1. Manuals
  2. Brands
  3. Gotharman Manuals
  4. Synthesizer
  5. Anamono
  6. User manual

Gotharman Anamono User Manual

Hide thumbs
Table of Contents

Advertisement

Quick Links

Download this manual
Gotharman's
Gotharman's
Gotharman's
Gotharman's
User Manual
User Manual
User Manual
User Manual
Anamono
Anamono
Anamono
Anamono

Advertisement

Table of Contents
loading
Need help?

Need help?

Do you have a question about the Anamono and is the answer not in the manual?

Questions and answers

Related Manuals for Gotharman Anamono

Summary of Contents for Gotharman Anamono

  • Page 1 Gotharman’s Gotharman’s Gotharman’s Gotharman’s Anamono Anamono Anamono Anamono User Manual User Manual User Manual User Manual...

  • Page 2: Table Of Contents

    Index Index Index Index Introduction Main Features Internal Flow Front Back / Connections How To Get Around The Preset Select Page The Edit Pages Overview Of The Edit Group Pages Modulation Sources Explanation Of The Edit Pages Oscillator 1 and 2 Oscillator Mod DSP Filter FeedBack...

  • Page 3: Introduction

    Dear valued GotharMusic customer, Thank you very much for purchasing an Anamono. Anamono is the newest model in my compact syntesizer series, that packs a lot of power in a small, affordable and very easy portable package. Anamono packs a lot of analogue power. 2 analogue filters, 1 multimode and 1 bandpass, an analogue VCA and overdrive output stage, and a newly engineered g-RAY feedback synthesis circuit, that brings some totally new sound possibilities.

  • Page 4: Main Features

    • Ring modulator, that can process both internal sounds and sounds coming via the external audio input. • External audio input lets you process any sound with Anamono's filters, g-RAY feedback circuit, granulator/delay, ringmodulator and analogue overdrive. • 2 envelopes and 2 step-modulators, all having 2 sets of settings, that can be morphed between, using any modulation source.

  • Page 5: Internal Flow

    Anamono Internal Flow Anamono Internal Flow Anamono Internal Flow Anamono Internal Flow Osc1, Ext In, Ana VCF’s, Granu Ring DSP filter, Ana VCF’s, Amp Modulator Osc2, LFO1, Ana VCF’s, Granu Oscillator 1 Analogue Filter sync Analogue Filter FeedBack Oscillator 2...

  • Page 6: Front

    Anamono Front Anamono Front Anamono Front Anamono Front Edit1 / Ctrl 2: When on the preset select screen (the screen showing on the picture) and on the edit page select screen, this knob transmits midi-controller 2 internally, and tweaks all parameters, which has midi-controller 2 selected as modulation source, except if a parameter are assigned to it on the ”ASSIGN EDIT 1”...
  • Page 7 Changes the output volume on the audio and phones outputs. Volume: Below the ”Phones” text on the front-side of Anamono, a phones output are located. It Phones: is possible to connect a pair of stereo headphones to this.

  • Page 8: Back / Connections

    Anamono Back / Connections 9VDC: Connect the supplied 9-12 VDC power adaptor to the socket. The switch near it are the power on/off switch. If your Anamono wasn’t delivered with a power adaptor, or you need to replace it, it has to be: -A 9-12 V DC, min.

  • Page 9: How To Get Around

    How to get around How to get around How to get around How to get around Some main rules: If the cursor is blinking, you can move it by turning the cursor(click)value encoder. If the cursor is not blinking, you can change the value of the parameter the cursor are located below, by turning the cursor(click)value encoder.

  • Page 10: The Preset Select

    On the bottom of the display it writes the selected preset bank and number. Anamono has sixteen banks (A-P) with each 16 sounds (256 in all). The number shown in paranthes, are the MIDI bank select number (MIDI ctrl 32) followed by a slash and the MIDI program change number you will have to transmit to Anamono, for selecting this preset, from an external MIDI-device.

  • Page 11: The Edit

    The Edit Pages The Edit Pages The Edit Pages The Edit Pages NOTICE: The edits you do, are not automatically stored in memory. If you would like to keep your creation, you wil have to SAVE the preset. How to do that, are explained later in this manual. How to enter the edit pages from the preset select page: If the cursor is not blinking, push the cursor(click)value encoder, so the cursor is blinking.

