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Summary of Contents for Amate Audio NITID Series
- Page 1 User’s manual September 2018...
- Page 2 13. The equipment shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the device. 14. For hanging and installation, use manufacturer recommended accessories only. Amate Audio...
- Page 3 Sep 2018 1. INTRODUCTION 1.1. General Amate Audio would like to thank you for your confidence in our NITID Series. We suggest you to carefully read the following instructions in order to obtain the best results in performance. 1.2. Features and presentation...
- Page 4 Fig. 2. Full-range stereo configuration 2.2.2. Full-Range parallel stereo configuration Connect the amplifier's output to the Speakon’s input of the first cabinet, always respecting the polarity positive +1, negative -1. Then, make a bridge from the first cabinet to the second one. Amate Audio...
- Page 5 It is also correct, if the installation requires so, to make the connection in the opposite way, that is, from the amplifier to the top cabinet and then to the subwoofer. Fig. 4. Passive configuration with subwoofer Amate Audio...
- Page 6 Full Range cabinets to a second amplifier. Fig. 5. Bi-amplified with subwoofer configuration (option 1) Fig. 6. Bi-amplified with subwoofer configuration (option 2) Amate Audio...
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Page 7: Mounting And Placement
Use with subwoofer or tripod All models are equipped with a 35 mm socket for mounting the speaker on a subwoofer or tripod. Be careful not to use this system on non-flat surfaces as it may become unstable. Amate Audio... - Page 8 "narrow" dispersion (50º). We suggest you to pay attention to the following examples. 3.3.1. Vertical-Positioned Cabinets (Flown and aiming to the audience) We need wide coverage (100º) for the closest listeners and narrow coverage for the distant audience. Amate Audio...
- Page 9 The horns have the "Nearfield" mark printed 100º horizontal coverage side. Fig. 11. “Near Field” logo 3.3.3. Stage monitor use Case 1 We need wider coverage (100º) when musicians are closer to the cabinet than when they move away from it (50º). Amate Audio...
- Page 10 All grille’s logo can be rotated. 3.5. Stage monitor use The wedge shape of N12P and N15P units allows for use as onstage monitor without the need of incorporating any other accessory. Fig. 14. Use as on-stage monitor Amate Audio...
- Page 11 1&2 or 3&4 (front rigging points) 5 or 6 (back tilt points) N12P & N15P Horizontal flying 3&6 or 4&7 or 1&8 or 2&9 (front rigging points) 5 (back tilt point) Vertical Flying 1&2 or 3&4 (front rigging points) 5 (back tilt point) Amate Audio...
- Page 12 NITID N26P_N12P_N15P Sep 2018 Fig. 16. N26P rigging points Fig. 17. N12P rigging points Amate Audio...
- Page 13 3.6.3 Vertical flying with HR bar For N26P, use HR-C or HR-C/GT flying bar for vertical flying. Refer to “HR-C instructions manual” and “HR-C/GT instructions manual” for more information. Fig. 18. HR-C and HR-C/GT flying bar for N26P Amate Audio...
- Page 14 NITID GRILLE To remove the front grille, first remove the screws on both the left and right side. Insert two bent paper clips into the holes in the grille and carefully pull it off. Fig. 21. Grille screws Amate Audio...
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Page 15: Technical Features
Multilayer birch plywood Finish Hi-resistance black Hi-resistance black matt Polyurea matt Polyurea coating. coating 1.5 mm steel 2 mm steel front grille front grille with black with black acoustic mesh acoustic mesh Note: Specifications subjected to change without prior notice. Amate Audio... - Page 16 T. +34 93 735 65 65 – F. +34 93 735 60 48 – info@amateaudio.com R&D and FACTORY: Violinista Vellsolà, 18 · 08222 Terrassa T. +34 93 736 23 90 – F. +34 93 786 47 00 Barcelona – SPAIN www.amateaudio.com © Copyright 2018 by Amate Audio S.L.
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