Connecting to equipment with XLR inputs
and outputs:
If you are connecting the Phlngr to a product with XLR balanced
inputs and outputs, you will need to convert this signal to a 1/4"
unbalanced connector. Make sure that Pin 2 of the XLR
connector is connected to the Tip of the 1/4" adapter or cable.
Watch out for high levels, however: some XLR sources put out
levels close to the maximum the Phlngr can accept (about +12
dBu) even when its trim is at minimum. Lower the level of the
source if the [SIGNAL] LED flashes red.
About audio cables
The connections between the Phlngr and your studio are your
music's lifeline, so use only high quality cables. These should be
low-capacitance shielded cables with a stranded (not solid) internal
conductor and a low-resistance shield. Although quality cables
cost more, they do make a difference.
Route cables to the Phlngr correctly by observing the following
precautions:
•
Do not bundle audio cables with AC power cords.
•
Avoid running audio cables near sources of
electromagnetic interference such as transformers,
monitors, computers, etc.
•
Do not place cables where they can be stepped on.
Stepping on a cable may not cause immediate damage,
but it can compress the insulation between the center
conductor and shield (degrading performance) or reduce
the cable's reliability.
•
Avoid twisting the cable or having it make sharp, right
angle turns.
•
Never unplug a cable by pulling on the wire itself.
Always unplug by firmly grasping the body of the plug
and pulling directly outward.
Connections
Don't use line
transformers:
Man y XLR-to- 1 /4 " ad a pter s
s old at elec tro nics stor e s ar e
NOT a da p te rs , b ut
tra ns fo r me rs (a nd v e ry lo w
q ua lity tr an s fo rm er s a t tha t) .
D on 't u s e th e se o n the o u tp ut
o f th e Phlng r —the y'r e
u nn ec es s ar y a nd g en e ra lly
s ou nd a wfu l b ec au se th ey
d on 't h a ve th e he ad r oo m to
h an dle the Phlng r's o utp ut.
G et a h a rd -wire d ad a pter or
c ab le fr om y o ur p ro fes sio na l
a ud io d e aler , o r ma k e on e
y ou rs elf fro m c om po n en ts .
2
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