  • Page 12: Overview Of The Edit Group

    Overview of the edit group pages: Overview of the edit group pages: Overview of the edit group pages: Overview of the edit group pages: 1 – Oscillator 1 2 – Oscillator 2 3 – Oscillator Mod 4 – DSP Filter 5 –...

  • Page 13: Modulation Sources

    Anamono Modulation Sources Anamono Modulation Sources Anamono Modulation Sources Anamono Modulation Sources 1 AMP/MOD ENV: Decay Release Time Time Attack Time Sustain Level Note On Note Off 2 SQUARED MOD ENV: A traditional ADSR envelope. It has 2 sets of settings, that can be morphed between, using any modulator.
  • Page 14 3 MODULATOR 1: T6 T7 T: Times L: Levels 4 STEPPED MODULATOR 1: An 8 step very flexible modulator with a smooth output. Each step has a value parameter, a time parameter (how long it will take to reach the next steps value), and a selection of, if it will continue, sustain or loop, after this step.
  • Page 15 5 MODULATOR 2: A 5-step shapable modulator. Step 1: delay time, step 2: rise time to full value, step 3: hold time at full value, step 4: fall time to zero, step 5: hold time at zero value. Can be key-triggered, looped or key-triggered and looped. It has 2 sets of settings, that can be morphed between, using any modulator.
  • Page 16 10 Mod Kybd The last received note on value are converted into a control level, using two parameters: Offset (at what note value, will the modulation start) and spread (makes the control curve more steep, at higher values). 11 Velo The last received note on velocity value.

  • Page 17: Explanation Of The Edit

    1 OSC 1 2 OSC 2 Anamono does have separate settings for oscillator 1 and 2, but since these settings are equal, except for the keyboard on/off parameter, which only affects oscillator 2, they are both explained in this one section.
  • Page 18 2 Pw . Mod. Sorc 0 + 0 Edit 1 – Waveform pulse width: Value 0 to 255. Edit 2 – Pulse width modulation: Value –128 to +127. A negative value inverts the modulation source. Encoder – Pulse width modulation source: Value: Any of the 16 modulation sources. Pw does something different on each waveform: Sine: A pure sine are a pure wave, without any harmonics.
  • Page 19 3 Tune. Fine. Kybd X + 0 Edit 1 – Tune: Tunes the oscillator in semitone steps. Edit 2 – Fine: Fine tuning of the oscillator. Encoder – Kybd –Oscillator 2 only: Oscillator 2 keyboard pitch control on/off. 4 Mod. Sorc. Levl X +127 Env Off Edit 1 –...

  • Page 20: Oscillator Mod

    ”extra” frequency on top of the oscillator 2 waveform. The same effect can be obtained by choosing waveform: saw, and adjust the pw, but now that Anamono has real sync, this effect can be obtained on all waveforms.
  • Page 21 2 Rin1. Rin2. X osc1 osc2 Edit 1 – Ring Modulator input 1 source: Value: osc1, ext audio in, analogue filters output, granulator output. Edit 2 – Ring Modulator input 2 source: Value: osc2, LFO1, analogue filters output, granulator output. 3 Rout.
  • Page 22 5 Bender. X 128 Edit 1 – Bender: Adjusts how much incoming MIDI pitch bend messages will affect both of the oscillators pitch. From 0 to 255 (about 12 semitones at maximum).

  • Page 23: Dsp Filter

    The Dsp Filter Pages 4 DSP FILTER Anamono has 3 filters in all, 2 analogue and one digital. This section describes the digital one. The digital filter is created using digital signal processing (DSP). It can be placed in 4 different positions (routing is done in the analogue filters section, described later in this manual): -In serial connection with and before the analogue filters.
  • Page 24 2 Osc1. Osc2. X 100 Edit 1 – Oscillator 1 / Analogue filters level: Value 0 to 255. Adjusts the level of oscillator 1, going to the DSP filter input. Except when DSP filter routing = feedback or granulator. When routing = feedback, this parameter adjust the level of the analogue filters output, going to the DSP filter.
  • Page 25 4 CutA. Sorc. X + 0 env Edit 1 – DSP filter cutoff modulation A: Value –128 to +127. A negative value inverts the modulator. Edit 2 – DSP filter cutoff modulation source A: Value: Any of the 16 modulation sources. 5 CutB.
  • Page 26 7 Reso . Sorc. X + 0 env Edit 1 – DSP filter resonance modulation: Value –128 to +127. A negative value inverts the modulator. Edit 2 – DSP filter resonance modulation source: Value: Any of the 16 modulation sources.

