Roland V-Combo VR-760 Owner's Manual page 93

13: SPACE-D
This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus effect.
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz
Depth 0–127
Phase 0–180˚
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance # D100:0W–D0:100W
Level 0–127
14: STEREO CHORUS
This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz
Depth 0–127
Phase 0–180˚
Filter OFF, LPF, HPF
Cutoff 200–8000 Hz
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance # D100:0W–D0:100W
Level 0–127
15: ST.FLANGER (Stereo Flanger)
This is a stereo flanger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz
Depth 0–127
Feedback # -98–+98%
Phase 0–180˚
Filter OFF, LPF, HPF
Cutoff 200–8000 Hz
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance D100:0W–D0:100W
Level 0–127
Explanation
Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the chorus sound
(W)
Output Level
Explanation
Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the chorus sound
(W)
Output Level
Explanation
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Spatial spread of the sound
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound
(W)
Output Level
Effects/Parameter List
16: STEP FLANGER
This is a flanger in which the flanger pitch changes in steps. The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo.
Parameter Value
Pre Delay 0.0–100.0 ms
Rate 0.05–10.00 Hz
Depth 0–127
Feedback # -98–+98%
Phase 0–180˚
Step Rate # 0.10–20.00 Hz, note
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance D100:0W–D0:100W
Level 0–127
17: STEREO DELAY
This is a stereo delay.
When Mode is NORMAL:
fig.02-017am
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
When Mode is CROSS:
fig.02-017bm
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
Parameter Value
Delay L 0.0–500.0 ms
Delay R
Feedback # -98–+98%
Mode NORMAL, CROSS
Phase L NORMAL,
INVERT
Phase R
HF Damp 200–8000 Hz,
BYPASS
Low Gain -15–+15 dB
High Gain -15–+15 dB
Balance # D100:0W–D0:100W
Level 0–127
Explanation
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Spatial spread of the sound
Rate (period) of pitch change
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound
(W)
Output Level
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
Selects the way in which delay
sound is fed back into the effect.
(See the figures above.)
Phase of the delay sound
Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the delay sound (W)
Output Level
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