3. .Using .the .optical .connections .to .provide .additional .inputs
In .addition .to .the .eight .analogue .inputs, .the .Clarett .8PreX .has .two .ADAT .input .ports .(OPTICAL IN) .
which .can .each .provide .an .additional .8 .audio .inputs .at .44.1/48 .kHz .sample .rate, .four .at .88.2/96 .kHz .
or .two .at .176.4/192 .kHz. .Using .one .or .two .8-channel .microphone .preamplifiers .equipped .with .ADAT .
outputs . – . such . as . a . pair . of . Focusrite . OctoPre . MkIIs . – . provides . a . simple . and . excellent . method . of .
expanding .the .Clarett .8PreX's .input .capability.
Inputs 1 & 2
on front panel
OctoPre MKII
8ch Mic Amp
Wordclock between
OctoPre MKII #1
and Clarett 8PreX
is via the ADAT link.
Computer running DAW
and Focusrite Control
In .the .example, .the .OPTICAL OUT .ports .of .the .OctoPre .MkIIs .are .connected .to .the .Clarett .8PreX's .
OPTICAL IN .ports .with .two .TOSLINK .optical .cables. .Although .mic .inputs .are .shown .in .the .diagram, .
this .would .allow .any .combination .of .up .to .24 .mic .or .line .inputs, .of .which .some .could .be .INST .level .
signals.
Stable .word .clock .synchronisation .may .be .achieved .by .setting .one .OctoPre .MkII .as .the .sync .master .
and .the .Clarett .8PreX's .sync .source .as .ADAT. .The .second .OctoPre .MkII .can .then .be .synchronised .by .
connecting .its .WORD CLOCK IN .to .the .WORD CLOCK OUT .of .the .Clarett .8PreX .with .a .BNC .cable. .
NOTE: .when .interconnecting .two .digital .devices .by .any .method, .always .ensure .that .both .are .set .to .
use .the .same .sample .rate. .
The .additional .inputs .realised .by .use .of .the .optical .ports .may .be .routed .using .Focusrite .Control .in .
exactly .the .same .manner .as .the .other .inputs. .The .additional .inputs .can .form .part .of .any .musician's .
headphone .mix, .as .required.
14
Optical ADAT (TOSLINK)
Thunderbolt
TM
Inputs 1 & 2
on front panel
Wordclock
Optical ADAT
(TOSLINK)
OctoPre MKII
8ch Mic Amp