hazards and invalidate the warranty! Do not attempt to repair any part of the system! Repairs must only be carried out by authorized ARRI Service Centres.
If the sensor cover glass has been contaminated by solid dirt or grease, special optical cleaning kits should be used very carefully for removal. If the contamination cannot be removed, the camera should be taken to an ARRI Service Centre for cleaning.
Neither ARRI nor its subsidiaries assume any liability for infringement of patents, copyrights or other intellectual property rights of third parties by or arising from the use of ARRI products or any other liability arising from the use of such products.
35 mm film and can be used with anamorphic lenses*. Further film style features are variable frame rates** and full compatibility with the extensive line of ARRI film style accessories. The D-21 is a true ARRI camera featuring qualities ARRI cameras are famous for, including completely silent running, simple to use controls, robust construction and ergonomic design.
Charge batteries only with the ARRI chargers! Do not bypass the fuse or temperature switch! Do not heat NC-batteries! Do not short-circuit NC-batteries! The acceptable supply voltage for the ARRIFLEX D-21 ranges from 20.5 to 36 V DC. Power supply socket 4.1.
During booting, the operation control LED and imaging status LEDs on the rear of the camera ➪image light up red and the camera display shows the busy indicator. When the camera is ready for operation, the operation control LED turns off and the imaging status LEDs light up green.
When the ARRIFLEX D-21 is transported or stored, cables have to be unplugged from the camera. Note: It is recommend that when shipping the ARRIFLEX D-21 the ground glass is removed from the camera and placed separately in the appropriate box.
5.4. Horizontal Levelling The ARRIFLEX D-21 is equipped with a spirit level to aid horizontal levelling of the camera ➪image. Please use caution when attaching accessories or a recording device to the camera or the support rods as the center of gravity may shift towards the front or back, which can tip over the camera.
5.7. Grip System The multipurpose grip system on the ARRIFLEX D-21 guarantees high stability through its fixed connection to the camera body and provides numerous possibilities for attaching accessories. Five 3/8" inner threads allow attachment in diverse positions ➪image.
6.1. Lenses All 35 format lenses with a PL-mount can be used on the ARRIFLEX D-21. Lenses with a 41 mm standard or bayonet mount cannot be used. Heavy and long lenses, such as zoom lenses, must be supported at all times.
Eyepiece The camera can be equipped with an 8x or 10x wide-angle eyepiece. The eyepiece can be extended with a medium (FE- 5) or a long (FE-3) finder extender. Note: When a finder extender is used, the viewfinder image has to be manually rotated by 180°. See ‘Image Orientation’...
Manually Adjusting Image Orientation Adjustment knob Locking key Lever for • Press and hold the locking key ➪ image. contrast filter • Turn the adjustment knob ➪ image until the viewfinder image is in the desired position. Reactivating Image Orientation •...
Ground Glasses The sensor aperture of the ARRIFLEX D-21 is slightly different from the camera aperture of the ANSI and DIN Super 35 format. Therefore, Super 35 ground glasses for ARRIFLEX 235/435/535 do not provide exact frame markings in the D-21 viewfinder image.
6.4. ARRIGLOW ARRIGLOW module The ARRIGLOW module is integrated in the viewfinder system of the D-21. It allows illuminated format markings Adjustment knob to be superimposed onto the viewfinder image with continuously adjustable brightness. • To adjust the brightness of the illuminated format markings turn the adjustment knob ➪...
Do not operate/turn off camera before all three imaging status LEDs turn green. ARRIFLEX D-21 HD is equipped with one HD output board, offering two single link HD-SDI outputs (HD-SDI 1). Individual configuration options for second HD-SDI output do not apply.
When switching from advanced to standard mode, custom settings made in advanced mode will be reset to standard mode defaults. HD-SDI 2 configuration will default to the same settings as those for HD-SDI 1. ARRIFLEX D-21 HD advanced mode does not offer data mode or log configuration. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 21...
White Balance Similar to choosing tungsten or daylight film stock, the D-21 has to be adjusted for the lighting used in a scene. The camera offers a selection of commonly used colour temperatures, as well as an automatic and manual white balance function in case the preset values do not deliver satisfying results.
ARRIFLEX D-21 HD is limited to standard frame rates of 23.976, 24, 25, 29.97 and 30 PsF. ARRIFLEX D-21 HD only offers a single HD-SDI output board. It is recommended to always use "ALL (1>SD)" for configuration of this model.
Changing the HD-SDI mode always resets the output range to “Normal Range”. Note: Output range does not apply to the SD output. ARRIFLEX D-21 HD does not offer HD444 (4:4:4) and ARRIRAW HD-SDI modes and selection of RGB output range. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 24...
It is recommended to select the EI characteristic curve depending on the intended dynamic range distribution, while proper exposure should be ensured by sufficient lighting. LOG colour matrix and contrast characteristics not available on the ARRIFLEX D-21 HD. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 25...