  • Page 27: Feedback

    The FeedBack Pages 5 FEEDBACK Anamono’s analogue feedback circuit creates an audio feedback loop from the output of the analogue filters or the granulator/delay, to the input of the analogue filters. Inside the feedback loop are a new Gotharman creation called ”g-RAY”. This creates a kind of intermodulation on the feedback signal, and makes it possible to create sounds similar to FM plus new and never before heard sounds.
  • Page 28 2 Feed . Dly. Sorc X + 0 + 0 Env Edit 1 – FeedBack modulation 1: Value –128 to +127. A negative value inverts the modulator. Edit 2 – FeedBack delay modulation 1: Value –128 to +127. A negative value inverts the modulator.
  • Page 29 5 From . gRAY. X VCF Edit 1 – FeedBack source: VCF: Analogue filters output Gran: Granulator/delay output Edit 2 – g-RAY: Value: 0 to 3. Adjusts the amount of g-RAY intermodulation. 0: no g-RAY, 3: max g-RAY.

  • Page 30: Analogue Filters

    The Analogue Filters Pages 6 ANALOG FILTERS Anamono has 2 analogue filters connected in parallel to each other. Each filter can be adjusted and controlled separately. In this one section, you make the adjustments for both filters. One of the analogue filters has selectable mode – lowpass, bandpass, highpass or off, while the other filter are always in bandpass mode.
  • Page 31 2 Osc1. Osc2. X 100 Edit 1 – Oscillator 1 level: Value 0 to 255. Adjusts the level of oscillator 1, going to the analogue filters inputs. Edit 2 – Oscillator 2 level: Value 0 to 255. Adjusts the level of oscillator 2, going to the analogue filters inputs.
  • Page 32 5 Cu1A.Cu2A.Sorc X + 0 + 0 Esqu Edit 1 – Analogue filter 1 cutoff modulation A: Value –128 to +127. A negative value inverts the modulator. Edit 2 – Analogue filter 2 cutoff modulation A: Value –128 to +127. A negative value inverts the modulator.
  • Page 33 7 Cu1C.Cu2C.Sorc X + 0 + 0 Env Edit 1 – Analogue filter 1 cutoff modulation C: Value –128 to +127. A negative value inverts the modulator. Edit 2 – Analogue filter 2 cutoff modulation C: Value –128 to +127. A negative value inverts the modulator.
  • Page 34 A Dflt . Sorc. X + 0 env Edit 1 – DSP filter output level modulation: Value –128 to +127. A negative value inverts the modulator. Edit 2 – DSP filter output level modulation source: Value: Any of the 16 modulation sources. B Outp.

  • Page 35: Amp (Vca)

    In that way, it is possible to make it re-trigger or not, using playing techniques. The amp section is located after the analogue filters and before the granulator/delay, in Anamono’s audio chain.
  • Page 36 2 S . R . X 255 Edit 1 – Amp envelope sustain level 1: Value: 0 to 255. This is the level, the amp envelope will decay to, during the decay time. As long as a MIDI note on is held, it will stay at this level. This value is only completely active, if the morph control on AMP edit page 5 are in position zero, and morph modulation has the value + 0.
  • Page 37 4 S2 . R2 . X 255 Edit 1 – Amp envelope sustain level 2: Value: 0 to 255. This is the level, the amp envelope will decay to, during the decay time. As long as a MIDI note on is held, it will stay at this level. This value is only completely active, if the morph control on AMP edit page 5 are in position 255.
  • Page 38 7 Vmod. Sorc.Levl X + 0 Env Off Edit 1 – Sound overall volume modulation: Value –128 to +127. A negative value inverts the modulator. Edit 2 – Sound overall volume modulation source: Value: Any of the 16 modulation sources. Encoder –...
  • Page 39 A Drone. Edit 1 – Amp drone: Value 0 to 255. An overall sound volume offset parameter, that keeps Anamono’s output constantly open, regardsless of the amp envelope and envelope follower.

