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To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
It is important that the apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases shall be placed on the apparatus.
excessive sound pressure levels from earphones and headphones can cause hearing loss.
This equipment must be earthed by the power cord
RISK OF ELECTRIC SHOCK
DO NOT OPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLICANCE TO RAIN OR MOISTURE
Compliance Information Statement: Declaration of Compliance procedure
Product Identification: Focusrite OctoPre MkII Dynamic
Responsible party: American Music and Sound
Address: 5304 Derry Avenue #C Agoura Hills, CA 91301
Telephone: 800-994-4984
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions:
Focusrite Audio Engineering Limited has conformed and this product conforms, where applicable, to the European Union's Directive 2002/95/EC on Restrictions of Hazardous Substances (RoHS) as well as the following sections of California law which refer to RoHS, namely sections 25214.10, 25214.10.2, and 58012, Health and Safety Code; Section 42475.2, Public Resources Code.
Thank you for purchasing the Focusrite OctoPre MkII Dynamic. This unit will provide 8 channels of high quality Focusrite preamplifiers for you to use on microphone, line and instrument signals. You can use the OctoPre MkII Dynamic as part of your studio set-up or live rig. The OctoPre MkII Dynamic offers 8 direct outputs via the balanced line outputs to connect to an analogue device, or via a single or dual ADAT connection to a digital device.
If the main User Guide sections do not provide the information you need, be sure to consult http://www.focusrite.com/answerbase, which contains a comprehensive list of common technical support queries regarding the product to date.
Along with your OctoPre MkII Dynamic you should have:
1 - IEC power cable
4 - Self-adhesive rubber feet - stick to the bottom of the unit for table-top placement
1 - Registration Card
1 - Focusrite / Novation Product Brochure
The back panel provides the all of the input and output connections on the OctoPre MkII Dynamic.
* Either 1/4 inch TRS (balanced) or TS (unbalanced) Jack connectors can be used.
** @ sample rates of 44.1 / 48 kHz use either output port 1 or port 2 for 8 channels - ADAT (a copy is sent to both ports)
@ sample rates of 88.2 / 96 kHz use output port 1 and 2 for 2 x 4 channels - ADAT SMUX.
All eight of the analogue audio inputs use professional combo connectors. These can accept male XLR connectors, TS (un-balanced) and TRS (balanced) jack connectors.
If an XLR cable is used, then the preamp will automatically switch to microphone level.
If a jack cable is connected, then the preamp will automatically switch to line level. For instrument signals connected to inputs 1 and 2 use the Inst button to switch to high impedance instrument level.
The two phantom power switches turn on 48V phantom power to Mic inputs 1-4 and 5-8. Phantom power is required for most condenser (capacitor) microphones. Phantom power is only sent to the XLR connector on the combo inputs, so if a group of 4 preamps is shared between mic and line level signals, +48V is only sent to the microphones.
Dynamic microphones do not require phantom power but most will operate with phantom power supplied.
Ribbon microphones do not require phantom power and may be damaged if supplied with phantom power.
If you are unsure about your microphone DO NOT supply phantom power until you have confirmed the specifications with the manufacturer.
The gain of each preamp should be set with reference to the level of the input source. Use the LED metering to monitor the signal level of each preamp.
Start with the preamp gain set to minimum. Ensure that the compression is set to off. Ask the recording artist to play at the loudest level required by the performance.
The O/L LED will light if the signal level is too high. If the signal causes the O/L LED to light, even with the gain set to a minimum then compression will be required.
Compression can also be applied to signals that don't overload the preamp, but require an amount of 'levelling' of the dynamics.
The Compress control allows compression to be applied to the signal. With the control fully anti-clockwise, the compressor is set Off: no compression is applied.
To turn on the compressor, rotate the Compress dial clockwise. As soon as the dial is moved from the Off position the yellow Comp LED will briefly light to indicate that the compressor is now active. As the control is turned further clockwise, the compression threshold is progressively reduced, resulting in heavier and heavier compression of the signal. Now the yellow Comp LED will light whenever compression is being applied to the signal.
A compressor acts as an automatic volume control, effectively turning down the volume of a signal if it gets too loud. As the Compress dial is turned clockwise, the make-up gain is progressively increased, bringing up the overall signal level.
The More button will provide a greater ratio, thereby applying heavier compression to the signal.
The following graphs show the compression curve for normal and more modes. These graphs include the effect of the make-up gain to the overall signal level. The four lines represent Compress Off (OFF), Compress On - Min (MIN), Mid (MID) and Max (MAX) settings.
In both modes the attack time is 1.2ms. The release time the 28ms
In Normal mode (More button switched out) the compression ratio is 2:1
In More mode (More button switched in) the compression ratio is 4:1
In both modes, as the Compress dial is turned clockwise, the threshold is reduced and the make-up gain increased. As More mode utilises a higher ratio (hence more compression) there is more make-up gain to compensate.
Use the line outputs to connect the OctoPre MkII Dynamic to the line inputs of any analogue device.
The OctoPre MkII Dynamic will accept either TS (unbalanced) or TRS (balanced) jacks.
TRS jacks will give a maximum signal level of +16dBu whereas TS jacks will give a maximum level of +10dBu.
These analogue output levels correspond to 0dBFS.
NOTE: When the AD DA button is switched in, the line outputs are switched to output the signal received at the ADAT inputs (see below).
The 8 x 5 LED meters show the level of the signal just before it reaches the analogue to digital Converters - i.e after both the preamp and compressor.
Each LED represents the following values in dBFS: -42, -18, -6 (Green), -3 (Yellow), 0 (Red).
When connected to a digital device, you should ensure that both the preamp and compressor settings are such that the signal level never reaches 0dBFS (Red).