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EI, has to be applied on the signal. As the D-21 only adopts the characteristic curve, the camera image will not show a green colour cast. LOG C and LOG F contrast characteristics not available on the ARRIFLEX D-21 HD. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 26...
Note: This characteristic curve has been designed by a different company and for a different camera. It is not optimized for the ARRIFLEX D-21. SD Mode The SD mode menu is used to change the settings for the output zebra and the format markings displayed on the composite video and S-Video outputs, and to adjust the SD output to the video format of the connected SD monitor.
Turn camera off and wait 5 minutes before turning it back on. Make sure that air can flow through the ventilation shafts at the back of the camera body. Take camera to ARRI service centre if problem persists. Power Green Internal power supply levels normal.
OSD Tools Next to the video menu, the SD output of the ARRIFLEX D-21 provides a set of OSD tools. These include an adjustable format marking with preset or custom aspect ratio, a viewfinder/output zebra, an RGB-histogram, separate R, G and B histograms and a LUM histogram (scene luminance representation).
8. Signal Connections Using HD Mode output, the ARRIFLEX D-21 can be connected to any HD recording device that offers HD-SDI input and 1080psf/i recording. The signal connection length should not exceed 40 m/130 ft using standard HD-SDI BNC cables.
HD-SDI OUT A and B can also be connected to the control monitor inputs HD-SDI IN A and B. HD422 high speed and HD444 setup not available on the ARRIFLEX D-21 HD. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 31...
ARRIRAW T- Link recording. Note: For more information on Data Mode/ARRIRAW, see chapter 16: Appendix. ARRIRAW and HD444 setup not available on the ARRIFLEX D-21 HD. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 32...
9. Camera Operation 9.1. Running and Stopping the Camera The RUN button is located on the left side of the camera ➪image. RUN button Next to the RUN button is an operation control LED Operation ➪image. If the operation control LED glows red while in control standby, the camera control electronics is not ready and the camera will not run.
Locking the camera display has no influence on the phase function, the NORM/PS switch and on electronic accessories. Mode 2, programmable or variable frame rates not available on the ARRIFLEX D-21 HD. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 34...
This operation does not allow automated exposure compensation. Mode 2, programmable or variable frame rates not available on the ARRIFLEX D-21 HD. NORM/PS-switch disabled on the D-21 HD. Mode 2, programmable or variable frame rates not available on the ARRIFLEX D-21 HD. NORM/PS-switch disabled on the D-21 HD.
Fine-Tuning the Programmed Frame Rate (PS-Mode)* Fine-tuning of the programmed frame rate can be carried out while the camera is running by means of the buttons SEL (slower) and SET (faster). The setting can be adjusted in increments of 0.001 fps (20.000 to 60.000). •...
LS _ _ LS – _ Note: Mode 4 actually is Mode 6 based on the ARRI camera display reference LS _ – structure. Electronic accessories therefore identify it as Mode 6. LS – – Setting the Volume of the Warning Signal •...
Using electronic accessories such as the WRC unit, the shutter angle can be set in 0.1° increments in the range of 11.2 – 180°. The procedure is described in the respective instruction manual. Note: Mode 5 actually is Mode 7 based on the ARRI camera display reference structure. Electronic accessories therefore identify it as Mode 7. Filming with HMI Light...
Recording 10.1. Recording Format Setup Some recording systems are "auto-sensing", which means they can automatically detect the incoming signal format. If this is not the case, the recording format must be set manually to match the camera configuration for frame rate, HD-SDI mode setting (4:4:4/4:2:2 or ARRIRAW) and sometimes signal range.
Functional Expansion Module FEM-2 The ARRIFLEX D-21/HD includes the FEM-2 electronic side cover, which offers the following functions: • LDS (Lens Data System). • Motor drivers for up to three CLM-2 motors. • Two LCS bus interfaces for CLM-1 motors, WHA-2, WHA-3 and ZMU-3.
ARRIFLEX D-21 and D-21 HD use the latest ARRI WRS protocol, denoted by a yellow rubber washer on the antenna. All ARRI WRS products can be upgraded to the new protocol – consult your ARRI Service Center.
11.3. Remote Lens Control Both CLM-1 and CLM-2 motors can be used with the LCS bus sockets ARRIFLEX D-21/HD. • CLM-1 motors should be daisy-chained in series with Direction switch one of the end motors connected to either (not both) of the LCS bus sockets ➪...
SW 2.89 or higher The FEM-2 is only compatible to ARRIFLEX D-21, D-21 HD, 435 Xtreme and 435 Advanced models. Do not attempt to force the FEM-2 onto the ARRIFLEX 435 or 435 ES. This will result in damage to the equipment.