  • Page 40: Granulator / Delay

    The Granulator / Delay effect Pages 8 GRANULATOR This is Anamono’s digital effect processor. It can be either in granulator or delay mode. The granulator cuts the incoming audio signal up in an adjustable number of fragments (or grains). It is then possible to re-arrange the playback of these fragments (pieces of audio) using an, up to 16 step, re-arrange sequencer.
  • Page 41 2 Time. Fine. Frgm Edit 1 – Granulator/delay total time: Value: 0 to 255. Max time 1.5 second, minimum time 22,9 micro second. Edit 2 – Granulator/delay total time fine adjust: Value: 0 to 255. Encoder – Granulator number of fragments: Values: 1, 2, 4, 8, 16, 32, 64, 128. Adjusts how many fragments (grains), the granulator will cut the incoming audio signal up in.
  • Page 42 4 Frez. Dir X Off Off Edit 1 – Granulator/delay freeze modulation source: Selects a source, that modulates the freeze on/off function. Value: Off, first 15 modulation sources. Edit 2 – Granulator/delay playback direction modulation source: Selects a source, that modulates the playback direction Fwd/Rvs.
  • Page 43 7 St01.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 1 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 1 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 1 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 1, depending on the setting: Mode strc/pitc on granulator edit page 3.
  • Page 44 A St04.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 4 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 4 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 4 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 4, depending on the setting: Mode strc/pitc on granulator edit page 3.
  • Page 45 D St07.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 7 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 7 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 7 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 7, depending on the setting: Mode strc/pitc on granulator edit page 3.
  • Page 46 G St10.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 10 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 10 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 10 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 10, depending on the setting: Mode strc/pitc on granulator edit page 3.
  • Page 47 J St13.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 13 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 13 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 13 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 13, depending on the setting: Mode strc/pitc on granulator edit page 3.
  • Page 48 M St16.Tune. 1 + 0 Edit 1 – Granulator re-arrange sequencer step 16 fragment number: Value: 1 to 128. Selects what fragment of the incoming audio signal, step 16 of the re-arrange sequencer will play back. Edit 2 – Granulator re-arrange sequencer step 16 Stretch/detune: Value: -128 to +127. Time- stretches or detunes the audio piece played back by step 16, depending on the setting: Mode strc/pitc on granulator edit page 3.

  • Page 49: Modulation Envelope

    The Modulation Envelope Pages 9 MOD ENV 1 AMP/MOD ENV: Decay Release Time Time Attack Time Sustain Level Note On Note Off 2 SQUARED MOD ENV: A traditional ADSR envelope. It has 2 sets of settings, that can be morphed between, using any modulator.
  • Page 50 1 A . D . Edit 1 – Mod envelope attack time 1: Value: 0 to 255. The higher the value, the slower the rise of the sound, when a MIDI note on are received, will be. This value is only completely active, if the morph control on MOD ENV edit page 5 are in position zero, and morph modulation has the value + 0.
  • Page 51 3 A2 . D2 . Edit 1 – Mod envelope attack time 2: Value: 0 to 255. The higher the value, the slower the rise of the sound, when a MIDI note on are received, will be. This value is only completely active, if the morph control on MOD ENV edit page 5 are in position 255.
  • Page 52 5 Mrph. Mod. Sorc 0 + 0 Env Edit 1 – Mod envelope morph control: Value 0 to 255. At value zero, the first set of envelope settings are used, at value 255 the second set of envelope settings are used. At values 1 to 254 it morphs between the first and the second settings.