Use the ADAT output(s) to connect the OctoPre MkII Dynamic to the ADAT input(s) of any digital device.
The OctoPre MkII Dynamic will send 8 channels of audio at 44.1 / 48kHz via a single optical cable. The same 8 channels are sent to both optical output ports.
The OctoPre MkII Dynamic will send 4 channels of audio at 88.2 / 96kHz via a single optical cable. Channels 1-4 and 5-8 are sent out of optical ports 1 & 2 respectively.
Use the Sample Rate button to select the desired sample rate. You must ensure that the sample rate selected on the OctoPre MkII Dynamic matches the sample rate set on all connected digital devices.
The OctoPre MkII Dynamic will also act as a digital to analogue converter. For example, if you are using the OctoPre MkII Dynamic with a computer audio interface, then you can connect the interface ADAT outputs to the ADAT inputs of the OctoPre MkII Dynamic, thus increasing the number of analogue outputs from your computer.
Press the AD DA button to send the digital ADAT input to the 8 Line outputs.
NOTE: The analogue to digital and digital to analogue converters are synchronised to the same clock source. This means that both must run at the same sample rate.
There are a number of synchronisation options available:
OctoPre MkII Dynamic as clock source master - ADAT:
Connect the OctoPre MkII Dynamic's ADAT output to the digital device's ADAT input and ensure that the receiving device is set to receive clock from it's ADAT input (also ensuring the sample rates on both devices are matched).
The OctoPre MkII Dynamic's Clock Source should be set to Internal and the Locked LED will light up green.
OctoPre MkII Dynamic as clock source master - word clock:
Connect the OctoPre MkII Dynamics ADAT and word clock outputs to the digital device's ADAT and word clock inputs and ensure that the receiving device is set to receive clock from the word clock input (also ensuring the sample rates on both devices are matched).
The OctoPre MkII Dynamic Clock Source should be set to Internal and the Locked LED will light up green.
NOTE: The ADAT connection will transmit the digital audio; the word clock is only providing the synchronisation.
OctoPre MkII Dynamic as Clock Source Slave - ADAT:
Connect the OctoPre MkII Dynamic ADAT output to the digital device's ADAT input. Connect the digital device's ADAT output to the OctoPre MkII Dynamic's ADAT input (also ensuring the sample rates on both devices are matched).
The OctoPre MkII Dynamic Clock Source should be set to ADAT and the Locked LED will light up Green.
OctoPre MkII Dynamic as Clock Source Slave - word clock:
Connect the OctoPre MkII Dynamic's ADAT output to the digital device's ADAT input and connect a BNC cable from the digital device (or any other device in the digital chain) to the OctoPre MkII Dynamic's word clock input (also ensuring the sample rates on both devices are matched).
The OctoPre MkII Dynamic Clock Source should be set to word clock and the Locked LED will light up Green.
NOTE: The OctoPre MkII Dynamic's word clock input is termintated (75Ω). Therefore the OctoPre MkII Dynamic should be the last device in a chain of word clock connected digital devices.
See the following Example Setups section for digital synchronisation examples:
OctoPre MkII Dynamic with Audio Interface: OctoPre MkII Dynamic as Clock Source Master
Here the OctoPre MkII Dynamic is connected to a Focusrite Saffire Pro 40. Both units are running at 44.1kHz. The setup principle will be the same with any other audio interface with an ADAT input.
OctoPre MkII Dynamic with Audio Interface: Audio Interface as Clock Source Master
Here the OctoPre MkII Dynamic is connected to a Focusrite Liquid Saffire 56. Both units are running at 44.1kHz. The setup principle will be the same with any other audio interface with ADAT input and word clock output.
OctoPre MkII Dynamic with Audio Interface - AD / DA Mode
Here the OctoPre MkII Dynamic is connected to a Focusrite Liquid Saffire 56. Both units are running at 44.1kHz. Two ADAT cables are used to send 8 channels of audio each way. The setup principle will be the same with any other audio interface with ADAT input and output.
OctoPre MkII Dynamic with Audio Interface - SMUX mode
Here the OctoPre MkII Dynamic is connected to a Focusrite Liquid Saffire 56. Both units are running at 96kHz. Two ADAT cables are used to send 4 channels of audio each. The setup principle will be the same with any other audio interface with 2 ADAT inputs and word clock output.
OctoPre MkII Dynamic with Analogue Mixing Desk
Connect the OctoPre MkII Dynamic's 8 analogue outputs to any analogue device's 8 inputs using TS or TRS jacks.
OctoPre MkII Dynamic with Analogue Mixing Desk and Digital Record / Backup (44.1 / 48 kHz)
The OctoPre MkII Dynamic can output to both analogue and digital devices simultaneously. Here the line outputs connect to the mixing desk (live monitor), ADAT output 1 to Saffire PRO 40 (record device), and ADAT output 2 to the second Saffire Pro 40 (record 2 / backup device).
Note that this will work at sample rates of 44.1 and 48kHz.
At 88.2 and 96kHz 2 ADAT cables are required to transmit 8 channels of audio. (4 channels per cable).
MIC
LINE
INSTRUMENT
DIGITAL PERFORMANCE
ANALOGUE INPUTS
COMPRESSORS
ANALOGUE OUTPUTS
DIGITAL I/O
POWER
FRONT PANEL INDICATORS
WEIGHT and DIMS
For all troubleshooting queries, please visit the 'Focusrite Answerbase' where there are articles covering numerous troubleshooting examples. www.focusrite.com/answerbase.
Focusrite is a registered trade mark of Focusrite Audio Engineering Limited.
OctoPre is a trade mark of Focusrite Audio Engineering Limited.
2009 – 2010 © Focusrite Audio Engineering Limited. All rights reserved
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
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