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Chapter 7 Creating Styles
■ Transposing the Pattern's
Bass Part
Use this procedure to transpose the bass part and
store the pattern (Key Transpose).
*
Key Transpose settings are disregarded when recording
patterns.
*
If notes whose pitches are changed using the Key
Transpose function are in registers that are unplayable
for the DR-3, the notes in the expressible range above or
below that octave are sounded.
1. Press [EDIT].
The Edit Menu screen appears.
2. Select a <STYLE>, then press [ENTER].
3. Press [
], select a <PATTERN>, then
press [ENTER].
4. Press [
], select a <PTN KEY TRANS>.
fig.07-18d
5. Press [
] [
be set the key.
Select the pattern with "PTN KEY TRANS"
displayed the upper part of the screen.
The pattern names appear as "VERSE Av,"
"VERSE Bv," and "VERSE Cv" when
VARIATION [PTN] is on.
6. Turn the VALUE dial to select the key.
You can set the value in semitone units
within the range from -12 to +12.
7. When you press [EXIT] twice, the setting
is changed, and you're returned to the
previous screen.
■ Playing Back Recorded Patterns
After recording each of the patterns, play them
back to check out how they sound.
1. If recording is in progress, press STOP
[
] to stop the recording.
2. Press START [
The recorded pattern is played.
3. Press STOP [
70
] to select the pattern to
].
] to stop the performance.
<4> Confirming the
Created Style
Now play back the new style to check the tempo
and drum kits.
You can also press the TSC and VARIATION
[PTN], [KIT] and [MUTE] to check the settings,
and adjust these settings if necessary.
■ Performing the Created Style
1. Press [MANU] or [AUTO].
2. Press any of Pattern Pads or START
[
] to start the performance.
3. Press [ENDING/STOP] or STOP [
stop the performance.
■ Editing the Settings
You can make changes to the following settings,
even after creation of the style is finalized.
•
Style Tempo —
"Setting the Tempo for the Style" (p. 62)
•
Kit Settings —
"Setting Up the Kit" (p. 63)
•
TSC Settings —
"Making the TSC Settings for the Style" (p.
64)
•
VARIATION [MUTE] Settings —
"Changing the Sound to Be Muted" (p. 63)
] to
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