LC-C Run Cable ..................K2.41399.0 11.6. Replacing the FEM-2 The FEM-2 is part of the ARRIFLEX D-21, D-21 HD and 435 Xtreme and available as an optional expansion for the ARRIFLEX 435 Advanced. If the FEM-2 module is interchanged between cameras, always make sure that the software and firmware...
Accessories 12.1. External Synchronization Unit ESU-1 The external synchronization unit ESU-1 can be used with the ARRIFLEX D-21/HD, 235, 435 models, 535, 535B, 16SR3/Advanced, 416 models. It allows the camera to be synchronized to other equipment, such as TV mointors.
12.4. Isolating Power Adapter IPA The Isolating Power Adapter provides two 12 V Fisher 11-pin sockets ➪image. The upper socket, labelled ‘12 V Isolated Power’, is intended for powering electronic 12 V video equipment from the camera, e.g. a video/waveform monitor.
59.94 fps with the D-21* and the Sony HDCAM SR field recorder or other suitable HD recorders. HD-SDI IN A/B HD-SDI Monitor OUT * ARRIFLEX D-21 HD can output up to 30 fps. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 47...
To use the SFI-1 on the camera: • Attach the low mode short set, as described above. • Attach the SFI-1 at the rear end of the short support plate ➪ image. • Connect the 24 V power cable included in the Flash Mag/Sony Fibre Adapter Cable Set (K2.70410.0) to the 24 V RS socket of the camera and the power input Ready LED...
The range of functions is automatically adapted to the attached camera. Since the functionality of the unit is software based and therefore expandable, the WRC-2 is the most flexible remote control unit, ARRI has ever provided. The WRC-2 enables the user to remotely control the camera speed, the shutter angle of the mirror shutter and the aperture of the lens (iris) when used together with FEM-2 and a CLM-1 or CLM-2 motor, providing a wide range of compensation options for constant exposure.
Do not point the camera towards the sun, as focused sunlight can cause permanent damage to the sensor! Mechanical Damage to Imager Surface If the cover glass of the sensor has been scratched or punctured, it can be replaced by an ARRI service centre. ARRILFEX D-21/D-21 HD Instruction Manual 08/2008, Page 50...
Mount of the camera, whenever the camera is not used. This not only applies to storage, but also to shooting breaks and situations when the camera remains without a lens attached for an extended time. When the ARRIFLEX D-21 is transported or stored inside a transport case, the air-drying cartridge has to be removed.
Updating the camera’s defective/dead pixel map can be carried out on location by a trained D-21 service technician, in an ARRI service centre or at an ARRI rental facility. This procedure takes about 20 to 30 minutes, whereas in postproduction, removal of dead pixels can be a lengthy process depending on the image content.
8.6 kg/19.0 lbs Body and viewfinder: 10.9 kg/24.0 lbs Accessories: Accepts the whole range of ARRI matte boxes, 15 mm or 19 mm rod systems, follow focus and ARRI electronic accessories, Lens Control System (LCS), Lens Data System (LDS), Wireless Remote System (WRS), Wireless Remote Control WRC-2, Iris Control Unit for speed/iris ramps (ICU-1), Remote On/Off Switch (RS-4), External Synchronization Unit (ESU-1).
8.5 kg/18.8 lbs Body and viewfinder: 10.8 kg/23.8 lbs Accessories: Accepts the whole range of ARRI matte boxes, 15 mm or 19 mm rod systems, follow focus and ARRI electronic accessories, Lens Control System (LCS), Lens Data System (LDS), Wireless Remote System (WRS), Wireless Remote Control WRC-2, Remote On/Off Switch (RS-4), External Synchronization Unit (ESU-1).
If contamination cannot be removed on location, opening the iris reduces the visibility of spots. If cover glass has been damaged, take camera to an ARRI service centre for repair. Temporal or permanent breakdown of Defective/dead pixels should be immediately taken care of with an...
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Take camera to ARRI service centre if problem persists. Restart camera. Perform standard reset and restart camera. Power LED red.
16.2. Glossary Clipping In digital cameras, clipping is an effect resulting from too much over- or underexposure. Overexposing a sensor pushes bright image areas into full saturation, resulting in nothing but white image areas. Underexposure of a sensor leaves dark image areas below the noise floor resulting in black image areas.
As the intended application of frame marking on the ARRIFLEX D-21 is recording of 50/60p or variable speeds/ramps, using unsynchronised mirror shutter speed and links speed is not recommended for standard operation.
Pixel Failure There are two types of pixel failures: A pixel can go dead or defective. Dead pixels may occur e.g. after air transportation, in case of an electrical discharge or when the camera is exposed to severe vibration or shocks. If a pixel failure occurs once the camera has arrived on the set, this is more likely a matter of a defective than a dead pixel.
Signal Range The luminance levels in a scene are represented as amplitude levels in a recorded video signal. More exposure outputs higher signal levels. Overexposure eventually results in white clipping (see Clipping). In analogue video, the signal amplitude is expressed as voltage or IRE units.