Boss GT-1 Parameter Manual / Sound List page 28

Sound List
Patch # Patch Name
P60 METAL CORN
P61 DRAGON METAL
P62 BLADE METAL
P63 TRIPLE DEEP DLY
P64 METAMORPHOSIS GT
P65 DIAMOND ECHO
P66 TREMOLO MOD DELAY
P67 MULTI DIMENSION
P68 YOU TWO
P69 MELLOW FELLOW
P70 80s STUDIO LEAD
P71 SUPER CLEAN
P72 SUPER MODULATE
P73 SLICED UP
P74 DEEP CS StCHORUS
P75 WALL OF FUZZTONE
P76 NY LEAD MODULATE
P77 LEZLY HEAVEN
P78 NOISY DUB
P79 TIGHT CRUNCH
P80 70s FUNKY CLEAN
P81 FLAGEOLETTO
P82 TERA FUNK
P83 FUNKY GROOVE
P84 TERA REV & COMP
P85 FUSION 335
P86 80s JAZZ FUSION
P87 MILD JAZZ
P88 JAZZ FIELD
P89 JAZZ SIMULATOR
P90 CLEAN SUSTAIN
P91 COMP CRUNCH LEAD
P92 FULLRTN DRIVE
P93 UNMATCHED COMBO
P94 COUNTRY PICKIN'
P95 TWEED CLEAN
P96 ClnTWIN SOUTHERN
P97 SAFARI USA
P98 MELLOW LEAD
P99 RETRO TREMOLO
28
Explanation
An ideal sound for heavy metal riffing. Using the [CTL1] switch increases the volume and applies
chorus.
Ideal modern metal sound for humbucking pickups.
An extremely sharp metal tone.
Deep effect with DELAY and TERA ECHO.
Uses OVERTONE to produce an organ-like sound.
A crunch sound with echo.
Combination of MOD DELAY and TREMOLO.
Multiple effects are turned on simultaneously. Provides a mix of the direct and processed sounds. STUDIO
Simply play chords to obtain a bouncy sound.
A spacious clean sound.
A chorused sound with sustain, suitable for lead.
Transparently clean sound. Ideal for arpeggios or chording.
Clean sound with modulation applied. Also effective when used in the intro.
Created with a drastic TREMOLO effect setting, this patch utilizes a Slicer Effect. The FUZZ
overdrive helps "cut through."
A rich sound that uses a combination of several modulation-type effects.
Chorus is used to create a wall of fuzz sound.
A lead sound with a strongly modulated flanger. Also usable for cool jazz fusion.
Use the CTL1 switch to switch the rotational speed.
Extreme noise sound in combination with some effects.
A tight combo crunch sound.
Clean sound suitable for simple strumming.
A super clean sound with compression that is driven through regular delay and TERA ECHO. An
unusual reverb is created the cames the guitar sound ver "far."
A clean sound with compressor added.
A sound suitable for funky strumming.
Combines a TERA ECHO set to a spring reverb type with compressed and clean sound.
A lead tone of '70s fusion. The [CTL1] switch boosts the gain and volume.
A fusion lead tone using stereo chorus.
Stomp [CTL1] switch to add DELAY for a mild jazz tone.
An aggressive jazz tone. The [CTL1] switch switches to a sound for soloing.
Lets you get the sound of a hollow body guitar from a solid-body guitar.
A clean sound with good sustain. The [CTL1] switch switches to a stack crunch sound.
A lead sound suitable for jazz fusion.
Light American crunch sound of the late '50s.
The sound of a fat and extremely clean combo amp.
A classic country rock sound.
Use the [CTL1] switch to switch between a tweed amp's clean tone and a mid-boost lead tone.
Clean sound that's great for country rock riffs.
Tremolo sound suitable for the surf music of the '60s.
Bluesy sound with warm overdrive.
Nice fluctuation with TREMOLO.
GENRE1 GENRE2
METAL/CORE HARD ROCK
METAL/CORE HARD ROCK
METAL/CORE HARD ROCK
STUDIO POPS
STUDIO ALTERNATIVE
STUDIO LATIN
STUDIO POPS
R&B
STUDIO ACOU
STUDIO POPS
STUDIO HARD ROCK
STUDIO POPS
STUDIO TRADITIONAL
STUDIO ALTERNATIVE
STUDIO POPS
STUDIO ALTERNATIVE
STUDIO JAZZ/FUSION
STUDIO LATIN
SOUL/FUNK DISCO
SOUL/FUNK DISCO
SOUL/FUNK DISCO
SOUL/FUNK STUDIO
SOUL/FUNK STUDIO
SOUL/FUNK DISCO
JAZZ/FUSION STUDIO
JAZZ/FUSION LATIN
JAZZ/FUSION POPS
JAZZ/FUSION R&B
JAZZ/FUSION OLDIES
JAZZ/FUSION POPS
JAZZ/FUSION LATIN
JAZZ/FUSION LATIN
COUNTRY OLDIES
COUNTRY OLDIES
COUNTRY R&B
COUNTRY OLDIES
COUNTRY OLDIES
OLDIES TRADITIONAL
OLDIES TRADITIONAL
DISCO OLDIES