Table of Contents
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Table of Contents
Related Manuals for Phonic MM122
Summary of Contents for Phonic MM122
- Page 2 Keep this unit away from heat sources such as radiators, heat registers, stoves etc. that produce heat. The unit contains no serviceable parts. Refer all servicing to a qualified Service engineer, through the appropriate Phonic dealer. CAUTION RISK OF ELECTRIC SHOCK...
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Page 3: Table Of Contents
CONTENTS FRONT-PANEL DESCRIPTION ..............3 CHANNEL STRIP ....................... 3 MASTER SECTION ....................5 JACK-PANEL DESCRIPTION................ 6 BACK-PANEL DESCRIPTION ............... 8 GAIN STRUCTURE AND NATURE OF NOISE ..........9 MODIFICATION .................... 10 HOOK-UPS INTRO ..................11 HOOK-UPS ....................13 HOOK-UP #1:FOUR-TRACK RECORDING ............13 HOOK-UP #2: STEREO PA AND MONITORS ............ -
Page 4: Front-Panel Description
15dB cut/boost shelving at 12kHz. Even that is not boosted enough results in a lower a sweet sounding EQ like the MM122's is best overall sound to noise ratio. By adjusting this if used sparingly - and remember to cut as well control properly, the signal (your music) will be as boost. - Page 5 BAL control to Clear tape (the kind that doesn't leave a residue) set stereo positioning. If you are using the MM122 can be laid along the strip and any notes needed for mixing more than four stereo devices, two to remind you what's on each channel can be entered on this and discarded afterwards.
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Page 6: Master Section
around 0. MASTER SECTION This channel is now set-up. Remember that if you change the input device or modify its output settings, you will need to readjust the trim. For the two stereo channels without trim controls, adjust the output gain of the input device to its highest setting. -
Page 7: Jack-Panel Description
17. Main output faders These control the main L-R output levels and the tape output levels (see 24 & 25). JACK-PANEL DESCRIPTION circuitry. 18. Mic input A high quality balanced XLR input for connection of microphones and other equipment. +48V of 20. - Page 8 The tape-in jacks of the 22. AUX send jacks MM122 are electrically identical to the 1/4" These are the two mono AUX outputs (see 4 jacks of AUX return 2. When the tape-in switch &...
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Page 9: Back-Panel Description
BACK-PANEL DESCRIPTION position, the signal is tapped just before the 27. Power switch EQ, which is the traditional place for certain pro- This switches the mixer on and off. cessors like compressor/limiter and external equalizers. Sometimes processing such as lim- 28. -
Page 10: Gain Structure And Nature Of Noise
The most fundamental basic of mixing is to ob- MM122. This allows you to observe the peaks tain a good 'gain structure'. Gain is the amount and adjust the gain to avoid clipping. When all... -
Page 11: Modification
This simple mod requires removing the back MODIFICATION of the MM122 and shifting plastic jumper blocks The MM122 is a flexible mixer, and should ac- on all eight channels. It is very simple and re- complish most tasks in its factory-shipped quires no soldering or cutting of circuit board configuration. -
Page 12: Hook-Ups Intro
HOOK-UPS INTRO to two inputs. The MM122 has a number of different types of jacks, and a variety of hook-up methods for some Cnannel Inserts of the jacks. First, a brief outline of the wiring scheme for The channel inserts can be used in the follow- 1/4"... - Page 13 The following pages feature some sample EQ and effects whilst knowing exactly how "Hook-ups", ways to connect the MM122 for it sounds on the tape itself (see Hook-up a variety of tasks. These are only guides, #1).
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Page 14: Hook-Ups
HOOK-UPS Hook-up #1:Four-track Recording Notes 1. Most people record tracks "dry" (without reverb and effects) because this leaves the option of adding them later at mixdown. The effect on AUX 2 won't come out on the tape tracks - it is just for those who like a little reverb while they're mixing to make things a bit more pleasant sounding. -
Page 15: Hook-Up #2: Stereo Pa And Monitors
Hook-up #2: Stereo PA and Monitors Notes 1. Many guitar effects have a pre-amp stage built in. It is fine to serial effects between this and the mixer's inputs. If the guitar rig outputs in stereo, treat the whole rig as you would a keyboard or synth input. 2. -
Page 16: Hook-Up #3: Submixer
2. Monitoring can be accomplished a number of ways. The MM122's main outputs feed a stereo signal to the main console which can take a pre-fade mix of these and the other instruments to send to the monitors. -
Page 17: Hook-Up #4: Four-Track Alternative
Hook-up #4: Four-track Alternative Notes 1. The 4-tk sends come from the insert and are returned through the same insert. A send and return Y-cable should be used with the jacks inserted all the way in. The tape returns will then be sent to the master. The trim pots set the level going to tape, the main fader sets the monitoring level. -
Page 18: System Block Diagram
System Block Diagram... -
Page 19: Specifications
SPECIFICATIONS Less than 0.1% 20Hz-20kHz Frequency response 20Hz-30kHz 2dB(ch 5-12 line in to main out) 20Hz-30kHz 3dB(mic in to main out) Max voltage gain 84dB mic. channel in to stereo L & R out(balanced) 80dB mic. channel in to AUX send 2 (post-fader) 60dB channel mic in to AUX send 1 (pre-fader) 76dB channel 1-4 line in to stereo L &... - Page 20 To purchase Phonic gear and optional accessories, contact any authorized Phonic distributor. For a list of Phonic distributors please visit our website at www.phonic.com and click on Get Gear. You may also contact Phonic directly and we will assist you in locating a distributor near you.
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