  • Page 53: Modulator 1

    The Modulator 1 Pages 10 MODULATOR 1 3 MODULATOR 1: T6 T7 T: Times L: Levels 4 STEPPED MODULATOR 1: An 8 step very flexible modulator with a smooth output. Each step has a value parameter, a time parameter (how long it will take to reach the next steps value), and a selection of, if it will continue, sustain or loop, after this step.
  • Page 54 (advances one step, every time a note-on is received), Play (the play/enter knob starts and stops the modulator) and MIDI (synced to MIDI-clock). It has 2 sets of settings, the ”normal” settings and the ”b” settings, that can be morphed between, using any modulator. It also has a second stepped output to the modulation bus: Every time modulator 1 reaches a new step/value this is updated.
  • Page 55 2 Stp1. Time. Will X 255 20 Cont Edit 1 – Modulator 1 step 1 level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position zero, and morph modulation has the value + 0.
  • Page 56 4 Stp3. Time. Will 0 Cont Edit 1 – Modulator 1 step 3 level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position zero, and morph modulation has the value + 0.
  • Page 57 6 Stp5. Time. Will 0 Cont Edit 1 – Modulator 1 step 5 level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position zero, and morph modulation has the value + 0.
  • Page 58 8 Stp7. Time. Will 0 Cont Edit 1 – Modulator 1 step 7 level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position zero, and morph modulation has the value + 0.
  • Page 59 A St1b. Time. Will Edit 1 – Modulator 1 step 1 b level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position 255. Edit 2 – Modulator 1 step 1 b Time: Value: 0 to 255. The time it will take to reach the value of the next step.
  • Page 60 C St3b. Time. Will Edit 1 – Modulator 1 step 3 b level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position 255. Edit 2 – Modulator 1 step 3 b Time: Value: 0 to 255. The time it will take to reach the value of the next step.
  • Page 61 E St5b. Time. Will Edit 1 – Modulator 1 step 5 b level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position 255. Edit 2 – Modulator 1 step 5 b Time: Value: 0 to 255. The time it will take to reach the value of the next step.
  • Page 62 G St7b. Time. Will Edit 1 – Modulator 1 step 7 b level: Value: 0 to 255. This value is only completely active, if the morph control on Modulator 1 edit page I are in position 255. Edit 2 – Modulator 1 step 7 b Time: Value: 0 to 255. The time it will take to reach the value of the next step.
  • Page 63 I Mrph. Mod. Sorc 0 + 0 Env Edit 1 – Modulator 1 morph control: Value 0 to 255. At value zero, the first set of modulator 1 settings are used, at value 255 the second ”b” set of modulator 1 settings are used. At values 1 to 254 it morphs between the first and the second settings.

  • Page 64: Modulator 2

    The Modulator 2 Pages 11 MODULATOR 2 A 5-step shapable modulator. Step 1: delay time, step 2: rise time to full value, step 3: hold time at full value, step 4: fall time to zero, step 5: hold time at zero value. Can be key-triggered, looped or key-triggered and looped.
  • Page 65 2 T2 . T3 . Edit 1 – Modulator 2 T2 rise time: Value: 0 to 255. The time it takes to rise to full value. This value is only completely active, if the morph control on Modulator 2 edit page 7 are in position zero, and morph modulation has the value + 0.
  • Page 66 5 T2b .T3b . Edit 1 – Modulator 2 T2 b rise time: Value: 0 to 255. The time it takes to rise to full value. This value is only completely active, if the morph control on Modulator 2 edit page 7 are in position 255.
  • Page 67 7 Mrph. Mod. Sorc 0 + 0 Env Edit 1 – Modulator 2 morph control: Value 0 to 255. At value zero, the first set of modulator 2 settings are used, at value 255 the second ”b” set of modulator 2 settings are used. At values 1 to 254 it morphs between the first and the second settings.
  • Page 68 12 LFO 1 13 LFO 2 Anamono’s 2 LFO’s are each has their own set of settings, but since they are equal, both LFO’s are explained in this one chapter. The LFO's waveforms are continuously variable from triangle to saw to square to pulse. The LFO's can be both wave and rate-modulated, using any modulator.
  • Page 69 2 Wave.Wave Mod 0 + 0 Env Edit 1 – LFO wave shape: Value 0 to 255. Morphs between triangle (0), saw (64), square (128) and pulse (255). Edit 2 – LFO wave shape modulation: Value –128 to +127. A negative value inverts the modulator.

  • Page 70: Random

    The Random Pages 14 RANDOM Anamono’s random generator has 2 outputs to the modulation matrix: Random Voltage: Each time it is triggered, it outputs a new random value. Trigger sources are: LFO1, LFO2 or key. Random Pulse: A squared version of the random voltage with adjustable pw. When the random voltage puts out a value above the pw, the output of this will be zero.

