Specifications - Casio CTK-671 User Manual

Specifications

Model:
Keyboard:
Tones:
Rhythm Instrument Tones:
Polyphony:
Effects:
Equalizer:
Auto Accompaniment
Rhythm Patterns:
Tempo:
Chords:
Rhythm Controller:
Accomp Volume:
One-touch Presets:
Auto Harmonize:
Memory Function
Songs:
Recording Tracks:
Recording Methods:
Memory Capacity:
Edit Function:
Demo Tunes:
Synthesizer Function
Parameters:
Registration Memory
Number of Setups:
Memory Contents:
703A-E-073A
CTK-671
61 standard-size keys, 5 octaves with touch response (Off / Light / Normal / Heavy)
348 total (100 panel tones + 128 GM tones + 10 drum sounds + 10 user tones + 100
Advanced Tones); layer/split
61
32 notes maximum (16 for certain tones)
DSP (110 types: internal, 10 user areas) + Reverb (16 types) + Chorus (16 types)
10 types, 4 bands
104 (internal, 4 user areas)
Variable (226 steps, = 30 to 255)
3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)
START/STOP, INTRO/ENDING 1 and 2, VARIATION/FILL-IN 1 and 2, SYNCHRO/
FILL-IN NEXT
0 to 127 (128 steps)
Recalls settings for tone, tempo, layer on/off, and harmonize on/off in accordance
with rhythm.
Automatic addition of notes that harmonize with melody note in accordance with
specified Auto Accompaniment chords.
2
6 (2 through 6 are melody tracks)
Real-time, step
Approximately 3,500 notes (total for two songs)
* Same memory is shared for user rhythm storage.
Equipped
2
Tune Number Name
0 Crystal Fountain
1 Night Breeze
Attack time; release time; resonance; cutoff frequency; vibrato type; vibrato delay;
vibrato depth; vibrato rate; octave shift; level; touch sense; reverb send; chorus send;
DSP line; DSP type and DSP parameter
16 (4 setups x 4 banks)
Tone select, Rhythm select, Tempo settings, Split on/off, Split point settings, Layer
on/off, Mixer settings (Channels 1~10), Effect settings, Equalizer settings, Touch Re-
sponse settings, Assignable jack setting, Transpose settings, Tuning settings, Accom-
paniment volume settings, Harmonize on/off
Composer Play Time
Edward Alstrom 1:54
Hage Software 1:52
E-71