2. .Project .Studio
Guitar
Bass Guitar
Computer running DAW
and Focusrite Control
One .of .the .Clarett .8PreX's .advantages .is .the .large .number .of .physical .inputs .it .provides. .In .a .project .
studio, . t hese . c an . b e . ( more . o r . l ess) . p ermanently . c ommitted . t o . s pecific . s ound . s ources, . t hus . m inimising .
the .amount .of .re-patching .required .when .switching .from .one .instrument .to .another, .as .you .build .up .
the .various .tracks .making .up .a .song.
In .the .example .below, .we .assume .that .guitar .and .bass .guitar .will .remain .connected .to .Channels1 .
and . 2 . v ia . t heir . I NST . i nputs, . w hile . v arious . e lectronic . i nstruments . c an . b e . c onnected . t o . t he . L INE . i nputs .
of .all .channels. .The .MIC .inputs .of .all .channels .would .typically .be .connected .to .mic .input .sockets .at .
different .locations .in .the .recording .space.
If . m ore . i nstruments . n eed . t o . b e . c onnected . p ermanently . i n . t his . w ay, . a . p atchbay . c an . b e . i ntroduced . i nto .
the . s etup; . a lternatively, . t he . n umber . o f . i nputs . c an . b e . e xpanded . w ith . a n . O ctoPre . u nit . ( see . E xample . 3 ).
Thunderbolt
TM
Stereo Keys
Stereo Keys
Engineer's Headphones
Main Active Monitors
Microphones
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