  • Page 71: Modulation Keyboard

    The Modulation Keyboard Pages 15 MOD KYBD The last received note on value are converted into a control level, using two parameters: Offset (at what note value, will the modulation start) and spread (makes the control curve more steep, at higher values). These possibilities are useful, if you t.ex.

  • Page 72: Midi Settings

    On this page, you can adjust the basic MIDI settings of Anamono. 1 Chan. Nrpn. Ctrl Edit 1 – Basic MIDI channel: Value 1 to 16. This are the MIDI channel, Anamono will receive all MIDI data on. For details regarding the MIDI information recognized by Anamono, see later in this manual.

  • Page 73: Assign Edit Knobs

    If you don’t want to mess around, assigning MIDI controller 2 or 3 to a specific parameter, for live use for instance, it is possible on these edit pages, to assign any of Anamono’s parameters to the edit knobs.
  • Page 74 13: LFO 2 14: Random 15: Mod Keyboard 2 Vcf Reso1 Parameter 7 Encoder – Parameter select: The parameter name writes in the top of the display, when you select it. Values: Any parameter in the selected group.

  • Page 75: Save Preset

    The Save Preset Pages 19 SAVE PRESET Stores your sound/effect creation in any of Anamono’s 256 preset memory locations, so you can recall it, when needed. [ Analogue ] SAVE TO: C16 X Use the Cursor(click)value encoder to select the location, where you want to save your sound, or move it to the ”X”...

  • Page 76: Exit

    The Exit Page Exit Exit’s to the preset select page, when pushing cursor(click)value.

  • Page 77: Midi Implementation

    MIDI Controllers are received on the MIDI channel selected on the MIDI edit pages. Controllers 1, 2, 3 and 4 are assignable as modulation sources for many of Anamono’s parameters. All other controllers are hard-assigned to specific parameters. For details see the next section: Parameter List.

