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16: Wah-Wah
It is a type of effect that alters the tone and frequencies of the input
signal to create a unique sound, mimicking the human voice and
taking the onomatopeic name "Wah-Wah".
Parameter Setting
Auto, Manual,
Mode
Envelope
Manual
0 ~ 127
Low Pass, High Pass,
Filter
Band Pass, Peak
Low Freq
100Hz ~ 10.0KHz
High Freq 100Hz ~ 10.0KHz
Low Q
0.5 ~ 10.0
Hi Q
0.5 ~ 10.0
LFO Rate
0.1Hz ~ 12.50Hz
LFO Curve Linear, Quadratic
Balance
0 %~ 100%
Env
-40dB ~ 0dB
Threshold
Env
0ms ~ 250ms
Attack
Env
0ms ~ 1000ms
Release
17: Cut Filter
This filter that attenuates ("cut") some frequency range.
Parameter Setting
Manual
0 ~ 127
12db/Ocatve,
Slope
24db/Ocatve
70
Explanation
Auto: The "Manual" parameter is
automatically controlled by the
internal LFO.
Manual: The "Manual" parameter is
controlled by the Central and Left
pedal. See "CENTRAL PEDAL" (p. 62)
and "LEFT PEDAL" (p. 62).
Envelope: the effect is controlled by
the envelope of the sound and and
consequently by the dynamics of the
notes played on the keyboard.
Adjusts the center frequency at which
the effect is applied.
This parameter is controlled by the
Central and Left pedal. See "CENTRAL
PEDAL" (p. 62) and "LEFT PEDAL"
(p. 62).
Low Pass : The wah effect will be
applied over a low frequency range.
High Pass: The wah effect will be
applied over a high frequency range.
Band Pass : The wah effect will be
applied over a narrow frequency
range.
Peak: The wah effect will be applied
over a specific center frequency.
Selects the frequency of the low range.
Selects the frequency of the High range.
Move this parameter to adjusts the
width of the area around the Low or
High Frequecy.
Frequency of modulation.
LFO curve trend.
Adjusts the balance between original
and the effect sound.
Adjust the threshold of the envelop
Adjust the attack of the envelop
Adjust the release of the envelop
Explanation
Adjusts the center frequency at which the
effect is applied.
This parameter is controlled by the Central
and Left pedal. See "CENTRAL PEDAL" (p.
62) and "LEFT PEDAL" (p. 62).
The slope of filter attenuation is usually
quantified in decibels per octave.
Parameter Setting
Low Pass, High
Type
Pass, Band Pass,
Peak
Low Freq
100Hz ~ 10.0KHz Selects the frequency of the low range.
High Freq
100Hz ~ 10.0KHz Selects the frequency of the High range.
Low Q
0.5 ~ 10.0
Hi Q
0.5 ~ 10.0
18: Compressor
This filter that attenuates ("cut") some frequency range.
Parameter
Setting
Threshold
-40dB ~ 0dB
Ratio
1:1 ~ inf:1
Knee Width
0.0 ~1.0
Attack Time
0ms ~ 250ms
Release Time 0ms ~ 1000ms
Makeup
-24dB ~ -24dB
Stereo Link
Off, On
Appendix
Explanation
Low Pass : Attenuates the frequencies
above a cutoff frequency, allowing low
frequencies to pass through the filter.
High Pass: Attenuates the frequencies
below a cutoff frequency, allowing high
frequencies to pass through the filter.
Band Pass : The filter is applied over a
narrow frequency range.
Peak: The filter is applied over a specific
center frequency.
Move this parameter to adjusts the width of
the area around the Low or High Frequecy.
Explanation
The compression is activated only when
the input signal exceeds the threshold
level. Input levels above the threshold will
be compressed, and input levels below the
threshold will not be compressed.
This parameter determines how strong is
the compression.
• At 1:1, the compressor has no effect.
• For all other values the output signal will
be compressed in according to the ratio
value.
• At Inf:1, the compressor becomes a
brick-wall limiter; once the signal hits the
Threshold, the output level will no longer
increase, regardless of the input level.
Increasing this value will produce a more soft
volume change around the Threshold level.
This parameter determines how quickly the
compressor will take affect after the signal
crosses above the threshold.
This parameter controls how quickly the
compressor will stop reducing volume level
after the signal falls below the threshold.
Allows you to boost the compressed signal.
as compression often attenuates the signal
significantly.
Set the parameter "On" to operate in stereo
mode.
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