Input Channel; Direct Out - Studiomaster MIXDOWN Owner's Manual

2:1 INPUT CHANNEL (Referring to FIG 1)
The 16.8.16
unique to the 16.4.8 are shown in
1 MIC input
wired Pin 1
+ve phase.
impedance balanced
60dB. Input impedance typically 2kohm (balanced).
Maximum input level OdBm.
2 LINE input
jack wired Sleeve
=
+ve phase. For unbalanced use, use a mono
plug wired
range -15 to +30dB. Input impedance greater
60kohm (balanced),
(unbalanced). Maximum input level +30dBm.
3 TAPE input
Ground, Tip
TAPE monitor
from the multitrack tape recorder. On
this is marked "LINE B", for use as an extra LINE
input. Input impedance typically 10kohm.
input level +30dBm.
4 SEND/RETurn
Ground, Ring
pre-fader.
+4dBm.
DIRECT
5 OUT
Ground, Tip
-10dBV. Minimum
25kohms.
6 +48V button.
phantom supply 'to Pins 2 and 3 of XLR MIC
for use with condenser microphones.
7 TAPE button
MIC XLR or
depressed,
connected thus
MIXDOWN
input channel
Electronically
=
Ground, Pin 2
The channel may be driven with a
microphone. Gain range 15
Electronically balanced stereo
=
Ground, Ring
=
Sleeve Ground, Tip
greater
Unbalanced 0.25" jack wired Sleeve
=
Signal. Drives the input channel or
section with an
Stereo 0.25"
=
Return, Tip
Return impedance 5kohm, nominal
Mono 0.25" jack
=
Signal. Post fader. Nominal
load (for
When depressed,
switches the input channel from
LINE jack to
so that tape
eliminating
is shown, features
~ J til<l.1
areas.
balanced female
=
-ve phase, Pin 3
=
-ve phase, Tip
=
Signal.
than
unbalanced
expanders,
Maximum
jack wired Sleeve
=
Send, post-EQ
wired Sleeve
reference
applies
the TAPE jack
returns can be
the need for
XLR
=
low
to
0.25"
jack
Gain
than
30kohm
=
signal
=
and
level
=
level
level)
+48V
input
the
when
left
re-
o
FIG 1
3