  • Page 78: Parameter List And Nrpn's

    All of these NRPN numbers are in hex format. Anamono controlled in 7 bit NRPN mode: When the NRPN parameter on the MIDI edit page are selected to be 7b (7 bit), Anamono needs the following data to adjust a parameter: -MIDI controller 99 (parameter MSB –...
  • Page 79 OSC 1 OSC 1 OSC 1 OSC 1 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Wave Morph from sine to triangle to sawtooth to square to noise. Wave Mod -128 to +127 Wave Mod Source Select between the 16 modulation sources.
  • Page 80 OSC 2 OSC 2 OSC 2 OSC 2 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Wave Morph from sine to triangle to sawtooth to square to noise. Wave Mod -128 to +127 Wave Mod Source Select between the 16 modulation sources.
  • Page 81 OSC MOD OSC MOD OSC MOD OSC MOD Parameter Values MIDI ctrl NRPN 99 NRPN 98 Portamento 0 to 255 Osc Sync 2<1 On/Off Ring Modulator Osc1, Ext In, Input 1 Analogue Filters, Granulator Ring Modulator Osc2, LFO1, Input 2 Analogue Filters, Granulator Ring Modulator...
  • Page 82 DSP FILTER DSP FILTER DSP FILTER DSP FILTER Parameter Values MIDI ctrl NRPN 99 NRPN 98 Ext Audio In Level 0 to 255 Boost 0 to 255 Osc 1 Level 0 to 255 Osc 2 Level 0 to 255 Cutoff 0 to 255 Resonance 0 to 255...
  • Page 83 FEEDBACK FEEDBACK FEEDBACK FEEDBACK Parameter Values MIDI ctrl NRPN 99 NRPN 98 FeedBack 0 to 255 FeedBack Delay 0 to 255 FeedBack Mode Normal, Negative, Ultra, Ultra Negative FeedBack -128 to +127 Modulation 1 FeedBack Delay -128 to +127 Modulation 1 FeedBack Select between the Modulation Source...
  • Page 84 ANALOGUE FILTERS ANALOGUE FILTERS ANALOGUE FILTERS ANALOGUE FILTERS Parameter Values MIDI ctrl NRPN 99 NRPN 98 DSP Filter Output 0 to 255 Level Ext Audio Input 0 to 255 Level DSP Filter Serial, Parallel, Connection FeedBack, Granulator/Delay Osc 1 Level 0 to 255 Osc 2 Level 0 to 255...
  • Page 85 DSP Filter Output Select between the Level Mod Source 16 modulation sources. Analogue Filters 0 to 255 Output Level Analogue Filters -128 to +127 Output Level Mod Analogue Filters Select between the Output Level Mod 16 modulation Source sources.
  • Page 86 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Amp Env Attack 0 to 255 Amp Env Decay 0 to 255 Amp Env Sustain 0 to 255 Amp Env Release 0 to 255 Amp Env Attack 2 0 to 255 Amp Env Decay 2 0 to 255 Amp Env Sustain 2 0 to 255...
  • Page 87 GRANULATOR / DELAY GRANULATOR / DELAY GRANULATOR / DELAY GRANULATOR / DELAY Parameter Values MIDI ctrl NRPN 99 NRPN 98 Freeze = Enter Off, On Pushbutton Mode Granulator, Delay 0 to 255 Granulator Last 1 to 16 Step Time 0 to 255 (from 22 microSeconds to 1.5 second) Time Fine Adjust...
  • Page 88 Granulator Step 10 Depends on # Of Primary 71 Fragment Select Fragments setting Granulator Step 11 Depends on # Of Primary 72 Fragment Select Fragments setting Granulator Step 12 Depends on # Of Primary 73 Fragment Select Fragments setting Granulator Step 13 Depends on # Of Primary 74 Fragment Select...
  • Page 89 MOD ENV MOD ENV MOD ENV MOD ENV Parameter Values MIDI ctrl NRPN 99 NRPN 98 Mod Env Attack 0 to 255 Primary 94 Mod Env Decay 0 to 255 Primary 95 Mod Env Sustain 0 to 255 Primary 96 Mod Env Release 0 to 255 Primary 97...
  • Page 90 MODULATOR 1 MODULATOR 1 MODULATOR 1 MODULATOR 1 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Trigger Off, Key reset, Key trigger, Keyed advance, Play knob, MIDI MIDI Clock Divide 1 to 256 Note + Gate Output Off, On, Transposed Step 1 Value 0 to 255 Secondary 55...
  • Page 91 Step 2 Value B 0 to 255 Secondary 71 Step 2 Time B 0 to 255 Secondary 87 Step 3 Value B 0 to 255 Secondary 72 Step 3 Time B 0 to 255 Secondary 88 Step 4 Value B 0 to 255 Secondary 73 Step 4 Time B...
  • Page 92 MODULATOR 2 MODULATOR 2 MODULATOR 2 MODULATOR 2 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Time 1 (Delay) 0 to 255 Loop Off, On, KeyTriggered Time 2 0 to 255 Time 3 0 to 255 Time 4 0 to 255 Time 5 0 to 255 Time 1 B (delay)
  • Page 93 LFO 1 LFO 1 LFO 1 LFO 1 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Rate 0 to 255 Rate Mod -128 to +127 Rate Mod Source Select between the 16 modulation sources. Wave Morphs from triangle to saw to square to pulse Wave Mod -128 to +127...
  • Page 94 RANDOM RANDOM RANDOM RANDOM Parameter Values MIDI ctrl NRPN 99 NRPN 98 Random Pulse Pw 0 to 255 (Intensity) Random Trigger LFO 1, LFO 2, Key. MOD KYBD MOD KYBD MOD KYBD MOD KYBD Parameter Values MIDI ctrl NRPN 99 NRPN 98 Mod Keyboard 0 to 255...
  • Page 95 ASSIGN EDIT KNOB 1 ASSIGN EDIT KNOB 1 ASSIGN EDIT KNOB 1 ASSIGN EDIT KNOB 1 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Parameter Group MIDI controller 2, Osc1, Osc2, Osc Mod, DSP Filter, Feedback, Analog Filters, Amp, Granulator, Mod Env, Modulator 1, Modulator 2, LFO1, LFO2, Random,...
  • Page 96 GotharMusic Copyright 2010 www.gotharman.dk...

Table of Contents